Posted in: Disc Reviews by Gino Sassani on November 30th, 2011
The Disney magic faded for a little while during the 1980s. There were still animated features, but they weren’t the groundbreaking triumphs of the studio’s golden age. All of that changed as we entered the 1990s. The Little Mermaid is considered the first of the new wave of Disney classics. It certainly signaled a change in the direction of animation at Disney. While the change may have begun there, I believe it was Beauty And The Beast that started a wave of productions that would peak with The Lion King. With Beauty And The Beast, everything is cranked up a notch from the mediocre affairs the studio had been churning out for a time. Beauty And The Beast had the epic proportions, fluid animation, and bright colors that set the Disney Express back on track.
With that much importance, is it any wonder that the folks at Disney kept the theme going for as long as they could? There was a television series that featured a live-action Belle who would sing stories to children and teach valuable lessons along the way. There were also some direct-to-video follow-up stories that took us back to the days in the middle of the original animated feature. That in and of itself isn't all too extraordinary. Disney, like any other studio, knows how to milk a cash cow. What is quite extraordinary in this business, even for Disney, is that they kept the original voice cast pretty much intact. It was a bold move that likely cost a few more dollars but was well worth the extra effort. With the return of Jerry Orbach, David Ogden Stiers, Jim Cummings, Robby Benson, and Paige O'Hara, the connection between this holiday film and the original material is unmistakable.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
“You can blow out a candle, but you can't blow out a fire. Once the flames begin to catch, the wind will blow it higher”
Peter Gabriel, the flamboyant original front man for Genesis from 1967 to 1977, left that band to pursue recording his own solo albums. Although none of his early albums scored a top 40 hit, they were deeply loved by the art house music crowd. Gabriel’s penchant for exotic world musical instruments, dark moving lyrics, and complicated arrangements built on his fiercely loyal following.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
Let me get this out of the way first off: I am not a big fan of emo-pop, so maybe I’m not the best person to review Placebo. The whiny nasal vocals and amazingly repetitive hooks tend to drag, and I find myself just wanting to slap the band and tell them to man up. That said, I should think if you are a fan of the band, you will love this nearly three hour concert disc filmed at London’s Brixton Academy in September 2010 during the band’s tour for their album Battle for the Sun.
Placebo is not a band that has achieved the same level of popularity in North America as they have abroad. Their “emo” stylings have spawned numerous top ten singles in the UK. The three-piece band is very tight on stage, and their sound is pristine live. The striking stage visuals are complemented by all sorts of digital post effects seamlessly inserted into transitions (maybe a few too many post tricks, as it seems to detract from the show, drawing attention to the video editor instead).
Posted in: Disc Reviews by Gino Sassani on November 22nd, 2011
"My name is John Crichton...an astronaut. Four years ago, I got...shot through a wormhole to a distant part of the galaxy. I ending up on this ship...this living ship, populated by escaping prisoners...who became my friends. I made enemies..."
Take a magical journey with me now. I don't mean into outer space. It's a journey back in time to a day when the SyFy Channel was called the Sci-Fi Channel. A day when it was an exciting and promising place on the cable dial. After a few fledgling years showing old repeats it was time to grow, and grow they did. When the powers that be decided to begin making new original programming they teamed up with Brian Henson who was just getting his feet running his late-father's Jim Henson Company. Yeah, the Muppets guys. He believed it was time to do something darker, something with an edge and targeted more to an adult audience. His father began the journey with The Dark Crystal. Now it was time for more of that kind of thing. The two companies found their solutions together in a show called Farscape.
Posted in: Disc Reviews by M. W. Phillips on November 22nd, 2011
“When you're a Jet, you're a Jet all the way! From your first cigarette to your last dyin' days.”
West Side Story is a masterpiece in film making. Its DNA comes from the greatest entertainers in the business. The great Robert Wise (The Sound of Music, The Day the Earth Stood Still) shares directing credit with one of the world’s greatest choreographers, Jerome Robbins. The music was composed by Leonard Bernstein with lyrics by Stephen Sondheim. Daniel Fapp’s cinematography is epic and evocative. The movie was nominated for 11 Academy Awards and won 10, a record at the time, including Best Picture and Best Director. This is film sets the bar so high for musicals there really hasn’t been a good filmed one since.
Posted in: Disc Reviews by M. W. Phillips on November 21st, 2011
“10,000 people crammed… no bed, no toilets and little water.”
Julia Jarmond (Kristin Scott Thomas) is an American journalist living in Paris covering the anniversary of the 1942 Vel' d'Hiv Roundup, a horrific atrocity when occupied France bowed to the will of the Nazis and rounded up over 13,000 Jews to ship them off to concentration camps. As she investigates the story she discovers a dark secret in her French husband’s family directly connecting them to the event. The story is split between Julia’s modern day investigation and 1942 where it follows 10-year-old Sarah Starzynski (Melusine Mayance) as she deals with the horrors of the roundup.
Posted in: Disc Reviews by Michael Durr on November 20th, 2011
Deep inside most people's hearts lies a layer of curiosity. Many of us could go that one step farther and say it boils down to perversion. Whether it involves a spectacular car crash or two lovers in the throws of passion, there are uninhibited moments that we want to see. But what happens when those moments go beyond curiosity and straight into voyeurism? Worse yet, perhaps straight into a very dangerous situation? Well then one might be feeling much like Jeffery Beaumont in Blue Velvet, one of David Lynch's best movies.
In the serene peaceful town of Lumberton, we see blooming flowers, kids walking and Mr. Beaumont (played by Jack Harvey) watering the grass. However, the water hose hits a snag and gets caught up in the bushes. As he struggles with the apparatus, his heart suddenly gives out and he falls to the concrete below. As he lays there motionless on the ground, a child comes out to see what happened and the dog decides to take a drink. Ants lurch out of the ground and we fade to black.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2011
"There are many among us who in the past closed their eyes to the events of war, because they believed that what was taking place in Europe was none of our business. That we could maintain our physical safety by retiring within our continental boundaries. Obviously, a defense policy based on that is merely to invite future attacks. For those who would not admit the possibility of the approaching storm, the past weeks have meant a shattering of past illusions."
No, that quote wasn't George W. Bush. It was Franklin D. Roosevelt on May 26th, 1941. And yes, it was over 6 months before the bombing of Pearl Harbor and America's unceremonious personal invitation to World War II.
Posted in: Disc Reviews by Michael Durr on November 16th, 2011
Over-the-top movies can be enjoyable vehicles to invest ninety minutes into. Movies like Planet Terror where somewhere behind the blood splatter and the lovely Rose McGowan who had a machine gun leg was an actual enjoyable story. But these movies do not just exist in America. Abroad, over in Japan, this type of film has been taken up to the Nth degree by the company Sushi Typhoon. This review covers their newest flic, Helldriver. Let’s see what we got.
A guy (played by Yukihide Benny) drives up in a bicycle wearing some black latex and goggles. No, this movie is not starting off strangely at all. He scales the wall in front of him using a grappling hook. He gets to the top and sits down to overlook the earth below. Out of his satchel, he produces a grizzled human head and throws it to the ground below him. Slowly but surely, a few zombies come out of the woodwork to enjoy a meal.
Posted in: Disc Reviews by M. W. Phillips on November 13th, 2011
“What thousands must die, so that Caesar may become great.”
When Hong Kong released Infernal Affairs in 2002, it pretty much revived the Asian gangster genre and proved the inspiration for Martin Scorsese’s Best Director Academy Award winner, The Departed. I saw The Departed before I watched Infernal Affairs and, now seeing it, must say I prefer Scorsese’s Boston noir re-envisioning of the film more than the original. I realize this goes against the hardcore fans and critics of the film, but it doesn’t take anything away from the hardboiled crime sensation directors Andrew Lau and Alan Mak created.