Posted in: Disc Reviews by Gino Sassani on September 11th, 2009
“Happy 200th, everybody. Only 75 shows in the history of television have reached 200 episodes. Only 4 other shows currently on the air have produced 200 episodes, and of those only 2 feature live actors. And, it’s worth noting that both of those shows were in the top of the Nielsen ratings before CSI came along and knocked them off of that perch.”
And, after 9 years and over 200 episodes, CSI has enjoyed an almost unprecedented near decade as the number one show in the country. It’s a rare thing to go so long and keep the core of your team intact. Up until now CSI has added characters, but has not lost a major character. But things are about to change. If you’re a fan of the original idea, this is an important season set to own. It’s all going to change quite significantly in season 9. William Petersen leaves mid-season. Dourdan is also already gone. The actor found himself in a considerable legal jam and was forced from the show. His character gets killed off in the beginning of the 9th season. Finally Jorja Fox, who had been playing a several year game of I quit/no I don’t with the series, finally opted out at the end of season 8. Petersen will remain as an executive producer.
Posted in: Disc Reviews by Gino Sassani on August 25th, 2009
Look up in the sky. It’s a bird. It’s a plane. No, it’s…. well, Clark Kent. When Smallville was first developed for television, the showrunners made a few conscious decisions that have, for the most part, been kept for the show’s first 8 seasons. There was a strict “no flights, no tights” rule that was in effect for anyone hoping to pen an adventure for the show. Everyone knows we’re talking about Superman here, but the term is avoided like a deadly disease. All of the familiar places and names are firmly in place, but make no mistake. This is the world before Superman began to make his presence known to the world.
For those of you who have been living under a rock since the 1930’s, Smallville was the Kansas farm town where young Kal-El’s space ship from the dying planet Krypton crash landed. He was discovered by Jonathan (Schneider) and Martha (O’Toole) Kent and raised as their adopted son. The series began with Clark’s high school years. Clark always had a crush on neighbor Lana Lang (Kreuk). In a nod to the 1978 film, Martha is played by Annette O’Toole, who played Lana in that second film. Clark’s high school friends include Chloe Sullivan (Mack) who is somewhat of a computer whiz and ace school paper reporter. Clark also befriends local billionaire son Lex Luthor (Rosenbaum) after saving his life. In these early seasons the characters would slowly build towards the eventual hero/villain relationship that Luthor and Superman would share. Lex Luthor’s father Lionel Luthor (Glover) would go from being a bad guy to a good guy and back again as the show progressed. Much of these early episodes dealt with Clark discovering his powers as he matured. Eventually all but the flight ability would surface. The show also took on a freak of the week aspect at times. It seems that while Kryptonite robs Clark of his power, it has created mutant powers in many humans who have encountered it over the years. Clark and Chloe would spend many a season tracking down and stopping these “meteor freaks”.
Posted in: Disc Reviews by Gino Sassani on August 25th, 2009
“Ride into this world all alone. God takes your soul. You're on your own.
The crow flies straight, a perfect line on the devil's back until you die.
Gotta look this life in the eye”.
When these guys send a message, they don’t use Western Union. Not only will they blow up your warehouse, but they’ll catch one of your guys and plant a stick of dynamite in his butt cheeks to set off the explosion. That’s the world of the motorcycle club, The Sons Of Anarchy. In the wake of The Shield, FX stays true to form with the latest from that show’s alumni Kurt Sutter. Sons Of Anarchy has a familiar tone and quality to it for fans of that now gone cop drama. There’s a lot of handheld camera stuff, and you have very similar themes.
Posted in: Disc Reviews by Gino Sassani on August 24th, 2009
Dexter Morgan (Hall) is a forensic lab rat for the Miami-Dade Police. He really knows blood splatter. He should, because he moonlights as a killer. It seems that poor old Dex just can’t help himself. His parents were criminals, and he witnessed his mother’s brutal slashing by a chainsaw gang when he was just a young boy. He was adopted by Harry Morgan (Remar), a police officer. Harry saw the killer instinct in Dexter and taught him how to channel the urges for the sake of good. Dexter adopted Harry’s Code, which means he only kills others that he’s able to prove were killers themselves. Working for the police with his officer sister, Debra (Carpenter), Dexter is constantly just on the verge of getting caught.He has to adapt and evolve to avoid capture. Dexter’s also trying to have a relationship, mostly because he knows it helps him blend in. Buffy and Angel’s Darla, Julie Benz, plays Rita. Dexter doesn’t really feel anything, but he’s trying to act the way he sees others act in the same environment.
“Most actors toil in obscurity, never stepping into the spotlight. But, if you hone your craft, work diligently you might just find yourself cast in the role of a lifetime.”
Posted in: Disc Reviews by Gino Sassani on August 19th, 2009
You know, I was watching this episode of the popular Showtime series Dexter the other night. There was this murder victim who had taken off work early to go and see a romantic comedy with his girlfriend. He ended up getting his head bashed in and dead. Is it saying something about my own bias that the first thing that came to my mind was that it was a lucky thing he got his skull caved in before he had to go to the romantic comedy? Romantic comedies. Chick flicks. Date movies. Whatever it is that you want to call them, ladies, they are the stuff of nightmares for your significant others. It might appear to be harmless enough fun for you girls out there, but for your guy? I guarantee he’s squirming in his seat the entire time. You do know that he doesn’t really have a bladder problem, don’t you? There’s a reason he has to go to the bathroom 20 times in those 2 hours. It’s even worse when we’re watching them at home. Here’s a helpful dating tip: Don’t ask him if he wants you to put it on pause on one of those 20 bathroom breaks. It might also be advisable to keep any sharp objects, firearms, or prescription drugs out of reach of your guy during date movie nights. There isn’t a guy out there who wouldn’t opt for a painful visit to the emergency room over another hour watching a romantic comedy. We’ll do it; after all a guy’s gotta do what a guy’s gotta do. Just don’t forget the poor sap deserves to be amply rewarded when the film’s over. Now if you’re a guy and you find yourself, like me, watching this one by yourself…. not that there’s anything wrong with that… I hope you have a good reason. Mine is to write this here review. Just another bullet I take for you, my gentle readers.
Andie Anderson (Hudson) writes the “How To…” column for Composure Magazine, the fastest growing women’s magazine in the country. You know the kind of articles I’m talking about here: “How to talk your way out of a ticket”, “How to lose weight in 5 Days And Still Eat All You Want”. It’s those female lifestyle burning questions. But, Andi wants to write about more serious issues like politics and religion. Her editor (Neuwirth) promises her a shot at writing about what she wants if she turns in a killer article. She decides to call it “How To Lose A Guy In 10 Days”. It’s a kind of dating tips in reverse. She’ll get a guy into her and then begin to pull out all of those don’t do’s in a relationship: acting clingy, whining, feminizing his apartment, dragging him to a Celine Dion concert, and one she forgot: taking him to see How To Lose A Guy In 10 Days. Enter Ben Berry (McConaughey). He’s an ad executive who wants to land a hot new diamond account. He’s got to convince his boss and a couple of female coworkers that he understands women enough to lead the campaign. He makes a bet that he could get a woman to fall completely in love with him in just, you guessed it, 10 days. His coworkers will pick out a woman at random, and that’s Ben’s target. You already know where this is going, don’t you? The two hook up and begin their cross purposes campaigns, each without the other knowing. The usual romantic comedy moments ensue, and the two genuinely fall in love with each other. It’s all leading to the big diamond gala 10 days later. Both bosses are in attendance, and the secrets get out with the expected results.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
The cast and crew of I Love You, Man constantly refer to the film as a “bromance”. I’m not exactly sure what they mean by that, but I was actually pretty pleased with the clever turn on the typically droll romantic comedy. Maybe someone’s finally come up with a romantic comedy that actually can appeal to men. Whatever you call it, I Love You, Man is a bit of a refreshing take on today’s innuendo comedy. Writer/director John Hamburg has turned a pretty inane idea into a rather funny little comedy that just might be the compromise between a chick flick and something we won’t have to squirm in our seats just to make our dates happy. You know, to make up for all of those Clint Eastwood/Bruce Willis action flicks that have the same effect on most of the women as romantic comedies have on the guys. A hybrid is born. And it kind of works.
Peter Klaven (Rudd) has just proposed to his long time girlfriend, Zooey (Jones). She’s terribly excited and immediately wants to call her best friends to share the news. Peter is quickly uncomfortable with how much intimate information her friends seem to have. It hits home with him that he doesn’t really have any close friends to share the good news with. Apparently, Peter’s always been a better “girlfriend” and buddy friend. With an impending wedding and no one to fill the best man shoes, he sets out to make a close friend. Predictably, the results are some pretty wild and funny moments. One of his prospects mistakes his attention as a gay pass, and he ends up throwing up on another. All the while he’s trying to sell Lou Ferrigno’s house to make enough money to buy his own dream piece of property. At first Zooey encourages the friendship hunt, and Peter finally meets Sydney Fife (Segel) at one of Ferrigno’s open houses. He’s immediately attracted to Sydney’s brutal open honesty and unwillingness to put on pretenses. The two discover they share a few things in common. Both are garage band musicians with a hero worship for the band Rush. Before long they have become inseparable, and suddenly Zooey is getting jealous of Peter’s new best friend. Together they go through the ups and downs of making the many relationships work.
Posted in: Disc Reviews by David Annandale on August 13th, 2009
An insubordinate officer (Bo Svenson), an African-American who Has Been Pushed Too Far (Fred Williamson), a thief, a gambler, and a coward are among the prisoners loaded up onto an Allied convoy in 1944. When the trucks come under attack from the Germans, the prisoners escape, and decide to make their way to Switzerland. But their journey is a complicated one, with another firefight around every corner, culminating in a particularly violent case of mistaken identity, which results in their volunteering to tackle a suicidal train-jacking.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2009
“Four turtles. Four brothers genetically reborn in the sewers of New York. Named after the great Renaissance masters and trained as ninjas. They battled many creatures and foes before defeating their arch enemy, The Shredder. But, now a greater evil is poised to destroy their brotherhood. An evil born 3000 years ago.”
What started as a low budget comic has grown into quite a sensation. The Turtles are everywhere. There are cartoons, books, comics, movies, and thousands of toys. They’ve been translated into just about every language in the world. The 1980’s and 1990’s were alive with Turtle power. With yet another film now in the works, the Turtles are about to make a comeback. While the characters might not have started with the 80’s cartoon series, that’s where it made its greatest leap in popularity. The show ran for over a decade, a rare record for cartoon shows of the era. Then came the inevitable movies. Three of them in all during the live action phase. The Turtles were part actor and part animatronics Jim Henson creation ala the Disney/ABC Dinosaurs television series. The fourth was a recent (2007) CGI film. All four are collected here for the first time in high definition Blu-ray in a rather righteous collection. The case is a pizza box, and each of the four discs resemble different kinds of pizza. There’s also a bit of swag to be found in the spacious box. You get character cards featuring shots from the live action films, a signed black and white sketch, a comic book detailing events from the first film, and a “radical” beanie for your head. It may be a bit corny and somewhat impractical, but it beats those crazy eco cases that are getting way too popular in the industry.
Posted in: Disc Reviews by Gino Sassani on August 11th, 2009
Billy Bob Thornton got himself a well deserved Oscar for the film Sling Blade. If you’ve ever seen the film, or anything else by the man, there’s no surprise that he took home one of the coveted statues. What is a bit surprising is that he took the Oscar home for the screenplay for Sling Blade and not for the masterful performance. Now don’t get me wrong. The screenplay is a brilliant one. He certainly deserved that award, but there hasn’t been a performance as riveting as his portrayal of Karl Childers in a decade or more. It was this performance that made Thornton the household name he became. It’s doubtful many of the other opportunities he did get would have come his way without such a landmark role. The character has become an icon in American pop culture and is imitated frequently in films, television shows, and skits. There have been plenty of imitations, but there’s only one Sling Blade.
It’s almost hard to imagine that this baby is almost singlehandedly the product of Billy Bob Thornton. He wrote the story, directed the film, and played the lead character. It just doesn’t happen this way very often. You’ve seen enough of my reviews here to know what I tend to think of these, often egotistical, one man shows. Most of the time they are self serving crap that passes for high art or entertainment. This is certainly one of those exceptions that, as they say, proves the rule. Of course I never did understand that phrase all that much. Still, it fits about as perfectly as you please here. Every aspect of this film is near perfect. The story is a compelling one to be sure, but I don’t think it would have been nearly as good without such sweet direction and acting. The award might have been deserved; probably was, as Karl would say. But it was the other two elements that really made this film.
Posted in: Disc Reviews by Gino Sassani on August 11th, 2009
The Soloist is based on a book written by Los Angeles Times columnist Steve Lopez. The book was based on a series of columns the writer assembled involving his relationship with a street musician he happened upon while searching for material. Lopez was touched by the musician, Nathaniel Ayers, who was playing a violin with only two remaining strings. Still he was able to produce music that made the writer do a double take and begin to wonder what he was doing out on the street. Ayers’ ramblings made it immediately obvious that the man was suffering from mental illness. Their first contact revealed that the street performer was once a student at Juilliard. Lopez took a personal interest in the story, resulting in a series of columns that got him a bit of attention and a personal relationship with Nathaniel Ayers. When he finds out that Ayers was a classically trained cellist, his column ends up providing a nice cello for the musician to play. Lopez attempts to use the instrument as a way to coax Ayers inside and off the street. He exposes him to music instructors in the hopes of cultivating his talent more completely. Together they grow, in a way.
There really isn’t much more of a story than that. Credit director Joe Wright for not attempting to add the usual Hollywood flares in an attempt to make the film more of a commercial success. The story is very true to the real life events and never attempts the usual over the top approach that has become trendy in Hollywood today. Unfortunately, while the decision might have been an honorable one, it might not have been the right one for the film. It did rather poorly at the box office, pulling in a little over $30 million, which didn’t even cover the budgets costs. You have to look at this one strictly as a character study, because you won’t find a satisfying enough story in the film. It just kind of sits there and never really develops into any kind of cohesive form. It’s obviously the product of a series of loosely related pieces of work. We get the idea that Lopez is moved by this man and that he decides at some sacrifice to get involved, but where is the whole thing going? Again, they decide to forego the warm and fuzzy Hollywood ending that wraps things up in a nice tidy bow for everybody. Most of the story hasn’t been told; the relationship is, apparently, ongoing. Perhaps the story needed a proper ending before making its way to a movie.
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