Jeremy Butler

Well, it would seem that Tyrone Power’s Mark Fallon can’t catch a break. Despite remaining honorable and showing compassion, it would seem that dishonorable and disreputable people try to bring about his ruination. The Mississippi Gambler is the story of one gambler’s efforts to succeed while also acting morally and ethically. This was a principle that I enjoyed watching, as I wondered whether his conviction would waver as the film went on. I mean, in a land of cheats and dishonor, how can one expect to remain honorable in kind? However, such ethics make for a compelling character, and that is certainly the case here. In fact, when we first meet Mark Fallon, his first official act is to bust and convert a would-be con man. Fallon’s charisma is such that he and this con man forge a unlikely friendship and bond. The backdrop is the Mississippi River and New Orleans, which worked well for the film’s purposes, providing a sophisticated and elegant background for the film. Rounding out the cast is Piper Laurie of The Hustler and Carrie fame, Julie Adams of The Creature from the Black Lagoon fame, and John McIntire of westerns Wagon Train and The Virginian fame.
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I’ve never been much for spoof movies. There are some exceptions, like the first two Scary Movies or Don’t Be A Menace. However, for the most part, these types of movies have never resonated with me. The jokes are usually not of great quality and kind of cheesy. Unfortunately, The Big Bus fell into this category. From the premise, I couldn’t wrap my head around the plot of this movie. A nuclear-powered double-decker bus piloted by a disgraced bus driver accused of cannibalism. It just didn’t resonate with me. I understand that films of this type were popular during this time, such as Airplane and its sequel, but for me, I couldn’t get past the sheer ridiculousness of the film to get any enjoyment out of it. Of course, my opinion is not the be-all end-all, as my research suggests that the film has apparently obtained cult classic status in this genre as well as won the audience award at the Avoriaz Fantastic Film Festival in 1977. So clearly someone enjoyed it. However, as you are reading this review, I will assume that you are interested in my opinion, and my opinion is that it was not for me.
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I usually don’t say this about a movie, as they are my passion, but this film was unwatchable. I usually don’t take this stance, as I generally believe that every movie has something to offer, but in the case of The Weapon, this was not a movie that I enjoyed. It was a movie that I endured. This took me by surprise, as I was expecting to be moderately entertained given the sheer number of recognizable faces: Cuba Gooding Jr., Bruce Dern, Annalynne McCord, Jack Kesy, and the list goes on. The film even had Richard Grieco, who if I’m being honest, I didn’t recognize until the end credits. However, despite all of this, the film had no real substance, not to mention the cutting between character storylines and time periods, enough to make me want to ask for a roadmap just to keep up. I not sure what the intent was, but I feel safe in saying that this film missed it. Even the action sequences, of which there are many, did not hold my interest. That is saying something, because I love good action film. Unfortunately, that wasn’t what this was.
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A possibly innocent military man facing treason and war crime charges, a devoted wife who finds herself drawn to a man who is not her husband, and a prosecutor who is beginning to doubt the conviction of a lifetime. I can honestly say that Sergeant Ryker piqued my interest with this dynamic. And for me what was the key component to my successful viewing of the film, Lee Marvin of The Dirty Dozen fame embodies Sergeant Paul Ryker, an American solder charged with treason for allegedly aiding the enemy following a failed raid during the Korean War. Bradford Dillman plays Captain Young, the JAG officer who prosecutes Ryker for treason, who comes to doubt the conviction that could launch his career. Then there is Vera Miles of Alfred Hitchcock’s Psycho fame as Sgt. Ryker’s neglected wife, who begins to have eyes for the young captain. What can I say, I dig the drama.
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One the worst things that can happen to a cop is to be forced to do a shooting in the line of duty. All the training in the word does not make living with action any easier, especially if it results in a fatality. It is among the most traumatic events that can occur for a police officer. No matter what, that officer is likely to second guess every decision that led to that point. Could they have found another way to resolve? Did they have to shoot? Could they have talked the person down? Did the person have to die? Those are just a few of the question that are likely to arise. What makes that situation even worse is if person is found to have been at fault. And herein lies the premise for Warning Shot. David Janssen of TV’s The Fugitive fame plays LAPD Sergeant Tom Valens in this crime drama where he finds himself in that exact situation. During a routine stakeout, Valens fatally shoots what he perceives to be an armed suspect. However, upon a comprehensive investigation, the purported weapon is nowhere to be found. This premise alone was enough to intrigue me, but while watching the film, I became more engrossed in the crime drama with every passing detail. Rounding out the cast are Ed Begley and Joan Collins, as well as the “First Lady of American Cinema,” herself, Lillian Gish.
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I grew up hearing about Bob Hope and Lucille Ball. It was more about his television credits and hosting accomplishment. I’d say hosting the Academy Awards 19 times, which to my understanding is a record that still holds up to this day, is something to be proud of. Hell, his next closest competitor is Billy Crystal, who is still ten behind him. Then there is Lucille Ball, who is obviously most notable for her popular television series, I Love Lucy. I hear about these comedic icons all my life and now through Fancy Pants, the second of four films that these two collaborated on. I got to see them in action. And while there is much about the film’s brand of comedy that went over my head, it was easy to see the appeal of these two, as individuals and as a comedic pairing. Based on a musical by the name of Ruggles of Red Gap, Hope stars as Humphrey, real name Arthur Humphry, a struggling American actor masquerading as British to be part of a British acting troupe. When another British actor enlists the cast to pose as an aristocratic family in order to impress visiting Americans, Effie and Agatha Floud (Ball), Humphrey, pretending to be the family butler
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When the MCU announced their intention to move forward with this sequel despite the tragic demise of Chadwick Boseman, I voiced my displeasure loudly. As far as I was concern, there could be no Black Panther without Chadwick Boseman. Additionally, it just seemed unnecessary. The first film was masterful and complete. It didn’t require a sequel. We could have just preserved the integrity of the first film by letting it stay untouched. However, that is not how the business works. If there is a dollar to be made, there isn’t anything that won’t be diluted down for that sake. I realize that sounds harsh, but if I’m being honest, that is what Wakanda Forever felt like to me. This not to say that there weren’t some good, genuine moments that brought me back to my feelings that I had while watching the first one. It is also worth mentioning that I found the film to have paid Boseman the proper respect that I believe he deserved, both with a powerful moment of silence at the beginning of the film, as well as a funeral processional for his character that was fit for a king that he was in film and in real life. It just still wasn’t enough. The elements to make it great were there, but the story leaves a lot of things incomplete and unresolved despite having a runtime of nearly three hours.
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So whenever I am reviewing a movie, I try to identify positive things about the film. Even if I end up not liking the movie overall, I at least try to make sure to point out aspects that I think the film did well, a performance that was particularly strong, or a piece of dialog that resonated with me. It’s part of my process to ensure that I am delivering a balanced review. Even if the film isn’t my favorite, it still has the potential to provide some positive ray of light into my experience.  However, I’m not so sure that I will be able to do that this time around, as Guardians of Time was a film that I just couldn’t wait for it to be over. Now in the interest of fairness, it is abundantly clear that I am not the target audience for this film; that demographic appears to be steered towards the early elementary school crowd. I’d say no higher than second or third grade. Any higher and the production quality is not likely to hold up with them. Then again with this generation, given the technology that they have at their fingertips, it may not hold up with them now.
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I must confess that I missed the boat on the original film, so going into this film I had reservations regarding my ability to properly review this film given that I haven’t seen the original. These concerns were made irrelevant by the revelation that this film, Orphan: First Kill, is actual a prequel to the first film. In this film, we get to see the events that led Leena Klammer to become what several people in the film call her: a monster. In 2007, Klammer is a 31-year-old psychiatric patient with a rare hormonal disorder called hypopituitarism that gives her the appearance of a 10-year-old child. After orchestrating an escape from the Saarne Instituute in which she manages to kill at least two people, Leena researches missing American girls and finds that she bears a resemblance to a girl named Esther Albright, and hatches a diabolic plan. However, it is not long before she realizes that in this seeming ordinary role that she has managed to slither into that she is not the only one with blood on her hands.
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So this is not a movie that I would say aged well with time. However, if you could put yourself in the mindset of the time period of its release (1987), I could see the appeal. Lori Singer of Footloose fame and Anthony Edwards of ER fame star as married couple Roxy and Aaron Walston, whose life and relationship becomes strained in rural North Carolina in the post-depression late 1930s, when a young drifter named Jack Ruffin (Bruce Abbott, Re-Animator) comes to their tobacco farm to be a farmhand. Roxy, a shelter girl who married young and had a child is unable to resist the temptation that is Jack Ruffin. As expected, things do not end well. Based on a 1984 novel, Here to Get My Baby Out of Jail, the film shows the tragic results of the affair, which in this modern setting may appear cliché, but during that time likely would be engaging.
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Not crazy about the title. Personally, I think that the title of the novel on which this film is based  would have been better suited given the film’s plot. Based on a 1989 Sara Bird novel by the name of The Boyfriend School, this 1990 comedy tells to story of Gus Kubicek, a depressed and overweight cartoonist who is in love with a woman that won’t seem to give him the time of day. I’ve heard some excuses for getting out of having to go out with someone, but lying and saying you have to have dental surgery; that’s pretty low. Despite seeing numerous movies that utilize the “judging a book by its cover” trope, I still was able to see the appeal of the film, as soon as I was able to put myself into the mindset of the film’s time period. By doing this, I was able to avoid perceptions of it being cliché. This was a necessary measure to take, especially if you would like to be able to enjoy the film in 2022. Even so, I’m still not a big fan of the title.
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Now here is a series that me and my wife just didn’t seen eye to eye on. For her, the series was a triumph and had great depth. For me, it made me wonder whether we were watching the same thing. Because outside the beautiful scenery, I did not discern any great depth to this anthology series, which appeared to feature unhappy people. The series featured a cast of recognizable faces, which included Alexandra Daddario, Connie Britton, Steve Zahn, Sydney Sweeney, and Jennifer Coolidge; however, their characters weren’t what I would call loveable. It was difficult to find anyone pure or worth cheering for. Granted, the characters had varying degrees of sins, and none of them were what I would call evil, but none of them were worth investing in. Of course that is merely this humble critics opinion, as it would appear that many people have found something to love, given the series recent award success, such as two Critic’s Choice Awards and five Primetime Emmy Awards, including for Outstanding Limited or Anthology Series, Outstanding Directing for a Limited or Anthology Series, and Outstanding Writing for a Limited or Anthology Series or Movie. I guess this explains the series being granted a Season 2, which is scheduled to premiere in October 2022.
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