Posted in: Disc Reviews by William O'Donnell on December 3rd, 2011
Somewhere, somehow, Usher has been dubbed the reigning “King of R&B.” I understand his sales are immense and popularity is undeniable, but I am hearing his name being said in the same sentence as James Brown and Michael Jackson. Those are insanely high standards to live up to, so I was was expecting a lot from the “OMG Tour” live performance.
Amidst scantily clad women, soaring lasers, massive video screens, a hyperactive backing band and sweating buckets in front of a sold out crowd, Usher does an 19 song long Michael Jackson impression. Am I watching the next King of Pop? Or (lord help me) King of R&B? (may the ghosts of Motown have mercy on whomever anointed Usher with that moniker). No, I am not. I am, however watching an extremely smooth dancer, a hard working entertainer, and charismatic singer lead an enormous stage production with a confident, cool professionalism.
Posted in: Disc Reviews by Michael Durr on December 1st, 2011
My parents were always an oddball lot when it came to music. My mom liked the crooners and if she ever did touch rock and roll, it was something very light and airy. My dad however was a totally different animal. He listened (and still does) to Led Zeppelin, the Moody Blues and Queen. But perhaps one of his favorite albums of all time is Paranoid by Black Sabbath. The front man for Sabbath is the one and only Ozzy Osbourne. I find myself in a fortunate position where I get to review his documentary, God Bless Ozzy Osbourne.
As we open up this documentary, we are told that the makers of this movie have spent the last two years on the road with Ozzy Osbourne. Nearly everyone survived. We visit Argentina as one of Ozzy’s tourstops. We get a very candid look at Ozzy as he puts on makeup, exercises his body and his voice and his slow walk to the stage. He seems to be an everyday normal heavy metal singer but this person who is always been labeled as “Rock n Roll’s definitive crazy person” has a special tale to tell.
Posted in: Disc Reviews by Michael Durr on November 23rd, 2011
Fishing is fairly foreign to me I admit it. The idea that you have to get up at the crack of dawn just to sit in a rusted over boat without saying a word to only catch not a darn thing seems like a waste of time if nothing else. The television fishing shows on TBS do not make it sound any better either. The only thing appealing to me about it is if you can find some beautiful scenery to fish in. Perhaps a place like Oregon, which is the setting for our new review: The River Why.
There is nothing like fly fishing up in the lakes of Oregon just outside of Portland. At least that is what Gus (Augustine) Orviston (played by Zach Gilford) has always thought. Why even as a baby, he was delivered underwater (in a tub). He would sleep with a pet fish; he would be able to catch his own fish even at ten years old. Gus loves fish and everything to do with fishing, well except his fishing crazy parents.
Posted in: Disc Reviews by William O'Donnell on November 6th, 2011
Somewhere between Iron Maiden and Pink Floyd lies Queensryche's concept albums Operation Mindcrime parts one and two. Part One was released in 1988 and has since been heralded by many as one of the finest heavy metal albums (concept or otherwise) of all time. The sequel arrived in 2006. This concert film is from the subsequent tour that featured the band playing both albums in their entirety, back to back, with actors, animations, and an elaborate stage setup to perform this rock opera.
The plot follows a man who has been coerced into become an assassin of political figures. The sequel is a revenge story after he is jailed for his actions. A small team of actors fill in the roles that lead singer Geoff Tate does not.
Posted in: Disc Reviews by William O'Donnell on November 2nd, 2011
Here are four evenings music fans did not anticipate coming, yet anyways hoped for. In 2005 Cream reunited for the first time since their breakup (save for one performance when they were inducted into the Rock n Roll Hall of Fame in 1993) for four concerts at the legendary Royal Albert Hall. The bad blood between the members of Cream was almost as famous as their influential music. With that in mind, it is wonderful to see these extremely talented men play just as tightly as they did in the 1960s, and some might argue that they've never played better than at these shows.
The set list is a rich mixture of chart topping originals (White Room, Sunshine of your Love...), classic covers (Born under a bad Sign, Crossroads...) and even some songs that the band had never played live before, such as 'Pressed Rat and Warthog.' The set that appears in this film is cobbled together with clips from each of the evenings, most likely to give us the best possible concert experience. As well, along with the songs, Ginger Baker gets a lengthy drum solo and, of course, Eric Clapton is alloted many opportunities to demonstrate some of the smoothest Blues guitar playing that has ever blessed our listening ears.
Posted in: Disc Reviews by William O'Donnell on November 2nd, 2011
Bubokan is one of those venues that has become a goal for any major band. Dream Theater had toured Japan numerous times over the course of 12 years but never yet rocked this venue. Japan is, and has been, one of those markets that tends to embrace things differently than North America or Europe; and Progressive Metal is not exactly rocking the Top 40 stations (at least, not since RUSH were in their prime...and even then...). It was only a matter of time that the most relevant “Prog” band playing today would make it to Budokan, and they celebrated by making it into a concert film.
Each member of this group is a virtuoso at their instrument. Taking time for instrumentals or solos are rather commonplace for arena concerts. Instead of the standard guitar or drum solo, all but the lead singer of the group would flex their progressive metal playing muscles while putting on a clinic of just how flashy a musical education can be when the most technically impressive of scales and rhythms are played at breakneck paces and mixed with very strange time signature changes.
Posted in: Disc Reviews by Michael Durr on October 14th, 2011
For those who do not know, I am not a typical sports fan. I primarily watch three sports, none of which are football. I love me some wrestling, hockey, and the legendary sport of baseball. The Phillies have been my team for over 30 years and even though they took it hard this year in the playoffs, I look forward to more baseball in the years to come. I also appreciate the history of baseball so I was certainly curious to see a couple of great Red Sox teams come to Blu-Ray in this A&E presentation.
The 2004 Boston Red Sox (narrated by Dennis Leary) were expected to do some great things right out of the gate in spring training. But this was the Red Sox we were talking about, they had the curse of the Bambino to contend with for the last eighty-six years. They had failed at every opportunity, even years when it looked like a sure thing that the Red Sox were going to get the big one. But this year was poised to be different from the very start.
Posted in: Disc Reviews by Michael Durr on October 4th, 2011
It is concert time folks and I got another good from the folks at Eagle Rock Entertainment. Hope my audience today likes the Eighties rock and roll because we got a doozie of a band tonight. They are The Pretenders famous for such songs as Message of Love and Back on the Chain Gang. Like many bands of their time, they are formed from the heart of England but they have fully embraced the American way. But without further adieu, let's go to the Wiltern Theatre in Los Angeles. Maybe they can “Bring out the Biker” in all of us (once I figure out what that means).
The Pretenders were formed in 1978 out of Hereford, England. The original lineup consisted of Chrissie Hynde as lead singer and on rhythm guitar, James Honeyman-Scott on lead guitar, Pete Farndon on bass and Martin Chambers on drums. They were named after the Platter's song The Great Pretender and would go on to release their first album (self-titled) in the beginning of 1980. It would eventually reach platinum but take over two years to do so.
Posted in: Disc Reviews by Michael Durr on September 21st, 2011
If left to my own devices, I would probably have dismissed Jeff Dunham as nothing more than a novelty act. He’s a ventriloquist and most of their profession relies on the fact that they can throw their voice and perform various parlor tricks with their dummies. However, my wife and others have turned me on to the fact that Jeff is more than a novelty act. He’s a comedian and a darn good one at that. He just happens to employ characters (certainly not dummies) to help him.
Jeff Dunham was born in Dallas, Texas in the early 60’s. Early on, actually as early as eight years old he was already looking into ventriloquism. Influences included legendary performer, Edgar Bergen. At a young age, he was already attending conventions and competitions. He did so well that eventually organizers of the Vent Haven ConVENTion actually declared him a retired champion since other performers were afraid to compete against him.
Posted in: Disc Reviews by Michael Durr on September 7th, 2011
Somehow in addition to my love for bad action movies and cartoons, I have developed another feather in my cap as being one of the people on this site that regularly reviews concerts and musical documentaries on dvd or blu-ray. This is despite the fact that about the only musical talent I possess is the ability to sing glam metal or hair band rock. Okay, perhaps I can sing some other rock songs too but I would not consider myself a musical aficionado. So today’s musical act to review? That would be the Counting Crows.
Most people when they hear the band name Counting Crows think of the song, Mr. Jones, a very curious alternative rock hit that blew up the radio rock airwaves in late 93 and early 94. The truth is that song was an unexpected hit for the band who sang the song out of fun and fantasy. Lead singer Adam Duritz ’s childhood friend, Marty Jones (Himalayans bassist) was one of the inspirations for that song that spoke of the desire of musicians who wanted it to make it big.