Posted in: Disc Reviews by Gino Sassani on June 18th, 2002
“In space no one can hear you scream” was the slogan that drew a conglomerate of horror and science fiction fans to theatres in 1979. Was it horror or sci-fi? Alien turned out to be a rare cross-genre film that managed to satisfy both audiences. Ridley Scott started out by bringing the “space ship” film away from the glamorous bright future and depicted a world startlingly very much like our own. In Scott’s gritty future companies are quasi-government agencies and these astronauts are not explorers out for glory and...
Posted in: Disc Reviews by Gino Sassani on June 13th, 2002
Film
Robert DeNiro has built a tremendous career out of portraying men who are to be feared. Starting with Vito Corleone in The Godfather Part II through Good Fellas, DeNiro has established himself as the Hollywood Don. Analyze This is a brilliant comedy that cashes in on that long body of work. There’s no setup required for us to accept DeNiro as the head of a crime family. What makes the film work on an even higher level is the addition of Billy Crystal and the fact that both powerful actors play against what you would expect.
Posted in: Disc Reviews by Gino Sassani on June 11th, 2002
Synopsis
Tom Cruise is the deeply shallow David Aames, who undergoes a conversion when he falls in love with Penelope Cruz (repeating her role from the original). This upsets Cameron Diaz, who commits vehicular suicide with Cruise in the passenger seat. Horribly disfigured, he nevertheless re-establishes his relationship with Cruz. And then reality starts coming apart at the seams.
The film looks terrific, and has an interestingly eclectic soundtrack (I'm amazed that they dug up "Doot Doot"...
Posted in: Disc Reviews by Gino Sassani on June 8th, 2002
Synopsis
Tyrone Power is the intensely irritating American flyboy who flies a delivers a bomber to England to earn some money. Once there, he spots old flame Betty Grable, and enlists in the RAF so he can woo her back. Grable is also being courted by Power's commanding officer, who possesses all the decent qualities Power lacks (i.e. just about everything).
The romance, which central to the film, is not exactly enthralling, since you're rooting for the wrong man. The combat scenes, however,...
Posted in: Disc Reviews by Gino Sassani on June 8th, 2002
One … two… Freddy’s coming for you, three… four… better lock the door, five… six… grab your crucifix, seven… eight discs is what you’ll get in this colossal horror collection. Freddy is one of the more memorable monsters from the slasher era that also brought us the Halloween and Jason films. Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality... The first and third are the best story-wise, while the last might be the most unpredictable and original.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2002
There was a time when everything Stephen King wrote was considered movie material. Somewhere studios were trying to figure out how to make a film franchise from his shopping lists. Most of the time the films fell massively short of the original material. The Green Mile is a noteworthy exception, as this is far superior to the King story. There are no monsters or ghouls (unless you count guard Percy), instead, this film manages to pull on your emotions in subtle ways in contrast to King’s usual M.O. of hitting you over the head with your fears.
Posted in: Disc Reviews by Gino Sassani on June 5th, 2002
Synopsis
State police officer Inayat Khan's son is critically injured in a fall and dies because doctors, intimidated by a terrorist's threat, refuse to treat him. Khan launches an assault on the terrorist, and during the battle guns down the family of 11-year-old Altaaf. Khan and his wife adopt Altaaf, whose new life is shattered when he discovers Khan's role in the loss of his parents. Ten years later, Altaaf is now a terrorist working for the deeply sinister Hilal Kohistani, who has sent him on a ...
Posted in: Disc Reviews by Gino Sassani on June 3rd, 2002
Welcome to Oliver Stone’s history 101, where Vietnam looked a lot like Florida, and JFK was killed by a conspiracy so large it included the mafia, FBI, CIA, the Teamsters, and two bag ladies on Pennsylvania Avenue. Hollywood has always tinkered with history, but Oliver Stone performs reconstructive surgery. Nixon is no exception to this rule. It is much easier to view the film more as a character study than an historical piece. The film has you believe that Nixon used the F word more times than Richard Pryor on a roll, hated most of his advisors, and also had a hand in the JFK ordeal.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2002
Fresh off of its multiple nominations at the 2001 Academy Awards, and Academy’s winner of the Best Original Screenplay, comes Gosford Park to DVD. Most who have seen this film have fallen in love with it, I on the other hand, felt the story moved far to slow, and my interest waned as the film progressed. Though I was not captivated by the film itself, the acting was superb, and the premise was solid.
“It is November, 1932. Gosford Park is the magnificent country estate to which Sir William McCo...
Posted in: Disc Reviews by Gino Sassani on June 1st, 2002
It’s hard to imagine, but in the 1930’s sequels were almost unheard of. If a work was considered to be a franchise, it was released in serial form before the main features. By today’s standards, Bride of Frankenstein would be no surprise. James Whale was reluctant to continue the Frankenstein saga as was the Monster himself, Boris Karloff. Universal was relentless and the world is the benefactor of its greed. Bride of Frankenstein not only lives up to its original but in many ways surpasses it. The sets are far more grand and the story was Universal’s most compelling.
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