Posted in: The Reel World by Jeremy Butler on December 16th, 2023
“Ladies and gentlemen of the Galeries Gourmet, my name is Willy Wonka! I've spent the past seven years travelling the world, perfecting my craft. You see I'm something of a magician, inventor, and chocolate maker. So quiet up and listen down. Nope. Scratch that, reverse it.”
I usually don't go in for musicals. It’s not usually my cup of tea. However, this one took me by surprise. I grew up watching Willy Wonka and the Chocolate Factory, and for me the character of Wonka has always been synonymous with Gene Wilder. But there is something to be said about the showmanship that Timothée Chalamet brought to the role in Wonka. As the titular character, I dare say that he gave Wilder a run for his money as far as showmanship and naïve charm. In this third adaptation based on the 1964 Roald Dahl book, we meet Willy Wonka as a young and naïve man with a pocket full of sovereigns (the film’s currency of choice, though I am unclear as to what one sovereign equates to) and a head full of dreams. Who better to display this charm and innocence than the up-and-coming actor responsible for some of the biggest films in recent years like The King, Dune Part 1, and the upcoming Dune Part 2. He’s also backed up with an excellent cast which includes Keegan-Michael Key, Olivia Colman, Rowan Atkinson, and Hugh Grant in a role of a character that goes hand-in-hand with the name Willy Wonka.
Posted in: No Huddle Reviews by Jeremy Butler on December 1st, 2023
“He was raised in the swamp. In the back of a slough. He grew up eatin’ rattlesnake meat and drinkin’ homemade brew. Now, folks here about call him Gator. And everybody knows him well. Meanest man ever to hit the swamp. Folks swear he come straight outta hell.”
Quite the catchy little ditty. One-word-title movies intrigue, especially those named after a specific character. It suggests that the titular character has or should have significant presence. And when you have a whole song dedicated to you, you certainly need to walk the walk. And who better to walk that walk than Burt Reynolds, as he reprises his role of Bobby “Gator” McKlusky in this sequel to White Lightning. Reynolds even decided to up the ante this time by making this film his directorial debut.
Posted in: No Huddle Reviews by Jeremy Butler on December 1st, 2023
All I needed to hear was that James Spader was involved, and I was all in. And as expected, he makes his presence known from his first moments on screen. He brings a quiet reserve and intensity as the more than slightly unhinged hitman Lee. However, Spader isn’t the only familiar face involved with 2 Days in the Valley, as the film also features the likes of Terri Hatcher, Danny Aiello, Charlize Theron, Eric Stoltz, Jeff Daniels. Even Michael Jai White makes a brief cameo in the beginning as a car thief with a heart of gold. The film is marketed as a neo noir crime story depicting the butterfly effect of a single event and the mayhem that ensues as a result. In concept and partially in execution, I would categorize the story as a success. However, as I said, only partially in execution. In a sense, there are too many moving parts, and some avenues were not properly concluded to my satisfaction. The main storyline line is excellent, but the events interwoven into the events of the main story diminish the overall quality of the film.
In the main story, we are introduced to Lee, a singularly focused individual who is also quite calculating. He is a hitman who brings along a desperate mafioso, played Danny Aiello, on his latest job for reasons that are later discovered. It is clear very early on that Lee is merely tolerating Aiello’s character as a means to an end. That end is discovered to be to make him the patsy in his latest contract, the killing of a former Olympic athlete’s ex-husband. Things appeared to be going according to plan until it becomes clear that the mafioso is not as dimwitted as he appears and survives Lee’s attempts to kill him.
Posted in: The Reel World by Jeremy Butler on November 20th, 2023
“Imagine a place where wishes come true. Where your heart's desire can become a reality. What if I told you that place is within reach? All you have to do is give your wish ... to me.”
Disney has been taking us around the world in its efforts to duplicate its achievements with a certain princess that had to let it all go. And while I respect what they are trying to attempt, I doubt they are going to find that kind of lightning-in-a-bottle success that they found with that movie with Wish. That is not to say that Wish was not a enjoyable experience; I just don’t feel that the story came together fully in the manner that would make it iconic. However, I fully appreciate Disney’s efforts with taking us across the globe to foreign lands. And while the lands and areas tend to be fictional, they are always clearly inspired by real-life areas with diverse cultures. It reminds me of EPCOT and feels very inclusive. This time around, we are taken to the fictional land of Rosas, an island in the Mediterranean Sea, where the people are protected by King Magnifico and his wife Queen Amaya. Having studied magic and sorcery, Magnifico has become a powerful practitioner and gained the ability to grant the wishes of his subjects. When each resident of Rosas turns 18, a ceremony is held where they give up their wish to Magnifico, who keeps them sealed in his observatory. Once a month, Magnifico selects one of the residents' wishes to be granted before the city.
Posted in: The Reel World by Jeremy Butler on November 10th, 2023
“Higher, Further, Faster.”
While The Marvels is more entertaining than Quantumania, it is far from the best sequel that the MCU has ever created, despite this film in a sense serving as a three-way sequel for three separate MCU characters. Picking up after the events of Captain Marvel, WandaVision, and directly after Ms. Marvel, The Marvels brings together Brie Larson’s Carol Danvers, Teyonah Paris’ Monica Rambeau, and Iman Vellani’s Kamala Khan into one movie to thwart an intergalactic threat. Fair warning: there are prerequisites for watching this movie in order to ensure that you can keep track with the continuity. Obviously, you will need to have seen the first film, which followed Carol Danvers, but if you have not also watched any of the miniseries featuring the backstories for the other characters, you will find yourself struggling to keep up. As I said, this film can be considered a three-way sequel rolled into one film. Encompassing all of this for three characters was a big task, that the film clearly struggles to accomplish at times, but for the most part, I would categorize this film as an enjoyable experience, albeit one that I don’t see myself ever feeling the need to repeat.
Posted in: The Reel World by Jeremy Butler on October 29th, 2023
“Hey Abby, are they…”
“Ghosts?”
Posted in: Disc Reviews by Jeremy Butler on October 26th, 2023
“Since the beginning of time, since the first little girl ever existed, there have been dolls. But the dolls were always and forever baby dolls, until ...”
Let me preface this by saying that I am in no way the target audience for this film. That said, this film is in no way for the target audience that you may imagine it is for. Initially, I suspected the film was intended for the age bracket that actually plays with Barbies. However, after watching, I’d have to argue that the themes of the film are geared more towards the young adult / early adulthood crowd. Bearing all that in mind, it should go without saying that Barbie was a film that I endured rather than enjoyed until one key moment which I will describe later. To my mind the film was an amalgamation of films that came before it. And while I appreciate the film’s diversity in encompassing a wide range of actors to represent variations of the Barbie and Ken characters, at times it felt as though the film’s agenda was literally punching me in the face.
Posted in: The Reel World by Jeremy Butler on September 29th, 2023
“Then we have something in common. You aren’t going to heaven because you aren’t a good person, and I’m not going because I’m not a person.”
So, this film focuses on a interesting viewpoint: what if Skynet weren’t the bad guys? In this Gareth Edwards directed film, John David Washington plays a hardened ex-soldier, grieving the disappearance of his wife, who is recruited to hunt down and assassinate the Creator, an elusive architect responsible for creation of advanced artificial intelligence that humanity has been at war with since a nuclear attack years earlier. Sound familiar? As previously mentioned, while one can draw parallels between the early events of this film and the future that Sarah Connor tried to prevent for her son, in that story, artificial intelligence becoming sentient was the cause; in The Creator, AI appears to be on the losing side of the battle with humanity. Score one for humanity. As a result, they only have one refuge: Asia, or to be more precise, New Asia. I found this to be an interesting viewpoint that was worth exploring with this film. Unfortunately, while the film has moments of intrigue and John David Washington gives an above-average performance as the protagonist (pun intended, given his character’s name in Tenet), things didn’t come fully together in this film.
Posted in: No Huddle Reviews by Jeremy Butler on September 16th, 2023
How does a Hallmark resolve a fallout with the actress who is the star of their most popular movie mystery series? Reboot the series the character’s early years and cast a younger actress, it would seem. Candace Cameron Bure’s departure from Hallmark and partnership with its competitor Great American Family was quite the shakeup for the network, and it seems that it was merely the beginning for an even bigger shakeup, as Hallmark witnessed a mass exodus of their talent pool and the cancellation of some of its popular mystery movie series. However, as the name of this would suggest, the network clearly suggests that they are ready for something new. The issue with that is that this reboot in my opinion I highly doubt is going to help them achieve that goal. I’ll give them points for wanting to break new ground. However, I question if rebooting the series is truly breaking new ground or praying that lightning strikes twice. Love her or hate her, the Candace Cameron Bure-led series was without a doubt the network’s biggest moneymaker, so I can understand the desire to keep a good thing going. That being said, I have doubts about Skylar Samuels filling those enormous shoes.
Let me preface this by saying my knowledge of the series is extremely limited. While I’ve always had some familiarity with of the series and its popularity, it was not exactly my cup of tea. It always just seemed a bit too unorthodox. To my recollection, Aurora, or Roe as she’s called by her friends, is a librarian, so her involvement in murders just always seemed strange. To be fair, most of Hallmark’s mysteries tend to follow this formula of people with no reason to be solving crimes, solving crimes. Even so, it was a bit difficult to wrap my head around. Learning that the franchise is based off a series of Charlaine Harris novels aided in the acceptance of this premise.
Posted in: No Huddle Reviews by Jeremy Butler on September 12th, 2023
“You might have saved my life, but you ruined my career, buddy.”
If I’m being honest, it was really difficult not to view this as a parody of buddy cops movies. I know that wasn’t its intention, but if I could make a recommendation; rebranding it as such would bolster its credibility. Between the helicopter vs. airplane shootout, and the dogged, always-get-your-man main character sitting in his empty apartment eating raw steak, I’m not sure how I was supposed to take this film seriously as a buddy-cop film. That said, the film is not without its charms or entertaining moments. I’d even be willing to go as far as to suggest that it worthy of whatever cult status that it has managed to achieve. It may have even became a blueprint for future buddy cop films, or at least a rough outline for them, had it not for another, more popular and realistic buddy cop film that also came out that year. Robert Carradine’s Nick Barzack may have been unpredictable, but Mel Gibson’s Martin Riggs was crazy! Carradine never stood a chance.
