Posted in: Disc Reviews by Michael Durr on August 3rd, 2011
Dave “The Animal” Bautista has had a fairly interesting life. Most people know him for his wrestling accolades even though his career only lasted about ten years. It is hard to believe that at one time, he was passed on by WCW and said he would never make it in the wrestling business. He would go on to be the six-time World Champion and a four-time Tag Team champion as a part of WWE. However, he departed with the company in 2010 to pursue other avenues including an acting career which made its way to my review door. Let’s explore: House of the Rising Sun.
Ray (played by Dave Bautista) takes a long drag on his cigarette. Sometimes he is not sure how his life got to be like this. He used to be a Vice cop who ended up getting jailed for being on the take. Now, trying to live a normal decent life he takes on a job as head of security for a strip joint called “House of the Rising Sun”. Unfortunately, Ray looks the other way a lot here too since this joint also runs prostitution and illegal gambling.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2011
"What is source code?"
That's a good question. Unfortunately, there really isn't a good answer, not without spoiling some of the finer elements of this science fiction thriller from Moon director Duncan Jones. At the heart of this code you'll a bit of the familiar. From Groundhog Day to Déjà Vu you'll leave this movie with a sense that you've seen much of this before, and that's not entirely a bad thing. These elements aren't necessarily merely retread material. Let's just say they share a large amount of DNA in this film's basic source code.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2011
"Obviously, I miscalculated a few things. Why is it that the moment your life exceeds your wildest dreams the knife appears at your back?"
You've heard the myth that we only use about 10% of our brains so often that most people actually believe it's true. It's one of those old wives' tails that has been around long enough to become an axiom. We actually do use considerably more than 10% of our brains, or should I say, most of us do. But it is true that we don't utilize anywhere near all of it. So what might happen if we could? How might that improve our lives? After spending almost a couple of hours watching Limitless, I might have to become a tad more content with whatever percentage I'm using right now. In fact, maybe it might be a good idea to lower it a little.
Posted in: Disc Reviews by M. W. Phillips on August 2nd, 2011
“Zippedy Doo-Dah. Zippedy Yay. My, oh my, I got a wonderful slave.”
I’ve never really been a big fan of director Gary Marshall’s films. I prefer his work as a producer of classic sitcoms, like The Odd Couple and Happy Days. Marshall’s most popular film, Pretty Woman, plays off the Cinderella cliché a little too much for my taste, with a man ultimately finding and saving a woman by redefining her. Three years before Pretty Woman, Marshall explored these same themes in Overboard, but instead of slick fantasy salvation at the hands of a wealthy Richard Gere, the redemption comes from a misogynistic and cruel Kurt Russell.
Posted in: Disc Reviews by Michael Durr on August 1st, 2011
Two of my favorite films of all time are Bloodsport and Mortal Kombat. Before you start groaning, let me explain why. They both act as the total testosterone injection for all of the macho men out there. These movies have tournament style martial arts and MMA mayhem where the only code is to beat your opponent until he/she is defeated. Then they move on to the next fight. Usually, there are theatrics thrown in there too, like to save the world or restore honor. Enter my next review movie: Tekken.
Sometime in the future, the world is plunged into chaos. Eight different corporations take over the world and divide the countries between them. They establish a yearly tournament called Iron Fst which is supposed to determine the greatest fighter of the world. The US territory is controlled by Tekken and headed by one, Heihachi Mishima (played by Cary-Hiroyuki Tagawa) with his son, Kazuya (played by Ian Anthony Dale) in charge of security.
Posted in: Disc Reviews by Gino Sassani on August 1st, 2011
Warner's Japan unit had decided that it wanted to turn one of its shows into an anime production for the Japanese audience. I guess it shouldn't come as too much of a surprise that Supernatural would be the perfect fit. Let's face it. While the production values on the live-action series have always been high, there are certain limitations that exist. With animation you have the ability to go far beyond what you can do with characters played ultimately by human actors. The highly stylized format of anime blends well with the horror aspects of the original show. You don't have to be particularly fond of anime to enjoy this. Honestly, I'm not into the style at all. But as a fan of Supernatural, I found this to be quite fun to watch.
If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to The Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around.
Posted in: Disc Reviews by Gino Sassani on August 1st, 2011
Back in 1981 we all got a little lost between the moon and New York City as Dudley Moore played the spoiled and perpetually drunk title character in the surprise hit Arthur. He was in love with Liza Minnelli, but his rich family had plans for the socialite played by Jill Eikenberry. Arthur's only real friend was the guy who was paid to be there for him, but nevertheless had a soft spot for him. That was butler Hobson, played by Sir John Gielgud. It was a quirky little romantic comedy that turned out to have legs. Moore would reprise the role in the sequel Arthur 2: On The Rocks which was as much a flop as the original was a success. Moore died nearly a decade ago, and most of us had pretty much forgotten the classic and moved on to other things.
Now along comes Russell Brand, who knows more than a little bit about being an out-of-control drunk. His successful attempt to turn his own life around before it careened off a cliff might have made him the perfect fit to play the character in this 2011 remake. Of course, that's not really what makes him such a wonderful choice. Brand infused enough of his wit and clever improvisation to make this a far funnier version. Moore might have certainly been a more believable and charming drunk. But Brand is a much more entertaining one. And that wasn't the only clever casting to be found here. More on that later.
Posted in: Disc Reviews by Michael Durr on July 27th, 2011
A mockumentary is a piece of satirical entertainment that is shot like a documentary except it is fictitious and never really happened. Like my first marriage, HEYOOOO! (okay, not really) They can be funny or serious but they are often shot to be of the former. Sometimes, they can be pretty interesting or funny but more often than not, they tend to be just like most documentaries. Boring, pointless and liable to cure insomnia. We shall proceed to investigate Brother’s Justice which mocks movie making.
Dax Shepard has an idea. He calls one of his best friends, Nate Tuck who is a producer and tells him to come right over with a camera. Nate says he will need a couple of hours to get things together, Dax asks if he can make it a half hour, the producer says I will try to be there in forty five minutes. At this point, I am already wishing for Nate to slam down the phone and walk away.
Posted in: Disc Reviews by Archive Authors on July 27th, 2011
I’ve got to admit that for a long time, Four Weddings and a Funeral was in a category of movies that I had no intention or curiosity to see because of the title, the cast and the story. Hugh Grant was a significant step down towards the emasculation of man, where we start wearing large sweaters, hang out in pseudo-Starbucks coffee shops and talk about what happened on American Idol or some lame thing along those lines.
Well here I am, years later, apologizing for some of the things I thought about that film. I’d seen it before a couple of times through the years, but in putting my error out there for the world to read, I opened myself up for the scorn that comes with it. But at the end of the day, throwing away Hugh Grant (it was the role that launched him upon American audiences, but still) and Andie MacDowell (who I like to call Mrs. John Elway), the film’s story, written by Richard Curtis (most recently of Love, Actually) was a refreshing breath of air into a fairly dead (subconscious pun unintended) romantic comedy genre. With Mike Newell’s direction (Harry Potter and the Goblet of Fire), the film is funny, with some moments of poignancy and emotion.
Posted in: Disc Reviews by Archive Authors on July 27th, 2011
I’ve got to admit that for a long time, Four Weddings and a Funeral was in a category of movies that I had no intention or curiosity to see because of the title, the cast and the story. Hugh Grant was a significant step down towards the emasculation of man, where we start wearing large sweaters, hang out in pseudo-Starbucks coffee shops and talk about what happened on American Idol or some lame thing along those lines.
Well here I am, years later, apologizing for some of the things I thought about that film. I’d seen it before a couple of times through the years, but in putting my error out there for the world to read, I opened myself up for the scorn that comes with it. But at the end of the day, throwing away Hugh Grant (it was the role that launched him upon American audiences, but still) and Andie MacDowell (who I like to call Mrs. John Elway), the film’s story, written by Richard Curtis (most recently of Love, Actually) was a refreshing breath of air into a fairly dead (subconscious pun unintended) romantic comedy genre. With Mike Newell’s direction (Harry Potter and the Goblet of Fire), the film is funny, with some moments of poignancy and emotion.
![House of the Rising Sun [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/house-of-the-rising-sun-blu-ray-large.jpg)
![Source Code [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/source-code-blu-ray-large.jpg)
![Limitless (Unrated Extended Cut) [Blu-ray + Digital Copy] dvd cover art](https://upcomingdiscs.com/ecs_covers/limitless-unrated-extended-cut-b-large.jpg)
![Overboard [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/overboard-blu-ray-large.jpg)
![Supernatural: The Anime Series [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/supernatural-the-anime-series-blu-large.jpg)
![Brother's Justice (Bluray + DVD Combo) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/brothers-justice-bluray-dvd-com-large.jpg)
![Four Weddings & A Funeral [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/four-weddings-a-funeral-blu-ray-large.jpg)
