Sean Boelman

Given that Glauber Rocha is considered one of the most important filmmakers in the history of Brazilian cinema — and Latin American cinema in general — it’s surprising that it took this long for one of his films to be released by the Criterion Collection. The filmmaker’s sophomore feature, Black God, White Devil, one of his most acclaimed works, takes the honor of being his first movie to get the Criterion treatment. Black God, White Devil is considered one of the most influential films of the Cinema Novo movement, which happened in Brazilian cinema as a reaction to other social filmmaking movements like Italian neorealism and the French New Wave. In Criterion’s recent quest to expand the label’s Latin American cinema offerings — Victims of Sin and Soy Cuba are notable recent releases — the Cinema Novo movement marks a necessary addition.
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