Posted in: Disc Reviews by Gino Sassani on May 23rd, 2002
“He’s gone for a little walk.” I’ve never forgotten the first time I saw the mad assistant describe the escape of the Mummy from his tomb and the maniacal laughter that accompanied it. Again it’s the combination of Boris Karloff and makeup genius Jack Pearce that defines a creature for generations to come. When most of us think of a mummy we recall the bandaged creeping terror of Karloff’s portrayal rather than the more mundane rotted corpses found in museums all over the world. With a powerful cast and grand set designs, The Mummy would wrap all of us up in horror for 60 years.
Posted in: Disc Reviews by Gino Sassani on May 21st, 2002
By 1954 it seemed that Universal had run out its string of classic horror icons. Frankenstein’s Monster, The Mummy, and the Wolfman were forever gone from the backlots of Universal Studios. Enter Bud Westmore with a brand new monster design and The Creature soon joined the unholy 3 as the new face of horror. The Creature or Gillman would be the first Universal monster to be a full body suit and played by 2 actors in the same film (Browning for water and Chapman for land). Jack Arnold would bring a newly charged atmosphere and revitalize a genre.
Posted in: Disc Reviews by Gino Sassani on May 20th, 2002
“Even a man who is pure at heart and says his prayers at night can become a wolf when the wolfbane blooms and the moon is full and bright.” Curt Siodmak penned that poem over 60 years ago as the centerpiece for a film that was to feature Boris Karloff. The film was to be called “Destiny” and provide Karloff with a less lumbering creature than his Frankenstein’s monster. The project was put on hold and would eventually re-emerge as “The Wolf Man”, this time starring the son of the man of a thousand faces, Lon Chaney, Jr. Chaney would later in life claim this as his favorite role because unlike the Monster or the Mummy it was “completely my own”.
Posted in: Disc Reviews by Gino Sassani on May 18th, 2002
Film
The Mothman Prophecies is a nice little thriller. This Richard Gere film is quite dark and mysterious. The story and film are both hit and miss, but overall, it’s a good view.
“Distraught by the sudden, tragic death of his wife (Debra Messing), John Klein (Richard Gere), a journalist for The Washington Post, finds himself mysteriously drawn to a small West Virginia town when his car inexplicably strands him. Rescued by the sympathetic but skeptical local police sergeant...
Posted in: Disc Reviews by Gino Sassani on May 17th, 2002
Film
Braveheart this film is not, but The Patriot is still a decent Mel Gibson offering. This film, along with Hollow Man, has had the pleasure of being one of the first Superbit Deluxe DVD release. For me, this film will be remembered by one, and only one great sequence. That sequence (if you have seen this film you will know this scene) is when Mel Gibson goes loco with his hatchet. This scene is worth the price of admission (or cost of the DVD) alone.
“In the emotionally...
Posted in: Disc Reviews by Gino Sassani on May 16th, 2002
“Among the rugged peaks that frown upon the Borgo Pass are found crumbling castles of a bygone age.” Carla Laemmle read these the first words ever spoken in a horror film that featured sound in the opening moments of Dracula. The film was based more on the Broadway play version of Dracula than the famous Bram Stoker novel. Who better to play the Count than the young Hungarian actor who immortalized him on the stage, Bela Lugosi? Lugosi brought more immortality to Dracula than the blood of his victims.
Posted in: Disc Reviews by Gino Sassani on May 15th, 2002
The Films
Guilty as charged. Yes, it is true… until now, I had never seen any of the Rambo films. Sure, these films are all now somewhat dated, but they sure are fun to watch.
Rambo: First Blood – Sylvester Stallone stars as ex-Green Beret John Rambo, a shell-shocked Vietnam vet adrift in the Pacific Northwest. Harassment by an unsympathetic small-town sheriff brings on nasty flashbacks of torture at the hands of the Viet Cong; after busting out of the jail where he has ...
Posted in: Disc Reviews by Gino Sassani on May 14th, 2002
Bela Lugosi had become the heir apparent to Lon Chaney, Sr. as Universal’s horror king with the extraordinary success of Dracula. When the studio decided that Mary Shelley’s Frankenstein would be its next vehicle, Lugosi adamantly turned down the role of the monster. He felt that the role was doomed to failure, mainly because there was no dialogue and that audiences would not relate to the character. Enter a little known character actor from England to fill the monster’s shoes, and the name Boris Karloff would eventually eclipse Universal’s reigning king of horror.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2002
Synopsis
Randolph Scott is a young man who refuses to live up to his potential. Though very skilled, and possessing every attribute necessary to excel as a marine, he refuses to do so. When not training, he does one of two things: engage in a battle of wills with the crusty sergeant (John Payne) who knows what Scott should be capable of; or court sensible nurse Maureen O'Hara (who also expects more of Scott than he does of himself).
Don't approach this hoping for an action flick. Despite t...
Posted in: Disc Reviews by Gino Sassani on May 12th, 2002
Synopsis
1941. Field Marshal Rommel's forces are sweeping across Africa. The only thing blocking him from the Suez Canal is Tobruk. The British and Australian forces are hopelessly outmanned and outgunned, but their orders are to hold out, and hold out they will. Richard Burton is placed in charge of a battalion of green Australians. Though his toughness doesn't endear him to his him, Burton nevertheless whips them into combat and commando troops.
The characters are familiar. Burton's comm...
