Posted in: Disc Reviews by Gino Sassani on May 9th, 2002
“Danger, Will Robinson.” Attempting to make a serious film out of Irwin Allen’s beloved space family Robinson wasn’t one of Hollywood’s brightest ideas. The filmmakers did a pretty decent job of creating a fun science fiction film, but their obvious attempts at nostalgia never quite gel with the overall vision of the film. Complete with stellar special effects and a much more logical plot than the campy 60’s show, Lost In Space had promise. What New Line failed to understand was the cheese cardboard effects and zipper-toting aliens spun around a totally ridiculous plot was the true charm of Lost In Space. While it was warming to see 4 of the original cast in cameos the two that were missing, Jonathan Harris and Bill Mumy were the true heart of the TV series. The one jewel in this film has to be the performance of Gary Oldman as the indomitable Dr. Smith.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 5th, 2002
This is a rather unique match-up, pairing one star in the twilight of his career (Burt Lancaster) with one entering her prime (Susan Sarandon), and both are given meaty roles.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 4th, 2002
Time travel stories and their inevitable paradoxes have been with us since Twain’s Connecticut Yankee in King Arthur’s Court. This film takes a fresh approach to the subject. Instead of the characters moving through time, they are afforded the chance to communicate through time. Frequency is both engaging and often emotional. There is an amazing chemistry between father and son even though for most of the film they are never actually together. The baseball theme, for me, adds warmth that makes the relationship play out like a common memory. I hesitate to use the moniker “feel good movie” but it does seem to fit Frequency.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 4th, 2002
Films
Fox offers five more Marilyn Monroe classics in Marilyn Monroe - The Diamond Collection Vol. II
Posted in: Disc Reviews by Gino Sassani on May 3rd, 2002
Film
Fritz Lang became one of the earliest masters of filmmaking. Known mostly for such classic silents as Metropolis and Spies, Lang delivers a startling film definitely ahead of its time with M. This is also the very first film for the talented Peter Lorre who would later shine in Corman’s Poe series, and of course, along-side Bogart in The Maltese Falcon and Casablanca. M is a disturbing film that constantly assaults the viewer with stark images of a city’s underworld life. Th... portrayal of a child serial killer was incredibly bold for the time and is unsettling even today when audiences are almost numb to horrific acts of violence on our movie screens.
Posted in: Disc Reviews by Gino Sassani on April 20th, 2002
“Welcome to Jurassic Park”. With those words begin an adventure that started with the legacy of Willis O’Brien’s “The Lost World”… which would lead to Steven Spielberg to acknowledge this connection with the title of Jurassic Park 2. Dinosaur films are nothing new; they have held our child-like fascination since the industry was born. Jurassic Park was, however, something very new when it thundered into our cineplexes and forever in our imaginations. The marriage of brand new CGI technology with Stan Winston’s superbly detailed animatronics models transport you back 65 million years in time. CGI technology has improved since then and has become somewhat commonplace but there is nothing common about Jurassic Park.
Synopsis
Posted in: Disc Reviews by Gino Sassani on April 17th, 2002
The case features Drew Barrymore front and centre, but don’t be misled. This is a 1997 effort, and Barrymore’s star was still on the (re)ascension. She has a supporting role in this crime story, yet another smart-aleck tale to come in the wake of Quentin Tarantino.
Synopsis
Posted in: Disc Reviews by Gino Sassani on April 17th, 2002
Intro
Fox has done it once again! From Hell is not the greatest of films, but this DVD release makes this film a must own.
Posted in: Disc Reviews by Gino Sassani on April 16th, 2002
Let me start off by being very honest. I was not a huge fan of the Devlin and Emerich film version of Stargate. And because I wasn’t into the film, I did not bother to watch the Showtime original series when it first debuted. That was a major mistake on my behalf. The series is closer to Star Trek than Stargate (the movie). The cast is excellent beginning with Richard Dean Anderson taking over the Mike Douglas role of Col. O’Neal. With a refreshing blend of wit and tough guy, Anderson is everything you want in a le...der. Showtime’s commitment to quality production values and tight writing make this one of the better TV boxed sets out there (in terms of content). Look for Anderson’s reaction in the pilot when Carter explains how she needed to “McGyver” a dialing station… it’s priceless.
Synopsis
Posted in: Disc Reviews by Gino Sassani on April 10th, 2002
Let me start off by saying that “The Cell” is not for the timid. It can be as disturbing as it is visually stunning. On the surface this is a serial killer thriller but in reality the film is much more. Elements of suspense and graphic horror combine with a science fiction premise that one can enter the dreams of another person. It’s hard not to make comparisons with the 1980’s film “Dreamscape”; both have created elaborate larger than life dream worlds where if you die in your dream you die in reality. “The Cell” goes much further with its stark contrasts of often gritty environments followed by lavish and brightly colored settings.
Synopsis
