No Way Up (2024)
Posted in The Reel World by Gino Sassani on December 31st, 2024
“What F&#k is a shark doing on a plane?”
You remember Samuel Jackson back a few years was fighting off Snakes On A Plane, yeah? Well, now we’ve got sharks on a plane. So how in the heck did they do that? Well, it requires going back to the 1970’s when Irwin Allen was the master of the disaster film, and he had a legion of followers. Writer Andy Mason and Director Claudio Fah found themselves a TARDIS and took their behinds to those golden days of movie mayhem. If you are willing to totally throw logic out the window and just hang with these guys for about 90 minutes, you’ll have a bit of fun, and likely you’ll forget it by the next day. I happened to catch the film yesterday, and … let me see … Someone was doing something, and there were sharks on an aircraft of some kind. Let me go and watch it again. Hold on …
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The Substance
Posted in The Reel World by Brent Lorentson on December 31st, 2024
With the end of the year upon us, I felt this was the best time to talk about what I feel was the best film of 2024. First I want to start by saying that this hasn’t been my favorite year for cinema, especially when you look at the kind of films you see at award shows, mostly all those films were forgettable and not anything I feel will become cinematic classics. That being said, when it comes to the horror genre, this has been a pretty great year. For a while I would have said Late Night with the Devil was going to be my favorite horror film of the year, but then The Substance came out, and that just floored me, and I’ve kind of become a bit obsessed with the film. It’s the only film this year that has stuck with me for days and just had me wanting to watch it again so I could savor its visuals, whether they be beautiful or grotesque.
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Wallace And Gromit: Vengeance Most Fowl (2024)
Posted in The Reel World by Gino Sassani on December 29th, 2024
” Well, you can forget what you’ve learned at training college. Because at the end of the day, there’s just one thing that matters in this job – a copper’s gut.”
Wallace and Gromit is the brainchild of animator Nick Park. The British filmmaker tried for years to bring his clay creations alive, but on his own finished a mere 10 minutes in a little over 2 years. When he met up with Aardman Animations, he was teamed up with the creative talents he needed to make his dream come alive, and come alive these two characters did indeed. They’ve become an overnight sensation in the UK and now all over the world. I was introduced to the characters with the full length feature Wallace And Gromit In The Curse Of The Were-Rabbit. I have to admit that I was completely won over by the magic of this creation. It’s so simple looking that it almost appears to be child’s play. The truth could not be further from the perception. Stop motion animation goes back to the beginning of the cinema itself.
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The Thicket (2024)
Posted in The Reel World by Jeremy Butler on December 29th, 2024
Not sure if this has ever happened to me before: to like the movie adaptation as much as I like the book itself. Naturally much of this feeling is due to the inclusion of Peter Dinklage into the cast of this film, but that said, I found The Thicket to be among my favorite movie adaptations of this year, which is interesting given the amount of creative license taken with the material. Based on the Joe R. Lansdale western novel of the same name,the film follows Jack Parker, a boy who, after his sister is kidnapped by a violent killer known only as Cut Throat Bill, enlists a fierce bounty hunter named Reginald Jones, who becomes the leader of the group of outcasts searching for the stolen girl. Joining Dinklage is Juliette Lewis as Cut Throat Bill, Hanna’s Esmé Creed-Miles as Lula Parker, Jack’s sister, and The Old Man’s Gbenga Akinnagbe as Eustace Howard, an ex-slave who assists Jack.
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Role Play (2024)
Posted in The Reel World by Jeremy Butler on December 29th, 2024
“Killing is bad. Like, unacceptably bad.”
I had such high hopes for this romantic comedy. I didn’t expect that it would raise the level of the genre, but I figured that it would be some lighthearted fun like in The Ugly Truth or Sex Tape. The unfortunate part is that I feel like it had that potential; it just required better story development. A shame; this really could have been a win for Kaley Cuoco. Not that she needs one; of the big three of The Big Bang Theory, I’d say she’s the one with the fullest dance card. It’s like she hasn’t taken a breath since the series ended. But then again one could argue that she’s always been on the go since her days on 8 Simple Rules. Even so, I really wanted to like this film, and while it had a couple of good moments, the lackluster story development really diminished any traction that the film gained.
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Challengers (2024)
Posted in The Reel World by Jeremy Butler on December 29th, 2024
“This is a game about winning the points that matter. You beating me is a nice story for you to tell people when you’re giving them tennis lessons, but I guarantee you the thing they’ll all be the most excited about is that you met me at all. They’ll ask you what I’m like. They’ll ask you if I’m nice. They’ll ask you if we were friends. And then they’ll ask you how I did it. They’ll ask you and you won’t have no $#*%ing clue what to tell them. And even if you did want to know, I couldn’t possibly explain it to you in a language you’ll understand, because the thing you learn when you’ve been operating at my level for as long as I have is that it’s so $#*%ing lonely to win this much. Nobody gets it. But everyone on Earth gets what it’s like to be you.”
So the truth about this film when I learned about it was I knew it was destined to be a movie that my wife would drag me to the theater to see. I’ve never been one for tennis, and while I have a rudimentary understanding of the game’s rules and how it is played, it falls into the same category as golf; it’s just not that exciting a sport for me.
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Azrael (2024)
Posted in The Reel World by Brent Lorentson on December 29th, 2024
For just about the past decade I feel Samara Weaving has earned the title of scream queen in the horror genre. She may not be a box office name like Jenna Ortega, but I feel Samara Weaving has a more impressive resume of cool and fun horror films, and she just consistently delivers. Ready or Not in a lot of ways is the film that best showcases her talents, and I thought for sure she’d level up to A-list status, but it seems the movie gods have other plans for her. Thankfully she is still cranking out some fun films for genre fans. Azrael is Weaving’s newest dip into the horror genre, a film that was written by Simon Barrett, who previously wrote the horror gems You’re Next and The Guest, and to sweeten this ghoulish cinematic pot, it is directed by E.L. Katz, who directed the 2013 dark comedy Cheap Thrills. Does this all add up to another genre hit, or is this a dud?
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Kung Fu Panda 4 (2024)
Posted in The Reel World by Gino Sassani on December 28th, 2024
“The staff of wisdom given to me by Master Oogway himself. It is said that whoever possesses this staff has the power to travel between the realms. The power to unlock the door to the spirit realm. And now the power to open the all new Dragon Warrior Noodles and Tofu, where the broth has kick and the bean curd’s a knock-out.”
It’s hard to maintain the attention of the 21st-century child. Animated movies have to combine enough elements of charm and action to keep their attention for a little under two hours. If you want to keep a franchise going, you have to rip out your sequels on reasonably tight schedules. It was over four years between Kung Fu Panda 2 and Kung Fu Panda 3, and we waited nearly that long between the first and second entry. That’s a long time in a culture where we move from fad to fad almost by the hour. But if the films are good enough and leave enough of an impact, you might be able to bridge those years successfully.
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Jamie Foxx: What Had Happen Was! (2024)
Posted in The Reel World by Jeremy Butler on December 28th, 2024
“If I could stay funny, I can stay alive!”
That was the mantra that kept Jamie Foxx alive, which he explains in this testimonial stand-up special about the events that nearly cost him his life back in 2023. We all heard the rumors about what happened. Renowned triple threat Jamie Foxx suffered a serious medical event resulting in him becoming hospitalized. Amid conflicting reports about the nature of his condition, including rumors that he was gravely ill, his condition for the most part remained a mystery and a closely guarded secret within his family. Then the rumor mill started to include tales that the actor had died, and the family was keeping it secret. And as if that was not outlandish enough, following the actor posing a video clip in which he commented about his health, saying that he had been to “hell and back,” then the rumors started that the actor had been cloned, this coming after the release of the film They Cloned Tyrone, in which the Jamie Foxx is featured.
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MadS (2024)
Posted in The Reel World by Brent Lorentson on December 28th, 2024
There is something about how the French make their horror films that I find a bit hard to resist. Films like High Tension, Inside, and Martyrs are films I go back to time and time again and just have a blast with, and with the release of MadS I was a bit optimistic that this could also be a film to add to my rotation when I’m on a French horror film kick. What really gave me hope for this film is seeing that it was directed by David Moreau, who gave us the criminally underappreciated home invasion horror film Them (2006). If you are a fan of home invasion horror and you’ve missed on Them, I highly recommend checking it out. As for MadS, it seems Moreau was going for something a bit different, this time doing a one-shot horror film about a virus outbreak that causes those infected to go “mad” and violently attack people. Sure, we’ve seen it before, but is the one-shot approach a fresh enough take to make this an experience worth sitting through?
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Sonic The Hedgehog 3 (2024)
Posted in The Reel World by Jeremy Butler on December 28th, 2024
“Project Shadow is far beyond anything we’ve encountered. Shadow’s story began a lot like yours, Sonic. But where you found family and friends, Shadow only found pain and loss.”
I’ve been patiently awaiting this installment since the 2022 mid-credit scene hinted at the idea of Shadow’s introduction into the franchise. Now here we are with that idea becoming a reality, and with Keanu Reeves voicing the character, no less. Sonic the Hedgehog 3 takes the series in a darker direction than the previous installments as the happy-go-lucky Sonic finds his worldview challenged by the reveal of another hedgehog that received a much worse reception than he did. In that regard, I appreciated the director staying true to form with Shadow’s backstory.
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Conclave (2024)
Posted in The Reel World by Gino Sassani on December 26th, 2024
“Our faith is a living thing precisely because it walks hand-in-hand with doubt. If there was only certainty and no doubt, there would be no mystery, and therefore no need for faith. Let us pray that God will grant us a Pope who doubts. And let him grant us a Pope who sins and asks for forgiveness and who carries on.”
As awards season has come around this year, I found myself watching several films involving the Catholic Church, from Russell Crowe’s The Exorcism to Sydney Sweeney’s Immaculate, and finally Cabrini. And now Conclave. I was surprised to find that all four films were relatively respectful, even as they might be pointing out the flaws of the ancient church. All four films were replete with wonderful performances that carried the emotional beats of the stories. At the top of my list from those films is Cabrini, with Conclave coming in a close second.
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Black Cab (2024)
Posted in The Reel World by Brent Lorentson on December 26th, 2024
It seems it would be easy to do a film about the urban legend where a driver picks up a woman in white who turns out to be a ghost. We are all familiar with this story, though the details of the urban tale can vary from one storyteller to the next, and it really seems like something so straightforward that it would be hard to make a mess of it. I at least thought so until I watched Black Cab. The film at first glance just seemed like something in my wheelhouse that couldn’t go wrong; it was a ghost story starring Nick Frost, whom I’ve been a fan of since first seeing him in Shaun of the Dead and Spaced, but despite how likeable he is, there is just nothing much that could have saved this movie, which was mostly dead on arrival. Anne (Synnove Karlsen) and Patrick (Luke Norris) are a recently engaged couple. After a night of celebration turns sour, they attempt to take a cab ride home, but instead their night is about to go from bad to worse as they discover their driver is a bit unhinged. As for their cab driver, Ian (Nick Frost), his plans for the couple remain ambiguous for a good portion of the film,
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Cabrini (2024)
Posted in The Reel World by Gino Sassani on December 25th, 2024
“Between 1889 and 1910, over two million Italians immigrated to the United States. They were desperately poor, often illiterate, and almost never spoke English. Many Americans considered these Italians to be of inferior intelligence, fit only for menial labor and a threat to the very fabric of America.”
I have to admit to a particular bias here. I am Italian. My grandparents immigrated here in the early 19th century. I am also Catholic, as most of these Italian immigrants were. In addition, I feel a bit of a connection to Mother Cabrini. The first school I attended back in first grade was that attached to my Italian Catholic parish, and it was called the Cabrini Academy. So there is a certain bias toward the subject here, but I might point out it also leads to very high expectations that these subjects are treated correctly. I still very much demanded a compelling story and an inspirational lead. In director Alejandro Monteverde’s Cabrini, I was fortunate enough to find both.
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Woman Of The Hour (2024)
Posted in The Reel World by Brent Lorentson on December 25th, 2024
When I first heard Anna Kendrick was stepping behind the camera to direct her first film, I kind of expected it to be another Pitch Perfect film … but to find her instead doing a thriller about a real life serial killer and rapist who appeared on a game show in the 1970s was a curve ball I wasn’t expecting. But this isn’t simply a true crime story but instead is about how women were marginalized and heavily objectified. But the biggest takeaway I had while watching this was simply how dangerous things were back then and just how easily a serial killer could be prolific and walk the streets while no one suspected a thing. To get it out of the way, my major gripe with this film is that we meet Rodney Alcala (Daniel Zovatto) in the very beginning, and we see that he’s a vicious serial killer who lures his victims with charm while posing as a photographer.
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Longlegs (2024)
Posted in The Reel World by Gino Sassani on December 24th, 2024
“All right, kids. This is the part where you get to do the things the grownups don’t wanna do anymore. Door to door on foot. Knock-knock, ‘have you seen this man?’ Just like in the movies. Partners have already been assigned so no one will get hurt feelings. Suspect likes to visit a certain kind of neighborhood. He’s a middle-aged Caucasian male and not likely to go quietly, so let’s always assume he’s armed. We’ll go alert and careful. That’s all.”
But that’s really just the beginning. Writer/director Osgood Perkins has created one of those serial killer films that is bound to draw comparisons with some of the best of those films and most certainly Silence Of The Lambs. Let me just get that out of the way fast. This is a pretty solid film that deserves some attention, and is absolutely worth a look.
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Imaginary (2024)
Posted in The Reel World by Gino Sassani on December 24th, 2024
“I just love children’s imaginations. What I don’t like is when they get so violent.”
Blumhouse is one of those horror factories that have changed the way horror films are created, seen, and marketed. There have been some powerful horror films to come out of those doors. When I think of Meg3n, the first couple of Paranormal Activity films, and even the Purge franchise, I see clever and innovative films. But the production house can be a bit feast-or-famine, and there have been a number of famine films on the bill. Among the famine list of films you’ll find Truth Or Dare and the crazy horror/hybrid take on the old Fantasy Island series. What do both of those films have in common?
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Mufasa (2024)
Posted in The Reel World by Gino Sassani on December 20th, 2024
“Let me tell you a story. A story of a great king.”
Let me begin by admitting that the original 1994 classic animation feature film The Lion King has remained my all-time favorite animated film. It wasn’t just the Elton John/Tim Rice songs, but that didn’t hurt. I’ve been an Elton John fan as far back as I can remember. There was just something special, something timeless, in that film. Since that time I regard it as the very last breath of the Walt Disney Studios classic animation. It started the studio’s last string of hits, and it was the end of an era. So that film has become somewhat bittersweet for me. The animated sequels were low-budget made-for-video quality, and the more recent “live action” version did not impress me with anything more than the technology it displayed. The heart has been gone for a long time. With the release of Mufasa, Walt Disney is attempting to pull on the heartstrings of people like me who love the original.
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Blue Bloods: The Final Season
Posted in No Huddle by Gino Sassani on December 20th, 2024
“You know, we’ve got a lot to be thankful for. And looking around this table, I gotta say I couldn’t be more proud or grateful.”
It’s the end of a tour of duty for the cast and crew of Blue Bloods. On Friday, December 13th, the show aired its last episode. It’s time to say goodbye to the Reagans … maybe not forever, but for now. After 14 years and 293 episodes, the show comes to an end. It wasn’t because ratings had dropped. They most certainly have not. The show was actually still growing after 14 years. It wasn’t because the actors wanted out. Not a single cast member wanted out. More on my thoughts later. For now Paramount is releasing Blue Bloods: The Final Season on DVD so you can complete your collection.
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Holiday Gift Guide Spotlight: Shout Factory Animated 4k Editions – Animation Classics In UHD Blue-ray (4K)
Posted in Holiday Gift Guides by Michael Durr on December 18th, 2024
I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theater, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them. Shout Factory has an amazing set of releases that you can’t afford to pass up.
Joker: Folie A Deux (UHD Blu-ray) (4K)
Posted in Disc Reviews by Jeremy Butler on December 18th, 2024
“So a psychopath walks into a bar and sees this famous clown sitting there all alone. Totally drunk;, it’s pathetic. “I can’t believe you’re here,” he says. “What a disappointment. I used to watch you on TV. What can I get you?” And this clown turns and says “Well, if you’re buying you can get me anything.” “Perfect,” the psychopath says. “How about I get you what you f’in deserve?”
Folie a Deux. French for madness of two. From the moment that title was an announced, it was presumed that Harley Quinn would be making an appearance, and I applaud Lady Gaga’s selection as Joaquin Phoenix counterpart. However, I suspect that the reason for her selection was twofold given the decision to make the film a musical. Perhaps not an official musical, but in my humble opinion, I don’t think it could have been any more official. Unfortunately, this was among my issues with the film. It was too long, and there were too many songs.
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Carry On (2024)
Posted in Disc Reviews by Brent Lorentson on December 18th, 2024
Director Jaume Collet-Serra has been a director I’ve been following for some time now. For me he just consistently puts out films that are in my wheelhouse that I just know I’ll have fun with. His films just remind me of what it was like to watch the action films of the 90s, and I kind of feel he’s like the new Renny Harlin, and I say this with love. If you compare the two filmmakers’ resumes the similarities are pretty incredible. Both have a shark film, both have an adventure film involving a boat that sadly was a commercial failure despite being fun, both have an action film at an airport during Christmas, and now come to find out Collet-Serra is remaking Cliffhanger, which happens to be a Renny Harlin film. I mean, seriously, what are the odds of that happening? The moment I found out that Netflix released the new Jaume Collet-Serra film, I couldn’t be more excited to check this film out and take a break from the awards season films and just enjoy some popcorn-friendly cinema. Was it a hit, or did it crash and burn?
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The Wild Robot (2024) (UHD Blu-ray) (4K)
Posted in Disc Reviews by Jeremy Butler on December 17th, 2024
I saw this film as an opportunity to gauge whether a movie could hold my two-year-old son’s attention. This is something I am particularly interested in, because it would demonstrate that my baby boy is finally ready for a theatrical experience. Unfortunately, he is not quite there yet. He watched for a bit, but then he eventually wandered off. Ironically, I didn’t notice his absence at first, as I was too focused on the movie. Based on the New York Times bestselling novel of the same name, The Wild Robot stars Lupita Nyong’o as Roz, a ROZZUM unit 7134 robot that becomes shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling. Joining Nyong’o is Pedro Pascal in his animated movie debut
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Kraven the Hunter (2024)
Posted in Disc Reviews by Jeremy Butler on December 14th, 2024
“There’s an ounce of truth in every myth.”
Why am I not surprised? It is true to form that the sixth and final film in the Sony Spiderman Universe (SSU) would be my favorite. I’m sure that will be a unpopular opinion, as Venom has the popular vote, and while I did enjoy Venom, it is tainted by the sequels, which in the end left me with the opinion that the franchise should have just been the a one-and-done like the other installments in the SSU are fated to become. Ironic, as Kraven The Hunter served as a very good origin story, and the story set up what could have been a very interesting future confrontation in a sequel. However, Sony’s decision to pivot away from the SSU essentially means that this Aaron Taylor-Johnson-led film will be the only film to follow the character. Pity, as Taylor-Johnson gave a great performance, and the story quality was well executed. As I said, I expect my opinion is an unpopular one as Kraven The Hunter falls victim of the fruit of the poisonous-tree stigma. Because of the disappointing execution of the films set in the same universe, Kraven The Hunter is fated to be painted with the same brush. So my advice to anyone interested in seeing this film is that you have to put the others out of your mind and see this as it was intended to be: a standalone film.
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Immaculate (2024)
Posted in The Reel World by Brent Lorentson on December 13th, 2024
I always found it a bit funny when Hollywood churns out movies that have similar plots to compete against each other. Back in the 90s Armageddon dueled the same year with Deep Impact, when disaster films were all the rage. 2024 had the same situation, though not in the form of big blockbusters, but this time in the form of two horror films about nuns and strange pregnancies taking place within the confines of the convent. The prequel to The Omen was better than I had anticipated, and when Immaculate was released, I just never got around to seeing it … at least until now. While The First Omen is a slow burn that actually pairs well with the first film, Immaculate I feel is the more bloody and popcorn-friendly romp that I feel fits into the sub-genre of nunsploitation (something I wouldn’t object to seeing more of). So is this film worth congregating in front of the television for 90 minutes, or is this a hard pass in a year that seems to flourish with quality horror films, but not much of anything else?
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