Posts by Jeremy Butler

"Camp is tough: there's the lack of sleep, endless games, mystery meat, twelve thousand questions middle schoolers somehow ask before breakfast, and camp songs that get stuck in your head forever."

One thing I can say about Bad Counselors is that there were a lot of recognizable faces in it. Chris Klein returned to his comedy roots in this film that could potentially be a distant, more wholesome cousin to America Pie. Richard T. Jones of The Rookie fame, along with Stargirl’s Brec Bassinger and Missi Pyle, all star in this faith-based comedy that was surprisingly more entertaining that I initially expected it to be. I’d anticipated a vapid B-movie that would be more cliché than substance, but as it turned out, the film actually had more than one moment of substance. Despite the premise of the frat-boy antics, the story focused more on character identity and growth. The film avoids being overly "cheesy" by leaning into intentional, self-aware comedy, mostly against cringy evangelical tropes. And while the Christian elements are primarily used for narrative quips rather than deep theological teaching, the underlying themes of repentance, second chances, and authentic human connection are very much showcased.

Well, this film features a pretty stacked cast of talents with the likes of Tom Waits, Adam Driver, Cate Blanchett, Mayam Bialik, Charlotte Rampling, and Indya Moore coming together in this triptych divided into chapters set in New Jersey, Dublin, and Paris. Not only is it a stacked cast, but it’s also a lot of repeat business, as this film marked the second collaboration between actress Cate Blanchett and director Jim Jarmusch after Coffee and Cigarettes, the third collaboration between actor Adam Driver and Jarmusch after Paterson and The Dead Don't Die, and the sixth collaboration between actor Tom Waits and Jarmusch after Down by Law, Mystery Train, Night on Earth (Waits composed it), Coffee and Cigarettes, and The Dead Don't Die. So obviously, Jarmusch has fostered some great relationships with impeccable group of actors and vice versa; the actors have found a creative storyteller with whom they wish to continue collaborations. This triptych is a example that creative storytelling, as the three chapters, or better known as movements, are narratively independent but thematically interconnected.

The title is an obvious nod to the popular tabletop game, and while Hungry doesn't reinvent the wheel, it is a mid-tier thriller. The narrative centers around a diverse group of holidaymakers who book a routine alligator-watching flatboat tour through the Louisiana bayou. There were some familiar faces amongst the cast, such as Madison Davenport, who I haven’t seen since the television version of From Dusk Till Dawn, as well as Joaquim de Almeida, who serves as the primary human catalyst for the film's deadly events. Following watching the film, I did find myself having to research the overall likelihood of an African hippopotamus in the Louisiana bayou. Not so much because I consider the idea a legitimate threat, but more so because I wanted to identify just how out-of-left-field the premise of the film was overall. Based on my research, I was correct to surmise that the idea was out of left field, but not quite as much as I thought it was. Because on the one had there are no wild hippos in the bayous of Louisiana or anywhere else in the United States, but the idea of hippos in the bayou does comes from a real historical proposal.