Posted in: Disc Reviews by Gino Sassani on November 30th, 2009
Believe it or not, Robert Langdon did not make his debut in the Da Vinci Code novel. He was actually introduced in an earlier, but far less known novel, Angels & Demons. When Hollywood came a knockin’ they weren’t interested in that earlier work. The Da Vinci Code was tearing up the literary world, and Hollywood wanted a piece of that overstuffed pie. That meant a strange series of circumstances for Dan Brown and Robert Langdon. In print, The Da Vinci Code is the sequel to Angels & Demons, but in the cinema Angels & Demons is now the sequel to The Da Vinci Code. You might consider it a trivial point, but it’s not. If you’ve read The Da Vinci Code, you know that this isn’t Langdon’s first dance with a murder mystery. He’s much more comfortable around the cops and corpses than the film version appears, by necessity. This first film requires him to be quite the novice and led around the ins and outs by the other characters. That creates an almost new character for fans of the novel. Add that to the incredibly complicated world the novel explores, and you are bound to disappoint fans of the original work. And disappoint fans, the film did. But, the film was still a financial success, breaking the necessary $200 million mark. So, even amid some harsh criticism, Howard and the gang now tackle the actual first novel in Brown’s Langdon series.
Robert Langdon (Hanks) has been called in by the Vatican to help solve a crisis. The Pope has died, and the Cardinal College is about to enter Conclave to select the next Holy Father. A radical group using the name of the ancient Illuminati has kidnapped the top four cardinals in line for the job. They have also stolen a canister of antimatter from the CERN collider labs. They plan to use the antimatter to fulfill an ancient threat against the Vatican to destroy it in light. With little time before the kidnapped cardinals are scheduled to be killed one every hour, Langdon must locate the churches where they are to be executed using clues from the Vatican Archives and the taped threat by the radical group. All the while the Vatican is trying to select a leader. If Langdon can’t solve the clues in time, the entire Vatican City will be destroyed in the largest blast the world has yet seen.
Posted in: Disc Reviews by David Annandale on November 13th, 2009
Jeff Daniels plays Arlen Faber, author of the mega-bestselling Me and God, a book of self-help spirituality that comes across as an aphoristic mix of Zen and the Art of Motorcycle Maintenance and The Purpose-Driven Life. The book is coming up for its twentieth anniversary, and Arlen hasn't written anything since. He is now a cynical recluse, but begins crawling out of his shell when he encounters a struggling single-mother chiropractor (Lauren Graham) and an alcoholic used bookstore owner (Lou Taylor Pucci). They are looking to him for wisdom, though he doesn't really believe he has any to give. In turn, they are teaching him how to live again.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2009
“The future is bright at Monsters Incorporated. We power your car. We warm your home. We light your city. Carefuly matching every child to their ideal monster to produce superior scream. Refined into clean, dependable energy. Every time you turn something on, Monsters Incorporated is there. We know the challenge. The window of innocence is shrinking. Human kids are harder to scare. Of course, Monsters Incorporated is prepared for the future. With the top scarers, the best refineries, and research into new energy technologies. We’re working for a better tomorrow, today. We’re Monster’s Incorporated. We scare because we care.”
When you do this job you get asked the same question a lot.You get it from friends, family and people who just met you. They all ask the same thing. “What is your favorite movie of all time?” That’s a hard question, and it’s one that changes from time to time. But if you’re talking animated films, my answer’s been the same for several years now. It’s Monsters, Inc. You hear me gush about Pixar films all of the time here, but with all of their advances on technology, this is still the best film they’ve put out. And that’s saying something.
Posted in: Disc Reviews by Gino Sassani on November 6th, 2009
This new version of The Taking Of Pelham 123 falls under the category of unnecessary remakes, reimaginings, reboots, or retellings. That’s not to say that it’s a bad movie. In fact, it’s a pretty good movie. I guess my big problem is that this latest trend to redo so many things that have come before suggests a lack of originality in today’s artists. I don’t believe there is a lack of creativity in this generation. I do, however, think there is a laziness that pervades almost every aspect of our society, and this endless chain of copies is a symptom of that disease. Don’t get me wrong here. I’m not one of these critics who believes that films and television shows can’t or should not occasionally be redone. There’s a lot to be said for reintroducing current generations to the ideas of the past in new and exciting ways. I just think it shouldn’t be the most common form of expression in Hollywood, but lately it is just that. Lecture over.
The story first appeared as a novel by John Godey. It was made into a film many of us consider a classic in 1974. The leads in that effort were the unlikely pair of Walter Matthau and Robert Shaw. In this film they are replaced by Denzel Washington and John Travolta. Both are exceptional actors and deserve credit for delivering solid performances here. In both films the overall plot was the same.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2009
It sure seems like Pixar has a lock on the computer animated film industry these days. Their films appear to always hit just the right amount of adult and children content to win with both audiences. We may not all be laughing at the same jokes, but we do laugh. When we’re not laughing, we appear to be captivated by endearing characters that immediately feel like we’ve known them our whole lives. We are instantly concerned about the things that happen to them. All of this happens without a single live entertainer on the screen to guide us into these emotions. That’s because Pixar also happens to be the most state of the art studio out there churning out these kinds of films. The technological prowess is amazing. Perhaps the best compliment one can pay to a Pixar film is that all of these things, and much more, are true … and we never really notice it at all. We buy into whatever world they are offering without question and never realizing that we’ve done it. That’s not just good filmmaking. That’s magic. There’s a lot of heart in these zeros and ones.
Of course, magic is business as usual at Walt Disney Studios. Magic was Uncle Walt’s stock and trade, and so isn’t it just natural that Pixar would eventually find their home as part of the Disney family? For a while it seemed the two were about to part ways. At that time Disney was merely the animation studio’s distribution partner. A rift had developed when Disney was about to assert their contractual rights to make sequels from the Pixar properties they distributed, most particularly at the time, Toy Story. So, Pixar announced they were looking for a new partner in protest. A few deals were talked about, but in the end it could have been written as a Pixar film before it was over. Finding family is a common theme in the Pixar films. Eventually Disney and Pixar found each other again, this time cementing the deal when the Mouse House bought the animation pioneers. And all the while the continuing stream of classics hasn’t missed a beat. Okay. Let’s just forget about that Rat film.
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2009
I’ve often spent a lot of time talking about how Pixar has dominated the computer animation, at least as far as full length features go. With few exceptions there isn’t anything out there that even comes close. Most films rely on toilet humor and crude innuendo to get a few laughs. A lot of the kids and adults might suck that stuff up, but they can’t hold a candle to Pixar. There are, as I’ve mentioned, some quite notable exceptions. The Fox Blue Sky Studios has had enormous success with their Ice Age films. And when you take a look at the third and latest entry in that franchise, you’ll understand why.
Ice Age came out in 2002 and took the box office like a blizzard piling up a drift of cash that amounted to almost $180 million before it was over. Not bad for a $50 million dollar film. Add in another $200 million in foreign receipts, and a sequel was an absolute forgone conclusion. The film introduced us to some memorable characters. Manny (Romano) was a lovable Woolly Mammoth. Diego (Leary) was a kind and wise saber-toothed tiger. Sid (Leguizamo) was their tagalong friend with not much going on in the noggin. A side story involved a prehistoric squirrel named Scrat who loved his acorns. He had a Wiley Coyote/Roadrunner relationship with acorns and took a lot of punishment to get one. Together they tried to return a lost human infant to his tribe. Four years later the characters were back. Ice Age 2: The Meltdown brought a change in their environment and love in the air for Manny. He meets Ellie (Latifah). Together they must find colder climes as their ice is melting fast. They find their Winter Wonderland, and Blue Sky Studios found another hit. This time the film brought in a crazy $200 million here and another $450 foreign. Before home video the film was close to $700 million in box office. Can you say number 3? Add some dinosaurs to the cast and another $250 million for a total take of nearly $900 million on the third film. If you’re doing the math that’s over $2 billion on 3 films. I think we’re going to see these guys again. Count on it, literally.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2009
“Magic Mirror on the wall, who is the fairest one of all?”
Years ago a news magazine, I don’t remember which, conducted a survey. They discovered that more adults knew the names of the 7 Dwarfs than could name 7 figures in the federal government, including President, Vice-President, Senate, House of Representatives, and The Supreme Court. They say our educations begin very young. Well, since 1937 our youths have been entertained by Snow White and the Seven Dwarfs.
Posted in: Disc Reviews by Gino Sassani on September 24th, 2009
“I’m the best there is at what I do and what I do isn’t very nice.”
So what do you do after three successful, if not critically acclaimed, X-Men feature films that brought in over a billion dollars total when you factor in domestic and foreign box office and home video sales? It was getting a bit expensive to bring back such a large and growing in popularity cast. Even if you wanted to spend the money for such an ensemble, it gets awfully difficult to write effectively for so many characters at once. Someone’s going to get the dark end of the spotlight. Hurt feelings aside, you can’t continue to please such a wide diverse group of fans. Bryan Singer did such a great job in the balancing act for the first two that it looked like maybe this could go on forever. But Brett Ratner, who is used to working with teams of two, put a fork in the franchise for many, and it seemed we’d seen the last of our favorite mutants. Honestly, I didn’t think the third film was all that bad, but that’s just me. I was never looking for anything more than an amusement park ride for my theater ticket, and that’s exactly what I got all three times. But these issues remain, as does the question, where do you go from there?
Posted in: Disc Reviews by Gino Sassani on September 17th, 2009
"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before !"
Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mixups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?
Posted in: Disc Reviews by Gino Sassani on September 11th, 2009
“For those of you just joining us: What you are looking at is the work of ZFT, a terrorist organization responsible for at least a half a dozen biological attacks over the last several months. Everything we know thus far can be found in your packets (or Blu-rays), including a copy of their manifesto which elucidates their ideology and their methods. Which boils down to the following: Attempting to provoke or prepare for a war. With who? That’s the question, isn’t it? What we do know is that these bizarre acts seem to be increasing in frequency and that their targets are unpredictable and therefore unprotectable. Those of you assembled in this room now have a clear-cut goal…”
That goal is to rush out and pick up the high definition, Blu-ray release of the first season of JJ Abrams latest television enigma, Fringe.
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