Posted in: Disc Reviews by M. W. Phillips on October 24th, 2011
“For what it’s worth, I read your first book. I'm not Jewish, but I liked it.”
In the spirit of disclosure, the first time I tried watching Bored to Death, I gave up early in the first season. The title described the experience of this viewer. Jason Schwartzman has never really clicked with me. His schtick always seemed a little too precious and self-aware for my tastes. Pressure from friends who insisted the show got better in the second half of the season got me back. I did find myself falling into sync with the stoner-noir rhythm of the series and laughing out loud at writer/creator/inspiration Jonathan Ames’ absurdist humor by the final third of the first season.
Posted in: Disc Reviews by M. W. Phillips on October 20th, 2011
“I'm just a hard working man trying to get by.”
HBO has a way of making series that feature cities like one of the major characters, and How to Make it in America showcases New York City. Not the NYC of Sex and the City, which was all uptown preppie, How to Make it in America takes it to the streets. Not since Woody Allen have the boroughs been so lovingly represented. Much like the hustle of the NYC, How to Make it in America crackles with street-savvy vigor and style.
Posted in: Disc Reviews by M. W. Phillips on October 16th, 2011
“Rush Week just became Death Week!”
Let me say first off that director Alex Pucci knows something about production values. For a film shot on Super 16mm for a reported budget of around $1 million, Pucci delivered a film that looks and sounds far more expensive. Reportedly attempting to be a homage to the seventies grindhouse slasher/revenge flicks, Pucci’s focus on detail is amazing, even if his seventies period piece comes with a few anachronisms.
Posted in: Disc Reviews by M. W. Phillips on October 15th, 2011
“I find that the only way to get through life is to picture myself in an entirely disconnected reality.”
15 year old Welsh schoolboy Oliver Tate (Craig Roberts) has an amazing amount of self esteem for a kid his age. He fantasizes about his own funeral and the tragic impact it would have on his community and Wales in general. In reality, Oliver is severely socially retarded and unpopular. His mother, Jill (Sally Hawkins) is a neurotic, frustrated housewife, and his father, Lloyd (Noah Taylor) a bipolar marine biologist. His two goals for the summer are to lose his virginity (while it is still illegal) and save his parents’ marriage from reintroduction of one of his mum’s former flames, Graham (Paddy Considine), a lecherous, self-help scam artist. Somehow, against his best efforts to sabotage the courtship, he meets and falls for fellow quirky class mate, Jordana (Yasmin Paige). She quickly takes control and leads him on his coming of age summer tour.
Posted in: Disc Reviews by M. W. Phillips on October 14th, 2011
“You have the right to remain silent... forever!”
Maniac Cop is a movie that has all the elements of being a cult classic.
Posted in: Disc Reviews by M. W. Phillips on October 5th, 2011
“It's worse than I thought, but it's even worse upstairs… It’s dangerous. Do not go there.”
Uruguayan director Gustavo Hernández claims to have shot the first 78 minutes of The Silent House in one continuous unbroken take. Personally, I don’t believe that to be true, as there are plenty of times the camera goes to black passing furniture or into shadows which could hide a cut, but he does pull off the illusion with some incredibly long uninterrupted shots, and that is very impressive indeed.
Posted in: Disc Reviews by M. W. Phillips on October 4th, 2011
“I am in the oldest profession in the world.”
Ray (Thomas Jane) is a middle-aged divorcee knocked to his knees by the recession. His home is fire-damaged, he lives in a tent in his backyard, the school he works for as a coach keeps slashing his department’s funding and threatening layoffs, he’s still in love with his neurotic ex-wife, Jessica (Anne Heche) and is struggling as a single father to raise social-misfit teen twins, Damon (Charlie Saxton) and Darby (Sianoa Smit-McPhee). In Season One, he met Tanya (Jane Adams) and she convinced him to use his natural gifts (read well-endowed penis) as a male prostitute with her and her sociopathic frenemy, Lenore (Rebecca Creskoff) as his pimps. Together they would be “Happiness Consultants”, bringing joy to lonely, middle-aged women around Detroit.
Posted in: Disc Reviews by M. W. Phillips on September 26th, 2011
“There's something I've been dying to ask you. What's in the basket?”
If you are not familiar with Writer/Director Frank Henenlotter’s earliest full length feature, Basket Case, you’ve missed a grindhouse style, exploitation cult classic. It was shot on a shoestring budget, features non-professional actors, cheap special effects, and a script straight out of the fever dreams of a madman. In short, it is brilliant.
Posted in: Disc Reviews by M. W. Phillips on September 25th, 2011
“...and now the killer video that kills you seven days after you watched it, we're the only station that has it and we are showing it all night.”
Gone are the Wayan Brothers and in their place, David Zucker (Airplane, Naked Gun), one of the pioneers of the spoof movie, takes the helm. In some ways this is an improvement, in some it loses some of the naughty punch the Wayans brought to their films Scary Movie and Scary Movie 2. Gone are Shorty and Ray (and most of the sex and drug jokes with them) and in their place we have a not-yet-insane Charlie Sheen, the great Leslie Nielsen and a very funny Simon Rex. The spoofs are not quite as wide ranging, focusing primarily on The Ring and Signs, but they still manage to slam 8 Mile (not funny) The Others (still not funny) and The Matrix Reloaded (should have been funnier). The wisest thing Zucker did was center the movie around the star really carrying this franchise, Anna Faris.
Posted in: Disc Reviews by M. W. Phillips on September 24th, 2011
“Cindy, this is a skeleton, this is bones! Would you run from Calista Flockhart?
The quote above is from one of my favorite scenes in Scary Movie 2. A reanimated skeleton stalks Cindy (Anna Faris) through the halls. She runs into Brenda (Regina Hall) and begs her to help. Brenda looks down the hall and sees it is just a skeleton. She kicks its ass and rearranges the bones to humiliate it. The problem is the Calista Flockhart reference. She might have been a cultural icon in the late 90s, but she’s been off the map for over a decade. The shelf life of pop culture parodies like Scary Movie 2 is very short.