Posted in: Disc Reviews by Gino Sassani on December 2nd, 2010
"Well when you gettin' "got" and somebody done "got" you and you go "get" them, when you get 'em everybody's gon' get got."
When Tyler Perry started writing his small plays, he probably never had a clue just how far it might all go from there. The plays had a solid audience, but there was always concern that the appeal would be too narrow. That didn't stop Perry from putting together a few relatively low-budget films located in his adopted film hometown of Atlanta. For the most part the studio got pretty much what it expected.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2010
Most of the huge names of Broadway are gone. Certainly there are young talents that have created some memorable shows. Perhaps one day they will build up the mountain of classics that we received from the likes of Rodgers, Hammerstein, Bernstein, and others. There are even a couple of writers out there that have amassed that kind of a career. Andrew Lloyd Weber absolutely comes to mind as a fine example. But Stephen Sondheim is the last of a dying breed.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2010
The axiom in Hollywood these days is that more is better. Every year we get inundated with blockbuster films sporting $200 million budgets, groundbreaking f/x, epic journeys and casts of thousands. Enter first-time director J. Blakeson and his intimate and quite claustrophobic thriller, The Disappearance Of Alice Creed. Right from the start we know that we're in for something completely different. There are no opening credits of any kind. There isn't even a title screen.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2010
Most people remember the Bee Gees from their disco days and Saturday Night Fever. They sold a lot of records and achieved more fame than at any time in their careers. But the Brothers Gibb had been performing since the 1950's as children. They would headline automobile races and appear on local radio and television shows. They would quickly gain attention for their harmonies and eventually for their own songs. By 1967 they had begun to gain international attention, appearing on the national rock-and-roll shows. The brothers would become known then for their power ballads and love songs.
Posted in: Disc Reviews by Archive Authors on November 30th, 2010
Tyler Perry burst on the scene in 2005 with Diary of a Mad Black Woman. It was one of the worst-reviewed movies of the year, but when it raked in over $50 million dollars at the box office, Tyler Perry silenced critics and became a force to be reckoned with in Hollywood. Before his movie-making career, Perry was already a huge success in the African-American community, having written several Christian and family-oriented plays upon which many of his movies are based.
Posted in: Disc Reviews by Archive Authors on November 30th, 2010
Tyler Perry once again dons multiple costumes to incarnate several characters, most prominently Madea, the no-nonsense but mischievous matriarch of a very fractious family. She is ordered by the court to take in a runaway as a foster child, and that project of reclamation joins that of helping out her nieces. They have a mother from hell. One sister is struggling to learn how to love again, while the other is being forced into marriage with the hideously abusive Blair Underwood.
Posted in: Disc Reviews by Michael Durr on November 29th, 2010
My wife is known as a very big Madea fan. She’s watched most of the Madea films and often quotes lines at random. So, naturally when I saw I was receiving a Tyler Perry film, I thought I might be able to slide the movie into my wife’s direction. However, Tyler is trying to expand his repertoire into something more than a one-trick pony and I kinda got left holding the bag (or the disc in this case). This should be quite the adventure staring Kathy Bates and Alfre Woodard, let us begin.
Posted in: Disc Reviews by Michael Durr on November 27th, 2010
As one could expect, I read a lot of books when I was a kid. I stuck with the classics from Ronald Dahl, Tolkien, and even Charles Dickens . But among all of the male authors in this boy's life, I also read a few female ones too. One stands out in particular, Beverly Cleary. From Henry Huggins to Runaway Ralph and the beloved Dear Mr. Henshaw , I clearly enjoyed her work. But I must confess, I even read the beloved Ramona books, so naturally I was delighted to see Ramona and Beezus on my doorstep.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2010
"Man, we'll die with you. Just don't ask us to do it twice."
Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2010
When Peter Gabriel left the band Genesis to pursue his own solo career, it was the break of a lifetime for the band's drummer, Phil Collins. He took over the front-man duties with style, and before long Genesis was enjoying the most commercial success of their lives. Collins provided the smooth, easy-to-listen-to voice that Gabriel really never had. The tunes were instantly more recognizable and stuck with you for a long time. Of course, that meant that Collins would go out and work on that solo career as well