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Mention the name of George A. Romero to anyone even remotely familiar with horror movies, and the first thing they're going to think of is zombies. Why shouldn't they? It was Romero who made what might be the first little film that could. Long before Blair Witch Project and Paranormal Activity, Romero set out with his trusty 16 mm camera and a crew of pretty much local Pittsburgh friends, to make Night Of The Living Dead. With this film and the ongoing "Dead" franchise, Romero has pretty much written the rule book on zombies. He is no doubt the zombie king. That's the kind of thing you think of when someone mentions George A. Romero. But, there is this small, at least until recently, group of die-hard Romero fans that might have thought of another film. They might, just might, mind you, be thinking of an obscure 1973 film called The Crazies.

It's a typical small American town. Kids are blissfully riding their bikes. It's the opening day of Little League baseball. Everyone is just enjoying their idyllic Norman Rockwell existence. Don't worry. No one is really trying to pull anything over on you here. We know this pleasantry isn't going to last when the first few seconds of the film depict this very town burning to the ground. Our first hint that something isn't quite as American Pie as all that is when town drunk Rory shows up on the kids' baseball diamond packing a 16-gauge. The gory results cause the town to ask some very easy questions, like why did Rory show up totin' that double-barrel? Sherriff Dave (Olyphant) investigates that very question along with his wife who happens to be the town doctor (Mitchell). The answer, it seems, can be found in the town's water supply and a recently-crashed plane. The U.S. Government has accidentally infected the water supply of a small town with the engineered bio-weapon called Trixie. It eventually infects people and becomes airborne instead. The first stage is a little harmless catatonia. The second stage turns its victims into raging maniacs on steroids before killing them 48 hours later. The feds close down the town and try to round up the residents, corralling them into two groups: The ones who have the virus and the ones who don't. But Dave and his pregnant wife don't intend to stick around while martial law reveals sheer brutality in this once picture-postcard town. It's a tough time to be on the run. Doesn't matter who you run into, crazies or soldiers, both are gonna kill ya dead.

"The Earth has immense power, and yet that's rarely mentioned in our history books. I'm here to change all that."

The BBC has a reputation of putting out some very high quality documentaries, particularly recently in the high-definition age. Planet Earth became an award winning series lauded all over the globe for its stunning photography and epic tales. Most recently I watched and reviewed their Life series. Once again the series was dominated by startling images, many never before captured on film, all in wonderful high definition. Now I have a chance to visit yet another recent BBC project: How The Earth Changed History.

Most people associate the book, War and Peace in the same respects as they do torture. A one thousand, two hundred and twenty five page book that is regarded as one of the most brilliant pieces of historical fiction is a nightmare to most advanced high school and college kids. However, perhaps more fascinating than any single piece of work by Leo Tolstoy is the life in which he lead. Last Station attempts to give us the last few years of the Count’s life in film form.

It is the last year of Leo Tolstoy (played by Christopher Plummer)’s long and prosperous life. He has developed principles that reject private property and advocates passive resistance. Those same principles have led to the birth of the Tolstoyan movement, championed by his disciple, Vladimir Chertkov (played by Paul Giamatti). Chertkov has unfortunately also been placed under house arrest and has no way to keep regular ties with Tolstoy who is in failing health.

Whenever there is a disaster, there are always the inevitable questions that follow. Where did it all begin? Could it have been avoided? What can we learn from this? No, I'm not talking about the oil leak in the Gulf.  Hollywood is no exception. You have your disaster movies like Earthquake, and you have your movies that are disasters like Waterworld. Of course there are even disaster movies that are also disasters like the recent 2012. Some disasters you never see coming. But, many such events could have been predicted and possibly avoided if only the right folks had been paying attention. This is the story of one such event: Showgirls.

I guess you could say that it all started with Basic Instinct. The film was directed by Paul Verhoeven and scripted by Joe Eszterhas. You remember the movie. It starred an as yet unknown Sharon Stone as the girl who dared Michael Douglas to arrest her for smoking in the interrogation room. There were ice picks, torrid sex scenes, and a few gender- bender moments. The film was a small affair with a budget under $50 million. It took the world by storm and raked in almost $400 million in the worldwide box office. It became that film that everyone talks about. Water cooler conversations were dominated by the thing. It quickly invaded the pop culture, and even if you'd never seen the movie you knew the common references.  So, three years later when the same director and writer team decided to take on the Vegas showgirl world, expectations were high indeed. If Basic Instinct got them talking, Showgirls is going to have them screaming, and so it did ... only not quite in the way everyone had expected. The end result? A mere $20 million at the box office. In less than a few weeks Showgirls had become one of the most disappointing movies in the history of the industry.

"Three years of filming. Seven continents. 70 camera crews. 3,000 shooting days. 200 different species. Groundbreaking technology. It all adds up to the most ambitious natural history series ever created."

The BBC has been at the forefront of natural history documentaries since the 1950's. Each decade the teams from the British unit have traversed the globe with what has always been, for the time, the latest in technology. The images that have been captured have entertained and educated the world for more than half a century. In today's high- definition world, the BBC has not failed to impress with its acclaimed Planet Earth series, among other notable projects. The latest of these is the three-year project, Life.

If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to the Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around. When UPN and WB merged, I was a little worried about Supernatural. You do the math (that was another review). Two networks worth of shows, one network worth of programming time. Half of the shows needed to vanish, and I was concerned Supernatural would be one, if history of respect for genre shows was any indication. Fortunately for us, the show has not only survived, but it has thrived, looking to be around for quite a while yet.

What amazes me most about Supernatural is the incredible balance the show manages to keep up week after week. Of course, there is that creature-of-the-week idea, but without taking anything away from each episode, there is an overall story arc that ties these creatures and moments together in such an intricate yet easy-to-follow fashion. Each episode blends just the right mix of darkness, comedy, and series mythology. Even The X-Files wasn’t able to spin this flawless a tapestry. I also can’t say enough about the leads. Jared Padalecki and Jensen Ackles have a wonderfully complicated chemistry that gives us an element even Kolchak never had. This is not a one-trick-pony relationship. Under all of the brotherly love and shared tragedy, there are far more emotional themes that surface from week to week. There are resentments and rivalries that can suddenly dominate their intercourse. Unlike most shows, these conflicts are real and remain a part of the fabric of this relationship, not to be brought out and then quickly overcome never to be seen again. Each of these events leaves a visible mark on their personalities. This kind of continuity is almost unheard of. It requires discipline and dedication by everyone involved: actors, writers, and production staff. And again, the season finale will leave you counting the hours until the next episode.

I'd like to think that the concepts of what makes a good children's movie is somewhat international. While cultures may vary, kids all over the world are pretty much the same. They look for the same kinds of characteristics in their heroes. While the martial arts film is somewhat cultural, there have been more than enough child-friendly martial arts films for me to conclude that these kinds of acrobatics and old fashioned good kicking-evil's-butt themes work for kids of any nationality. The recent Jackie Chan The Spy Next Door outing is one good example of the genre-crossing martial arts children's movie. I suspect these are the feelings that director Rachata Krissanapong must have had when he took on the Thai project 5 Huajai Hero or Power Kids and when Magnolia Home Entertainment packaged the film for American kids in this Blu-ray release.

At first the plot is rather difficult to follow. Blame it on the English translation or a little unfamiliarity with the culture. We get the general idea, however. We have this group of children living with their uncle, who happens to run a martial arts school. Of course, they are well trained and display impressive skills as the film throws somewhat light-hearted moments into the mix to establish the team's skill level. We eventually learn that the youngest is very sick. He has a severe heart condition and is close to death, unless he can get a heart transplant. The film attempts to build emotion and sympathy by showing the kids working together to buy the boy his favorite RC race car. But when he attempts to take it to the public track, he's bullied, and the stress brings on an attack that nearly kills him. The boy is rushed to the hospital, where it is discovered a heart has been found just in time to save his life. Unfortunately, an American diplomat has checked into the cross-town hospital where the heart is located. A group of rebel terrorists have taken over the hospital to make their vague point, and nothing is getting in or out of the building, including a certain necessary heart. Our Power Kids spring into action. They go to the hospital under siege, and inspired by the Die Hard-style films they've seen out of America, find a way into the hospital. Of course, they must locate the heart and get it out, while kicking some terrorist butt along the way.

My relationship with romantic comedies has not been one of wedded bliss. More often than not, it is something I get forced into. Once you are forced into something, then you automatically have a pre-disposed attitude against the movie. Hence, I haven’t liked too many of these things. Thankfully in the last few years, if I see a romantic comedy it’s been mostly because it ends up in my review queue. This in turn has given me a softer approach to these movies but don’t think I’m going all sentimental just yet.

Beth (played by Kristen Bell) is a successful art curator for the Guggenheim. After a great art show, she is talking to her friends and mentions how she hates her ex-boyfriend: Brady Sacks’ guts (played by Lee Pace). Of course, he’s standing right behind her. They talk for a while and it appears that Brady is bitter over the fact that he got dumped at Applebees (he probably wasn’t allowed to get the Riblets, I hear they are divine). Brady then mentions he is engaged.

"At the top of the world, there's a job only a few would dare. Last season the dash for the cash was fought on the smooth playing field of Canada's Arctic ice. This season, two old pros join four of America's bravest truckers to tackle the continent's deadliest ice passage. Just when you thought extreme trucking couldn't get more dangerous, Ice Road Truckers takes on Alaska."

It was the peak of the 1970's and CW McCall was teaching ordinary people like us about Cabover Petes with reefers on and getting by those smokeys. The man practically started a new genre of music with the hit song Convoy. The song was so popular that the back-up band used their cut to start a little project of their own. They became Manheim Steamroller and used the cash to cut their own music. The movies started giving us things like Smokey And The Bandit. Truckin' was in fashion, and a good time was had by all.

"I try to believe in as many as six impossible things before breakfast. Count them, Alice. One, there are drinks that make you shrink. Two, there are foods that make you grow. Three, animals can talk. Four, cats can disappear. Five, there is a place called Underland. Six, I can slay the Jabberwocky."

To be perfectly honest with you, I have never read either of the two Lewis Carroll books on which this film has been based. Under ordinary circumstances, that would put me at a decided disadvantage in both watching the film and certainly in providing an insightful review of the movie. But these are not ordinary circumstances. The characters and their stories, originally told in both Alice's Adventures In Wonderland and Through The Looking Glass And What Alice Found There, have become an indelible part of our culture. One need not have read a word to be intimately familiar with Alice and her fanciful friends and rivals from Underland, which Alice herself interprets for us as Wonderland. There have been animated features as well as other live action attempts. The characters have become iconic and have appeared in advertising campaigns and even an episode of Star Trek. The surprise isn't that I feel like I know this story without having read the source material. The real surprise would be if there was anyone out in the civilized world who wasn't familiar with these characters.