Posted in: Disc Reviews by Gino Sassani on August 26th, 2011
"You cannot run from a vampire."
Posted in: Disc Reviews by Gino Sassani on August 26th, 2011
The American Film Company is a new venture that intends to tell historical dramas. There are several stories on the way. They are particularly interested in the lesser known elements of historical events that are, in themselves, rather huge and universally known. One is left with the kind of film that we saw last year in The King's Speech. While we all know about the global events of that time, few knew the story of the struggle over public speaking that the King had during that fateful moment in world history. I think you can say the same for the material in The Conspirator. There's likely not an American alive who doesn't know something of the assassination of Abraham Lincoln. We all know the location was Ford's Theater and many even know the name of the play that was being performed at the time. But there are lesser known facts about the event. That Lincoln didn't want to go is one some of you already know. But how many know that his murder was part of a larger plot to take revenge on the government for the defeat of the South? This film goes even farther than that. It tells the story of one of the more controversial accused in the plot that included the attempted murders of the Secretary of State and Vice-President Johnson. That defendant was Mary Surratt, and she would become the first woman executed by the Federal government. And she may not have even been guilty of a crime.
The film begins at the conclusion of the Civil War where we meet Frederick Aiken (McAvoy) who is a wounded captain. He orders the medics to care for his fallen friend, Baker (Long) who appears to be as good as dead. While the scene plays no real role in the story to unfold, it attempts to set two stages. It's a chance to touch upon the brutal war that has triggered the film's main events. It's also intended to help us get to know how good a guy Aikens happens to be. From there the film quickly moves through the execution of the plot to kill three members of the federal government. Only President Lincoln is mortally wounded, and his killer John Wilkes Booth (Kebbell) is soon captured and killed. All that is left for the struggling government now is to put the entire experience behind them by burying the conspirators themselves.
Posted in: Disc Reviews by M. W. Phillips on August 26th, 2011
“The windows around here are not big enough for you?”
Writer/Director Keith Bearden’s debut film, Meet Monica Velour, seduces you like raunchy 70s porn star, but finishes you off with a happy ending like a cheap masseuse in a roadside massage parlor. Not that this is a sex comedy, nor are the stars particularly sexy (except for Jamie Tisdale who plays young Monica Velour who is very, very hot), but the theme is about sexual illusions. Illusions from a time long past, when pornos tried to be movies instead of a series of masturbation loops and there was an ironic air of innocence to the whole smutty affair.
Posted in: Disc Reviews by Gino Sassani on August 26th, 2011
Dexter Morgan (Hall) is a forensic lab rat for the Miami-Dade Police. He really knows blood splatter. He should, because he moonlights as a killer. It seems that poor old Dex just can’t help himself. His parents were criminals, and he witnessed his mother’s brutal slashing by a chainsaw gang when he was just a young boy. He was adopted by Harry Morgan (Remar), a police officer. Harry saw the killer instinct in Dexter and taught him how to channel the urges for the sake of good. Dexter adopted Harry’s Code, which means he only kills others that he’s able to prove were killers themselves. His father continues to guide him through his own mind, meaning we get to see Pop even though he's gone. Working for the police with his officer sister, Debra (Carpenter), Dexter is constantly just on the verge of getting caught. He has to adapt and evolve to avoid capture.
“Most actors toil in obscurity, never stepping into the spotlight. But if you hone your craft, work diligently, you might just find yourself cast in the role of a lifetime.”
Posted in: Disc Reviews by BABY on August 24th, 2011
Baby here again. No, you're not seeing double unless you're seeing two of me. That would be very bad since you're reading this and I'm not really there at all. No, you're not seeing double. But, thanks to the guys at Disney and a little bit to the guys at UPS who somehow got this thing through my tight security net, we get not one but two classic Disney animated movies on one Blu-ray release. This thing has so much canine content that you're gonna need a doggie bag for all the leftovers. Speaking of leftovers, you can send any of that stuff to us here at Upcomingdiscs in care of Baby. Now, how many paws am I holding up?
Of course, the movie should have been called The Hound And The Fox, because we know who should get top billing here. But don't blame the guys at Disney for that one. That blame belongs to a guy named Daniel P. Mannix. You see, he wrote a children's book a while before, and this was another one of those Disney versions of a classic story. I guess that means I should tell you the story.
Posted in: Disc Reviews by Gino Sassani on August 22nd, 2011
"Hello, Pretty Bird..."
Director/writer Carlos Saldanha is perhaps best known for his work on the Ice Age films. He's been a part of the director duties on all three of the films so far. It's natural that he might wish to step away from the popular franchise and find a computer animation project that is more of a work of passion for the young talent. He decided to write and direct his own feature and set it in his native Brazil. His own childhood growing up in the area allows him to infuse the creative process with vivid environments and a story that is rich in cultural flavor, particularly the music of the country. It's a work straight from his heart, and it takes us on quite a nice journey through his home country. But is Rio up to par with the likes of the Ice Age films? Probably not.
Posted in: Disc Reviews by Michael Durr on August 22nd, 2011
In my life, I have always made a habit rooting for the underdog. Whether it would be in the business world with a small company or at the NCAA March Madness tournament with a Cinderella team, I always like to see the unexpected. It happens in movies too for the most part, I routed for Rocky, I routed for the Indians in Major League (didn’t root for Rudy though, that was too much even for me.) But what would I think of the little soldier in Little Big Soldier? Well, we will have to see.
It is the year 227 B.C., battles are waged, and wars carry on. Land is gained, people are lost. However, we as the viewer are interested in one large battle between the Liang and the Wei that involves over 3000 people. There are those three thousand people that are soon annihilated by each other in an attempt to win for the other side. It is then when we join the action in progress with bodies lining the earth as far as the eyes can see. The ground is silent until we see one body move in the distance.
Posted in: Disc Reviews by M. W. Phillips on August 21st, 2011
“The Hamptons are like a zombie movie directed by Ralph Lauren.”
Although I prefer genre films, chick flicks can prove a guilty pleasure. I can get in touch enough with my feminine side to shed a tear at a powerful love story, laugh at romantic misadventures, and embrace the belief in soul mates. So I slipped on my pink silk pajamas, grabbed a box of tissues, curled up on my chaise lounge and approached Something Borrowed with an open mind. OK, I might not have pink pajamas or a chaise lounge, but, in all fairness, this romantic comedy, based on the bestselling novel by Emily Griffin, doesn’t have anything particularly romantic or very funny in it. What it does have are vapid, banal, selfish caricatures trapped in a forced premise which could be resolved in minutes if anyone acted in a remotely adult manner; as well as something borrowed from just about every bad rom-com movie that came before it.
Posted in: Disc Reviews by Gino Sassani on August 19th, 2011
"Who knew mothering was so hard?"
If you thought that mothering was hard, you should see the work and creativity that goes into making a motion-capture computer animation feature. What started with The Polar Express led to a wonderful holiday special in the hands of Walt Disney with last year's charming A Christmas Carol. Now Disney has taken the magic one step farther with the recent release of Mars Needs Moms.
Posted in: Disc Reviews by Michael Durr on August 15th, 2011
Animation is traditionally geared towards kids. From Bugs Bunny to Monsters, Inc, cartoons have been a staple of kid’s viewing experience for decades. However, as time wore on, more and more adults have craved for animated experiences that not only are kid friendly but have adult nods so that the older audience can enjoy it. Shrek is probably the most famous of these types of pictures. Perhaps the sequel to Hoodwinked! can provide an equal passion to please both audiences.
Boingo the Bunny is locked up in the pen and the Happily Forever After agency is up and ready for business. The team is comprised of Red Riding Hood (or “Red” for short), Granny (Red’s grandma), Wolf W. Wolf, and Twitchy the Squirrel. They are overseen by Nicky Flippers, a very tall frog. At the time of the opening scene, Red is busy training with the Sisters of the Hood, a clan of Kung Fu Bakers. But the other three members of the group are more than ready to take on the evils of this fairy kingdom.