Posted in: Disc Reviews by Gino Sassani on October 28th, 2011
"That be the cold hand of fate I feel down my nape."
With each of the previous Pirates Of Caribbean films pulling in over a billion dollars in total revenue, it was indeed the cold hand of fate that determined the franchise would not end. Like Captain Jack Sparrow himself, this franchise isn't going to be easy to kill. It's true that the last two films, the third in particular, were rather universally scorned by the critics. But they still pulled in a boatload of money and quite honestly weren't near as bad as all of that. Like the theme park attraction that the franchise was named after, you have to consider these movies as rides. The only intention is to entertain. And by all accounts they've been doing a pretty good job of that for several years now. Even when the rest of the supporting cast bowed out of the franchise, it isn't finished yet, and there's no indication that the voyage is nearing its end any time soon.
Posted in: Disc Reviews by Gino Sassani on October 26th, 2011
“Now this might be the room of any small boy, but it happens to belong to a boy named Christopher Robin, and like most small boys, Christopher Robin had toy animals to play with. And together they had many remarkable adventures in an enchanted place called The Hundred Acre Wood. But out of all of his animal friends, Christopher Robin’s very best friend was a bear called Winnie The Pooh.”
“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear… Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2011
"From the day we arrive on the planet and blinking, step into the sun, there's more to see than can ever be seen. More to do than can ever be done. There's far too much to take in here. More to find than can ever be found..."
There's a period in the 1990's that has often been referred to as the second golden age of Disney animation. The studio had fallen from its once mighty perch, and most film historians tend to agree there was a creative dark ages through the 1980's. But the renaissance of the studio began with Aladdin in 1992 would go on to include such tremendous classics as Beauty And The Beast and The Little Mermaid. None of these films speak to the resurgence of the animated feature like The Lion King. The film set every animated record there was and holds some of those box office records today. It can be safely stated that the great flood of animated projects that followed can be traced to the impact of The Lion King. In 1996 Simba was the most popular name chosen for new housecats. Elton John saw his appeal extend to children, and there could be no mistake that the animated feature was back.
Posted in: Disc Reviews by Archive Authors on October 4th, 2011
Written by John Delia
The action thriller Fast Five with its hot rod theme leaves the past four episodes of Fast & Furious in the dust. Now on Blu-ray the high-on-energy, exhilarating plot and amazing chase scenes make this a must-see adrenaline pumper. Within the opening 20 minutes it gets so wild it took my breath away.
Posted in: Disc Reviews by David Annandale on September 27th, 2011
In the wake of the financially successful but critically drubbed Transformers: Revenge of the Fallen, Michael Bay and company return to the fray with this considerably more coherent exercise. Given that this movie committed to advancing the cause of 3D like no other film since Avatar, the question arises as to how well its visual splendour and over-the-top technological extravagance will translate to home video. The answer is: pretty damn well.
Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a saviour of the planet.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2011
"Through the snow, and sleet, and hail / Through the blizzard, through the gale / Through the wind and through the rain / Over mountain, over plain / Through the blinding lightning flash / And the mighty thunder crash / Ever faithful, ever true / Nothing stops him, he'll get through."
When Walt Disney's big gamble with Snow White paid off an entire studio was created and financed. The man and his merry little band were on top of the world. But then Walt decided to try and sophisticate his audience somewhat, and the result was box office disaster. Both Pinocchio and Fantasia did miserable business, and the grand new studio was on the ropes. It's hard to believe that either of these movies failed on their original release. Walt's confidence in them has since been amply rewarded. Both are considered beloved classics today, but they appeared to be heralding the death of the studio when they were released. The studio needed a hit, and they needed one badly. It's a bit ironic that with all of the groundbreaking technological advances and innovations the studio had already made that it would be one of their simplest and least expensive efforts of the era that would lift the studio back on to solid ground. That movie was Dumbo.
Posted in: Disc Reviews by M. W. Phillips on September 20th, 2011
“You're like the maid of dishonor.”
Bridesmaids, from director Paul Feig, producer Judd Apatow and based on a script by Kristen Wiig and Annie Mumolo, became the highest grossing R-rated female comedy of all time, edging out Sex and the City. Although coined by many as the female version of The Hangover, and there are certainly similarities, this does the movie a certain injustice. Where The Hangover is funny in a mean-spirited, rude-boy way, Bridesmaids taps into Apatow’s gift for producing comedies with human characters we care about and balancing the comedy with a touch of pathos without crossing into dramedy territory. Both movies are structured around an upcoming wedding and deal with sex and body functions in a frank and explicit way, but that’s where the similarities end.
Posted in: Disc Reviews by Archive Authors on September 16th, 2011
Written by John Delia
If you are looking for action and adventure then you will not want to miss X-Men: First Class, a top-notch production that thrills. The explosive storyline under the able direction of Matthew Vaughn contains all the explosiveness you would expect from a prequel to Marvel Comics’ famous X-Men.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2011
"Once, mankind accepted a simple truth: that they were not alone in this universe. Some worlds man believed home to their Gods. Others they knew to fear."
Marvel has rolled out some rather ambitious plans for the next two years. Of course, it has all been leading to the huge Avengers film coming summer of 2012. If you've been watching the scenes after the credits of both Iron Man films, you've already seen the groundwork has been laid. Now comes Thor, and we're talking more than just groundwork here. This is the first in a series of films that lead directly to The Avengers.
Posted in: Disc Reviews by M. W. Phillips on August 21st, 2011
“The Hamptons are like a zombie movie directed by Ralph Lauren.”
Although I prefer genre films, chick flicks can prove a guilty pleasure. I can get in touch enough with my feminine side to shed a tear at a powerful love story, laugh at romantic misadventures, and embrace the belief in soul mates. So I slipped on my pink silk pajamas, grabbed a box of tissues, curled up on my chaise lounge and approached Something Borrowed with an open mind. OK, I might not have pink pajamas or a chaise lounge, but, in all fairness, this romantic comedy, based on the bestselling novel by Emily Griffin, doesn’t have anything particularly romantic or very funny in it. What it does have are vapid, banal, selfish caricatures trapped in a forced premise which could be resolved in minutes if anyone acted in a remotely adult manner; as well as something borrowed from just about every bad rom-com movie that came before it.