Posted in: Disc Reviews by M. W. Phillips on November 21st, 2011
“10,000 people crammed… no bed, no toilets and little water.”
Julia Jarmond (Kristin Scott Thomas) is an American journalist living in Paris covering the anniversary of the 1942 Vel' d'Hiv Roundup, a horrific atrocity when occupied France bowed to the will of the Nazis and rounded up over 13,000 Jews to ship them off to concentration camps. As she investigates the story she discovers a dark secret in her French husband’s family directly connecting them to the event. The story is split between Julia’s modern day investigation and 1942 where it follows 10-year-old Sarah Starzynski (Melusine Mayance) as she deals with the horrors of the roundup.
Posted in: Disc Reviews by M. W. Phillips on November 13th, 2011
“What thousands must die, so that Caesar may become great.”
When Hong Kong released Infernal Affairs in 2002, it pretty much revived the Asian gangster genre and proved the inspiration for Martin Scorsese’s Best Director Academy Award winner, The Departed. I saw The Departed before I watched Infernal Affairs and, now seeing it, must say I prefer Scorsese’s Boston noir re-envisioning of the film more than the original. I realize this goes against the hardcore fans and critics of the film, but it doesn’t take anything away from the hardboiled crime sensation directors Andrew Lau and Alan Mak created.
Posted in: Disc Reviews by M. W. Phillips on November 9th, 2011
“Things never go well before first going wrong and then getting worse; which is one of the many lessons our silent drifter has been hearing for as long as he can remember.”
Bunaku is the name of a 400-year-old form of Japanese puppet theater. These elaborately staged productions star intricately-detailed puppets operated by puppeteers dressed head to toe in black, who almost blend into the background, but never really do, making their puppeteering as hypnotic as the puppets and sets themselves. Although Bunraku’s genre movie mishmash doesn’t use puppets, with the exception of the opening title sequence, it does rely on many of the same lavish and surreal esthetics.
Posted in: Disc Reviews by M. W. Phillips on November 7th, 2011
“The mind is like a labyrinth in which anyone can get lost.”
The debut film from Mexican director Fernando Barredo Luna, Atrocious is yet another entry into the “found footage” genre. This is a niche where you either enjoy the handheld bouncy ride or you don’t (or if you have motion sickness, you can’t). I, for one, quite like this style of horror. With video cameras in our phones, tablets, computers, cars, and appliances as well as security cameras recording our every move 24 hours a day; the media sources for these stories are endless. The “found footage” genre really captures the YouTube viral zeitgeist. If done right, these films can easily suspend your disbelief, tricking your brain into believing what it is seeing is real and the horror we witness feels more real and immediate.
Posted in: Disc Reviews by M. W. Phillips on November 2nd, 2011
“I might be wrong, but I'm guessing you know something that I don't.”
First off, this is not the 2011 Sucker Punch directed by Zack Snyder. This was shot in 2008, but released in 2011 under the name Sucker Punch just months after Snyder’s action fantasy. I can only imagine this was done to capitalize on confused DVD renters and buyers.
Posted in: Disc Reviews by M. W. Phillips on October 31st, 2011
“In a blaze of blood, bones, and body parts, the vivacious young girl was instantly reduced to a tossed human salad... a salad that police are still trying to gather up... a salad that was once named Elizabeth.”
Ah, there is nothing that can bring an exploitation movie alive like the unhinged imagination of Frank Henenlotter. Frankenhooker is another love letter to the seedy side of a New York City from a long-gone era. It is a cult film extraordinaire.
Posted in: Disc Reviews by M. W. Phillips on October 29th, 2011
“Do you want to paaarrrty!”
If one loves zombies, one loves The Return of the Living Dead. This wonderful, unofficial sequel to Night of the Living Dead seamlessly combined horror and comedy in a way that has rarely been achieved. I would say the only other movie which did that as well was An American Werewolf in London. I had often heard stories in interviews about the insane experience making this movie was, but never knew the whole story. Or should I say stories?
Posted in: Disc Reviews by M. W. Phillips on October 26th, 2011
“People once believed that when someone dies, a crow carries their soul to the land of the dead. But sometimes, something so bad happens that a terrible sadness is carried with it and the soul can't rest. Then sometimes, just sometimes, the crow can bring that soul back to put the wrong things right.”
OK, let me get this out of the way. The Crow was a vehicle for Brandon Lee, son of martial arts legend and movie star Bruce Lee. The elder Lee trained Brandon in martial arts from the day he could take his first steps. When Brandon was only eight years old, his father tragically died just before finishing production on Enter the Dragon, a movie which would go on to become an international blockbuster making Bruce Lee the greatest icon of martial arts cinema. Brandon followed in his father’s footsteps studying martial arts and drama.
Posted in: Disc Reviews by M. W. Phillips on October 24th, 2011
“l know, it must seem like an eternity, but your eternity is only just beginning. Do you really want to spend it trapped here?”
The woman (Mira Sorvino) arrives at a cabin on a remote island in Oregon. At the cabin waits the ghost (Shane West) standing and staring at the woman as she goes about her daily tasks. She can’t see him, but he subtly makes his presence known. When her boyfriend (Justin Kirk) makes a surprise visit to the island, both the ghost and the woman are put out by his presence. Soon the woman begins behaving irrationally and showing the signs of spiritual oppression and possession. Is this because of the ghost or is there a darker presence in the cabin?
Posted in: Disc Reviews by M. W. Phillips on October 24th, 2011
“I'm not a doctor. I haven't been to medical school; I haven't even been to high school.”
A beautiful and moving film based on John Irving’s best-selling American classic The Cider House Rules deals with sensitive and controversial subject matters wrapped inside a captivating coming-of-age story. John Irving had second thoughts about trimming his huge novel into a two-hour film and only agreed to adapt the screenplay after the studio agreed to allow his son, Colin Irving, to be in the movie (He plays Major Winslow in a small role as a notifying officer delivering bad news).
![Infernal Affairs [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/infernal-affairs-blu-ray-large.jpg)
![Bunraku [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/bunraku-blu-ray-large.jpg)
![The Crow [Blu-ray + Digital Copy] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-crow-blu-ray-digital-copy-large.jpg)
![The Cider House Rules [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-cider-house-rules-blu-ray-large.jpg)
