Posted in: Disc Reviews by Gino Sassani on December 12th, 2011
Look up in the sky. It’s a bird. It’s a plane. No, it’s…. well, Clark Kent. And we finally have to say goodbye to the wonderful universe that this show has brought to the Superman mythology. With the show ending on its own terms we expected a lot from this season, and it was something just short of impossible for the cast and crew to deliver on those fans expectations. The season wasn't perfect, and I'm sure that each fan walked away disappointed in something that happened, or more likely didn't happen. It was a tall order, but I think that the show delivered quite handsomely. For me, it was important that Tom Welling get that chance to put on the suit and fly. I wouldn't think it was any kind of major spoiler to tell you that he does. Those last 12 minutes were payoff enough for me. There were also some rather emotional moments that brought back many past cast members including the much-anticipated return of Michael Rosenbaum as Lex.
There were certainly epic story-lines going on here. There's a Watchmen/X-Men-like story that deals with a law to force masked heroes to register with the government amid a surge of anti-hero public backlash. Of course, it's Lois's father played excellently by Michael Ironside who leads the anti-hero legislative push.
Posted in: Disc Reviews by Michael Durr on December 10th, 2011
As one could probably surmise from reading many of my reviews, I don't know a thing about women. I am after all a man, that is really the only reason I need. But then again, we are slow witted creatures. But I do know I like watching women (that does not sound too perverted does it?). So perhaps when I saw a list of titles to review, I gravitated towards one called Tanner Hall which follows the story of four teenage girls becoming women. I probably still will not learn a thing.
They say the first time in life you have a chance to do something wrong, you end up doing it anyway. Fernanda finds out first hand that bad things can happen to people on purpose when she witnesses her childhood friend, Victoria release a pet bird that is not hers. But that was many years ago and we rejoin the present day. Fern (played by Rooney Mara) is taking the five hour journey to Tanner Hall, a boarding school for young women.
Posted in: Disc Reviews by William O'Donnell on December 9th, 2011
A bar owner hires a hitman to assassinate his wife and her lover upon discovering their affair. What proceeds is a neo-noir packed with ample murder, betrayal and suspicions throughout.
This film is the directorial debut of Joel Cohen, thus making it the first in the line of “Coen Bros.” productions (Joel's brother Ethan naturally contributing as co-writer and co-editor). As well, Barry Sonnenfield is the Director of Photography, which helps to explain the outstanding visual composition of this film. With the combined efforts of the Coens and Sonnenfield, Blood Simple takes a modern, Southern US setting (in full colour I should note) and turns the mise-en-scene into something unmistakably of the noir genre. There are a few more hand held jostling than one would be acclimatized to in Coen Brothers films, which sometimes take away from the strictly “noir” style of framing shots, but do keep it from feeling too stifling or striated.
Posted in: Disc Reviews by Gino Sassani on December 6th, 2011
"On every world wherever people are, in the deepest part of the winter, at the exact midpoint, everybody stops and turns and hugs. As if to say, "Well done! Well done, everyone! We're halfway out of the dark." Back on Earth, we call this Christmas, or the Winter Solstice. On this world, the first settlers called it the Crystal Feast. You know what I call it? I call it expecting something for nothing!"
In 2005 the BBC decided to bring back the gone-but-never-forgotten character. Christopher Eccleston would become the ninth Doctor, and a brand new series was started. The Doctor was revived in a more traditional hour long episodic format. Gone were the cheap f/x, and now with the use of CGI and a more respectable budget, Dr. Who could be given the high-end treatment it deserved. But would all this new slick production be able to retain the magic of the original? As it turns out, much of that charm remains, and a brand new generation has gained access to Dr. Who. Sadly, Eccleston would retain the part for only a year. In the second season David Tennant would take over the role. It is this tenth Doctor who has changed twice more to the one you’ll find in this sixth season (or series as the British like to call them). The old theme is back but far more modernized and performed by the National Orchestra of Wales.
Posted in: Disc Reviews by Gino Sassani on December 6th, 2011
There have been a lot of films out that deal with the Iraq war and the various political situations that region of the world has had to deal with since that time. Most of these efforts are trying so hard to make some radical political point that they tend to serve their audiences poorly as entertaining films. Happily, that's not the case with Lee Tamahori's The Devil's Double. The film cuts through the polarizing political elements and provides a brutal view of the Hussein regime through the actions of one of Saddam's sons, Uday. Tamahori has created a modern Scarface by using those regime elements to paint the picture of a man overwhelmed with power and driven to excess. Unlike Scarface, Uday is not an outlaw; rather in this environment he is the law, and suddenly we have a film that delivers a unique take on the theme of the corruption of power.
Latif (Cooper) is a simple soldier in the Iraq army in the days before the Kuwait invasion. He has been called to the Royal Palace, summoned by Prince Uday (Cooper) whom he had known in his school days. The two share a remarkable resemblance that Uday intends to exploit. He wants a body double to help protect him from the various threats that his position elicits. Latif attempts to decline, but Uday threatens his entire family if he doesn't accept. Acceptance means that Latif is now dead, and he is to live in the palace with all of the luxury of a prince. Uday refers to him as his brother. But instead of having Latif take his place in public, he merely drags him around with him. It's a poor plan for a body double, because it soon becomes pretty much general knowledge that this look-alike exists. Latif finds himself more and more disgusted as he is drawn closer in toward this world. All he wants now is to escape.
Posted in: Disc Reviews by Michael Durr on December 5th, 2011
As some might be able to figure out from my personality, I tend to stay away from political and war type movies. Political movies (except for the special ones) tend to confuse the viewer until the final curtain is drawn. War movies on the other hand tend to be more about explosions and male bonding which is usually enough to put me to sleep. What happens when you combine the two of them? Well then you might get a movie like 5 Days of War directed by the one and only Renny Harlin .
Hiram Johnson, a US Senator once said that “The first casualty of war is truth.” We join the movie in Iraq, year circa 2007. Thomas Anders (played by Rupert Friend) is an American reporter. He is riding along with his camerman, Sebastian Ganz (played by Richard Coyle) and his fellow reporter/girlfriend, Miriam (played by Heather Graham). Sebastian is recording the two and asking them all sorts of relationship type questions.
Posted in: Disc Reviews by William O'Donnell on December 4th, 2011
This historical film looks at the three-year siege of Leningrad during World War 2. The film follows a Russian, female police officer who aids a stranded, English news reporter as they try to survive the siege. Said survival goes beyond enduring the battles between Russian and German forces as a lot of focus is placed on the starvation of the denizens of Leningrad as supplies become desperately limited and the people must live off of 300 grams of rations a day, an amount that declines as days go by.
There is a nice balance between depictions of those fighting the battles and civilians just trying to survive. The battles themselves are accurately brutal at times, and the city of Leningrad is looks as cold and wreaked with famine as its inhabitants. Visually, this film does a wonderful job of recreating the horrible images of war. There are dead bodies frozen on the streets and battlefields that the characters have to become acclimatized to.
Posted in: Disc Reviews by M. W. Phillips on December 4th, 2011
“Someone's in my fruit cellar! Someone with a fresh soooul!”
Sam Raimi wasn’t really interested in making a horror movie. Weaned on The Three Stooges, comedy was really more his style, but he could only find interested investors if he made a horror movie. So he and his filmmaking partner, Bruce Campbell, made the short film Within the Woods and with it secured funding for their first feature length movie, The Book of the Dead. When it was pointed out kids might not see a movie with book in the title, the name was changed to Evil Dead. With help from Stephen King proclaiming the movie as “the most ferociously original film of the year,” it became a moderate box office success (in short it made money even if the cast and crew didn’t). The uncut version which then circulated the video market elevated it quickly into cult status.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2011
"You have been activated."
You've got to hand it to Robert Rodriguez. Since he came onto the film scene in 1992 he has earned a reputation for delivering some very innovative films. His specialty appears to run toward more adult fare with such cult hits as Dusk To Dawn, Sin City, and his recent splashes into grindhouse territory. Anyone who has seen those films might find it strange that the writer/director is also responsible for a somewhat beloved children's franchise with the Spy Kids films. First introduced in 2001 the film pulled in a respectable box office and became a hit for the younger crowd who have fantasies of being James Bond spies with all of the terrific gadgets and the extra benefit of making evil adults look bad.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2011
John Bonito has had very little experience in filmmaking. He's done a few wrestling tidbits and one earlier film called The Marine, and that was nearly six years ago. Chances are you haven't heard of either. If Carjack is any indication of his limited ability, the new film out on Blu-ray isn't going to help with that name recognition. So, with a no-name director and a direct-to-video release, the film really left small expectations. We might go into a film like this expecting a rather dull, "been there, done that" feel to it. In that sense Bonito doesn't disappoint at all. But take a closer look at the cast and hope emerges for something perhaps a little better than that. The only response I can offer for that is that a car wasn't the only thing jacked here. Someone made off with nearly a couple hours of my life. In that Bonito is guilty of grand theft, while some of you might plead it down to petty larceny.
Lorraine (Bello) is trying to put together the pieces of a broken life. Her husband has left her and is threatening to take her son away. She was once negligent and he wondered off into the night alone. She's in group therapy trying to work out those kinks in her life. Her therapist tells her she needs to take control more, and that aspect of her development is about to be tested.