Posted in: Disc Reviews by Gino Sassani on October 26th, 2010
"A boy comes running up, and he asks: 'what exactly is the ocean?' 'What is the sea?' You could hit him with a lot of statistics and Latin names. But the answer isn't something you'll find in a book. To really know what the ocean is, you have to see it for yourself. You have to hear it. And taste it. You have to feel its power. To really know the ocean, you have to live it."
And live it you will with Disney Nature's latest entry into their award-winning series of natural documentaries. Walt Disney Studios is no stranger to the world of nature.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2010
"Born with a steering wheel in his hand and lead in his foot, he is the Nightrider, cruising at the speed of fright! This is the Nightrider, and we ain't never coming back. I'm a fuel-injected suicide machine..."
Long before Mel Gibson's troubles involved real-life police officers and a bad case of "foot-in-mouth disease” that has made him his own worst enemy, Mel had more dramatic enemies to deal with. The unknown Australian actor was only 22 years old when he starred in the Outback production that would put both Mel Gibson and his native Australia on the filmmaking map.
Posted in: Disc Reviews by Archive Authors on October 19th, 2010
Two friends – Marie and Alexia– head out to the country home of the latter’s parents. In the middle of the night, a killer breaks in, slaughters the family, and makes Alexia his prisoner. Marie is locked in a battle to save her friend and not become a victim herself.
Of such simple storylines are horror classics made. Leave it to the French, who, after all, invented the horror movie, to pump such gloriously bloody life back into the cinema of atrocity. After an early bit of extreme nastiness in the opening minutes of the film, the movie gets down to serious terror and atrocity barely a quarter of an hour in, and from that point on never lets up.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2010
"I never wanted a war. I just wanted people to know what happened here. 98 men, women, children ... my husband. And yet no one believed. They rebuilt the town. Life went on. But I was already dead inside. I never wanted a war."
In October 2007 30 Days Of Night was unleashed at the box office to less than stellar numbers. In fact, the film took in only $39 million off of a $30 million budget. That's not usually a good sign for any potential franchise. But the film was received very well by the folks who did like it. I was one of those people. I found myself defending the film to a lot of others who were obviously not so impressed with the take on the vampire legend.
Posted in: Disc Reviews by Gino Sassani on October 16th, 2010
Regan MacNeil (Linda Blair) is going through more than the usual puberty traumas. She pees on the carpet, curses a blue streak, causes objects to fly around the room, and speaks in the voice of Mercedes McCambridge. Her mother Chris (Ellen Burstyn) takes her to every medical professional under the sun, to no avail. With her daughter's life in the balance, she turns to Father Karras (Jason Miller), asking him to perform an exorcism. But not only is he skeptical, he has his own problems, not least of which is losing his faith. Meanwhile, Regan's symptoms of possession grow steadily worse...
Posted in: Disc Reviews by Gino Sassani on October 15th, 2010
Lee Holloway (Maggie Gyllenhaal) is a young woman utterly lacking in self-confidence and given to deliberately cutting herself. She gets her first job as secretary to E. Edward Grey (James Spader), as tightly wound and ferociously self-isolated an individual as you could imagine. What happens when the sadist meets the masochist? Sparks fly
Posted in: Disc Reviews by Michael Durr on October 14th, 2010
It is always a different experience to watch a show in reverse. But that is exactly what happened when I watched the final three episodes of Wolverine and the X-Men on DVD. At that time, I did know there was a complete series dvd and blu-ray package coming but I wasn’t sure if I would be fortunate enough to bring that review to the loyal readers. Well, loyal readers your animated super hero guru is here and I am happy to present to you: Wolverine and the X-Men, The Complete Series on Blu-Ray.
Posted in: Disc Reviews by Gino Sassani on October 13th, 2010
"In 1539 The Knight Templars of Malta paid tribute to Charles V of Spain by sending him a Golden Falcon encrusted from beak to claw with rarest jewels --- but pirates seized the galley carrying this priceless token, and the fate of the Maltese Falcon remains a mystery to this day."
What is not a mystery today is the significant role that The Maltese Falcon has played in cinema history. The film itself was a remake. In fact, it was actually Warner's third attempt to film the Dashiell Hammett novel in a single decade.
Posted in: Disc Reviews by Gino Sassani on October 13th, 2010
By 1948 John Huston had proven his ability as a director with just his first film, The Maltese Falcon. Since then he had returned to Humphrey Bogart in Across The Pacific and again in The Treasure Of The Sierra Madre. Each of these films presented the star in very different surroundings and situations. His Dobbs character here couldn't have been any farther from his Sam Spade character. But in each case Huston relied on his leading man to dominate the screen with his trademark mannerisms and his ability to liven up even the most cliché of dialog.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2010
There hasn't been a show quite like Human Target on television. There are certainly action shows, and there have been many shows that have taken on the "private" bodyguard or dedicated do-gooder. But I haven't seen a series yet that managed to capture the kind of action that you only find in big-budget feature films on the smaller scale and more limited budget of television. That is, until I saw the 12 episodes of the first season of Human Target. I remember seeing a huge advertisement blitz around the time of the Super Bowl, but I've seen a ton of these dramatic previews that only seemed to lose the sizzle over the course of a season, or even a single episode.
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