Posts by Jeremy Butler

So, I don’t want to make this film out to be more than it was intended to be, a movie intended to capitalize on the nostalgia of Pitch Perfect fans by bringing together three of its stars (Rebel Wison and Anna Camp of the original trilogy, as well as Gigi Zumbado appeared in Pitch Perfect 2) in what amounted to a lackluster comedy. In addition, the film was to capitalize on residual popularity of Rebel Wilson, who won over so many with her quick wit and unique brand of humor. However, the film came off as more of a mash-up of already-seen Rebel Wilson movies, specifically Bridesmaids and The Hustle. And while I commend Rebel Wilson’s nunchuck skills as well as most of her own stunts in the film and her commitment to filming despite getting injured on the final day of filming, this wasn’t a movie that really did it for me. There wasn’t enough originality to keep my interest. The plot essentially felt like a rehash of another average wedding flick that shotgunned a hostage situation. Even with the addition of Justin Hartley and Stephen Dorff, this film felt like more like a direct-to-streaming movie than a theatrical release.

Wilson stars as Sam, a secret agent whose job begins to impede her maid of honor duties, much to the chagrin of her best friend, Betsy (Camp), who, as expected, is unaware of Sam’s job. When Sam’s latest assignment prompts her disappearance from the party, this leads Betsy to drunkenly name her fiancé's sister Virginia as maid of honor instead. Ostracized from the bridal party, Sam's attempt to comfort Betsy backfires, and she slips away after Betsy suggests they have grown apart as friends. Things come to a head at the wedding when a mercenary group crashes the party and takes the guests hostage. Sam must jeopardize her cover in order to take down the mercenaries and keep her friends safe.

This episode collection was all right with me, but in the eyes of my son, it could do no wrong, and as he is the one actually in the age demographic, this will be the one time where I defer to the opinion of a three-year-old. In this ten-episode collection, Marshall takes charge and leads the pups from everything from a blaze at a lemonade stand to saving a lost penguin. This disc marks the first time that my son has willingly sat through the watching of something from start to finish. It’s not all that surprising, as he was a fan of the series before this disc, but I still found it significant, because he does remain selective about which episodes he watches. Fortunately, Marshall is among his favorite of the crew, especially now that Rubble is off doing his own thing. Luckily, Rubble also featured in this episode collection, so my son got the best of both worlds.

For those not in the know, though I suspect that is very few, Paw Patrol is a Canadian animated series that focuses on a young boy named Ryder who leads a crew of search and rescue dogs that work together on missions to protect the shoreside community of Adventure Bay and surrounding areas. Each dog has a specific set of skills based on emergency services professions, such as a firefighter, a police officer, and an aviation pilot. They all reside in doghouses that transform into customized vehicles, or "pupmobiles", for their missions. They are also equipped with special hi-tech backpacks called "pup packs" that contain tools relating to the pups' jobs. The series has completed 11 seasons (which many of the episodes in this collection are from) and has spawned at least three feature films along with a spin-off series featuring the popular character Rubble.

“Viva la Revolucion.”

I don’t say this lightly, but One Battle After Another is without question the best movie that I’ve seen this year. With a star-studded cast that includes at least three Oscar-award winning actors (Leonardo DiCaprio, Sean Penn, and Benicio Del Toro), several other Hollywood veterans (Regina Hall and Wood Haris), and up-and-coming talent (Teyana Taylor and Chase Infiniti’s film debut), the film establishes itself from its opening credit and held my attention till the very end. Inspired by Thomas Pynchon's 1990 novel Vineland, this epic dark comedy follows DiCaprio as Pat Calhoun and Taylor as Perfidia Beverly Hills are lovers and members of the far-left revolutionary group known as the French 75. While breaking out detained immigrants from a detention center, Perfidia humiliates the commanding officer, Steven Lockjaw (Penn), who develops a sexual fascination with her. With the French 75, Pat and Perfidia carry out attacks on politicians' offices, banks, and even the power grid. Still obsessed with Perfidia, Lockjaw leverages his position to pursue the group, more specifically Perfidia.

“Now we’re playing some football.”

Let’s just start with the high marks: Marlon does his thing, which I fully expected that he would. Right when you think that we have already seen the best that he has to offer, he finds a new gear, and let it be known that he will not be typecast as just a comedian or as a writer or as producer. He is, in fact, him. Pun intended. Tyriq Withers shows some promise as a leading man, and like his character is clearly hungry to make a name for himself, with this project being his second box office horror appearance this year (the other being I Know What You Did Last Summer). Also, you can see Jordan’s Peele’s influence on the film, as there are a handful of similarities to his previous projects. However, Him, while entertaining, does not achieve the same impact as those aforementioned projects. There was plenty of intrigue, but the train somewhat comes off the track, particularly in regard to the film’s conclusion.

“I read somewhere, thou shalt not steal. I think it was in the Bible, "Thou shalt not steal." That's not complicated, is it? But, if you do have a problem with that, you can always take it up with God, or Karl Marx, or the Kardashians, or anyone.”

Unfortunately, even Anthony Hopkins wasn’t enough to elevate this film beyond just an OK watching experience. A remake of a remake, Locked stars Hopkins as well as Bill Skarsgard, who I am convinced struggles with picking good movies to become attached to. Not saying that this is a shining example of those difficulties, but I doubt it will do anything to further his reputation in the industry. The film is a remake of the Argentine film 4x4 (2019), which was previously remade in Brazil as A Jaula (2022). Despite not being in the same room for the bulk of the film, I will say that the two played off one another quite well, which I attributed to both actors having significant stage presence. That aside, the film drew too many parallels to another psychological thriller franchise starring an enigmatic actor whose character had penchant for entrapping individuals who needed to learn a lesson.

The simplest way I can think to sum up this movie is as such: If you saw the first film (Freaky Friday), then you have essentially already seen the second film already, Freakier Friday. This is due to there being very little difference between the two films beyond the passage of time. Yes, Lindsay Lohan now finds herself in the adult role, but the film’s themes are very much the same. In the interest of fairness, I will admit that there is very little room for deviation given the film’s premise. This is a “walk a mile in another person’s shoes” type movie, and the film delivers on that, so when push comes to shove, the film delivered on what it was supposed to. However, I feel like this kind of movie was the reason that Disney created Disney+ for. As nice as it was to see Lohan return to the silver screen, this film marks Lindsay Lohan's first theatrically released leading role in 18 years. However, it just felt like the film would have been better suited on the streaming service. I will give this legacy sequel credit for its continuity, as it found a way to bring back nearly every character from the first film, which was something that I did not expect.

And when I say nearly every character, I mean nearly every character. Obviously, Jamie Lee Curtis and Lindsay had to return. It wouldn’t have been much of sequel without both of their participation. It was reportedly Jamie Lee Curtis who persuaded Lindsay Lohan to return to Disney again, as the two became close friends after the 2003 film. However, what was also interesting was the return of characters such as Chad Michael Murray (Jake), Mark Harmon (Ryan), Stephen Tobolowsky (Mr. Bates), Rosalind Chao (Pei-Pei), Lucille Soong (Pei-Pei's mom), Christina Vidal (Maddie), and Haley Hudson (Peg). Murray’s role offered some comic relief, as his character still carries a bit of a torch for Curtis’s character, but I think the return I was most surprised to see was Harmon, as this marked his first non-NCIS related work in 13 years. In addition to returning characters, the film also featured some returning music. If you will recall, Lohan’s character was in a band, and to the film’s credit, it found a way to incorporate some of those popular songs (Ultimate and Take Me Away) as well as a couple of original songs as well.

“So, what are you waiting for? What are you waiting for!”

Well, if I’m being pretty honest, I certainly wasn’t waiting for this. In fact, having now watched it, I would have been absolutely fine if we never got it. This reboot-slash-sequel, now better know as "requel", was about three years too late, as this film seems destined to forever be in the shadow of its previous competition. I won’t do this film the disservice of naming its competition, but I fairly sure that you can connect the dots. Truth be told, I was never much of a fan of the original film nor its sequel, so I didn’t have high hopes for this “requel.” But even so, I still found myself disappointed as I jokingly predicted who the killer would ultimately turn out to be. And predicting who it would be actually wasn’t that hard, because it seemed to be the logical move to make for the franchise, and despite that it still fell flat, as it just felt out of character. That said, it has been a long time since I saw Jennifer Love Hewitt and Freddie Prinze Jr. up on the silver screen, and I have to admit that was a nice bit of nostalgia.

“Memento Mori, it means you must die.”

This movie has been a long time coming and is quite possibly the most anticipated movie of the summer. Fans (myself included) have been waiting almost twenty years for this addition to the franchise to materialize. Since the Rage virus was introduced to the audience back in 2002 with 28 Days Later, we, the audience, have been captivated by Danny Boyle and Alex Garland’s gritty zombie tale that filled a much-needed hole left behind by George Romero’s Night of the Living Dead franchise. To their credit, the duo did follow up 28 Days Later with the aptly-titled 28 Weeks Later, which if I’m honest, was my favorite of the franchise, to include this latest installment. That isn’t to diminish this addition; I’m just very fond of the Weeks’ film because it was the movie that really made me pay attention to Jeremy Renner. True to its predecessors, 28 Years Later features a brand-new cast of characters to include Aaron Taylor-Johnson, Jodie Comer, Jack O’Connell, Ralph Fiennes, and Alfie Williams in his first leading role.

Right on cue Disney’s Pixar is back on the animation scene with its latest and quite possibly one of its most original stories with Elio. True to form, for the last three years, Pixar has delivered and had a film release in the month of June. There was Lightyear in 2022, Elemental in 2023, Inside Out 2 for 2024, and now Elio in 2025. Now that is consistency. Not going to lie, I haven’t been impressed with the latest releases from Pixar, and it felt as though they’d been trading on their reputation in recent years. After all, who would dare speak against the studio that gave us Toy Story, A Bugs Life, The Incredibles, and Finding Nemo? It would be fair to say that the company deserved a little grace. Now we have Elio, and as I mentioned earlier, I rank this among the most original animated stories I’ve seen in recent years and one of the best kid-friendly movies I’ve seen this year thus far.

Elio signifies director Adrian Molina’s first Pixar movie as the main director, having served as the co-director on Coco and as a member of the Senior Creative Team for The Good Dinosaur and Lightyear. Well, he has put together a great story and good cast. Through my research I understand that America Ferrara was originally slated for the role of Olga Solis, Elio's mother, but was unable to follow through with due to scheduling issues. I think she would have been good as well, but in my honest opinion, I think there was no way Molina could go wrong with Zoe Saldana. Interestingly enough, it seems this casting change also prompted a story change, as Saldana played Elio’s aunt rather than his mother. Personally, I preferred this shift, as it demonstrates an important principle that not all families are the same and that even when tragedy strikes, it doesn’t mean that you can’t still be family.

“This is Berk. It snows nine months of the year and hails the other three. Any food that grows here is tough and tasteless. The people that grow here are even more so. The only upsides are the pets. While other places have ponies or parrots ... we have ... dragons.”

It looks like DreamWorks is joining the live-action adaptation competition, as How to Train Your Dragon represents the first official live-action adaptation of a DreamWorks feature. Emphasis on competition, given the inherent rivalry between Disney and DreamWorks founder and former Disney executive, Jeffery Katzenberg. I won’t spend a lot of time rehashing their history, but in summary, tensions between Katzenberg, Eisner, and Disney resulted in Katzenberg leaving Disney upon conclusion of his work contract with the company in October 1994 and going on to co-found DreamWorks with Steven Spielberg and David Geffen. More on the subject is How to Train Your Dragon, which represents a picture-perfect successful adaptation in my opinion. Helping bring the adaptation to life is at least one familiar face in Gerard Butler, who reprises his role as Stoick. Rounding out the cast are Mason Thames (The Black Phone), Nick Frost, Julian Dennison (Deadpool 2), and Nico Parker in her second live-action adaptation (the first being Dumbo).