Posted in: Disc Reviews by Archive Authors on May 16th, 2006
What's a boy to do when he is called into work and has to work a graveyard shift and is virtually disallowed to access the internet? Why, watch the first and second seasons of Wings of course, and thoroughly enjoy the wild antics of the folks in an airport on Nantucket Island. You have Joe (Tim Daly, Return to Sender), the uptight anal retentive serious one, along with his younger brother (and general goofball) Brian (Steven Weber, At First Sight). Together they own and operate Sandpiper Air, a sleepy small airline with one plane. They have a customer service attendant, the former stewardess Fay (Rebecca Schull, Analyze This). Their mutual friend is a woman named Helen (Crystal Bernard, Young Doctors in Love) who runs a small kitchen, and there's an airport handyman named Lowell (Thomas Haden Church, Sideways). Together, their lives (and the wacky people and occurrences that happen to them) compose the hi-larious situation comedy that was created by those who helped previously shape Cheers and who would later shape the long-running show Frasier.
The first thing that surprised me about the show when I was doing some research on it was that it ran for so long, going from 1990-1997. Seasons One and Two encompass this four disc set, with 7 episodes on each disc. The episodes focus on Joe and Brian's continuous flirtation with Helen, who resists because of a rule she has about not dating pilots, but that rule lasts about a season and a half. Some of the laughs are OK, but the problem with the show living in its era is that some of the jokes are topical references and really show the age of things.
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
Perhaps the folks at MTV thought that Wildboyz was doing so well, that they figured that maybe they should fly the boys out to even more remote locations, but that they should include some old Jackass members also. And sure enough, in the second season of Wildboyz, both Wee Man and Johnny Knoxville show up for guest starring roles and accompany the boys as they travel to Indonesia, Africa, Brazil and Costa Rica, to name a few places.
I'm pretty sure I'm not spoiling it for those who haven't seen it, but there's very little surprise involved. You've got Party Boy, Chris Pontius, and Steve O, both travelling to exotic locations to encounter animals, the locals in those areas, and to get drunk off the indigenous moonshine.
Posted in: Disc Reviews by Gino Sassani on May 15th, 2006
Jim Henson was a creative genius. Who among us hasn’t grown up with his immortal Sesame Street characters? In the years leading up to his untimely death from pneumonia, The Henson Creature Shoppe had begun to expand out of its Muppet roots. The Dark Crystal was an amazing breakthrough in puppetry technology. One of Henson’s last ideas was about a family of dinosaurs. Sadly, Henson passed before his vision could be fully realized. Fortunately for us his son Brian has continued the Henson tradition, beginning with Dinosaurs.
This was no ordinary sitcom. Each character was a sophisticated animated puppet as well as a suit performer. In all, it took four people to bring each character to life. Combined with the familiar voice talents of the likes of Sally Struthers and Sherman Hemsley, a “man in a suit”, and 2 animatronics puppeteers, these hysteric prehistoric characters were brought remarkably to life. Like The Flintstones, Dinosaurs was modeled after the popular 50’s comedy The Honeymooners. Earl was very much a Jackie Gleason clone from his “king of my castle” attitude to his bulky frame. Like Ralph, Earl had a meek and somewhat simple minded pal. Roy was as much an Art Carney clone as Earl was Ralph Kramden. Even Roy’s voice echoed Norton The show diverged from its Honeymooner roots with the addition of two children. Robbie was very much a rebel against the sins of his society. Charlene was the typical valley girl who cared more about the latest fashions than anything else. Fran, the mother, was a somewhat modern woman who still managed to juggle independence with traditional roles. Finally the best laughs and lines came from newly arrived Baby Sinclair. His “:Not the momma” , “Again!” and “Gotta love me” chants became pop culture mainstays.
Posted in: Disc Reviews by Archive Authors on May 14th, 2006
Here's the dilemma with these kinds of movies; it's hard to successfully fit a hard R story into a PG-13 package. Usher is a big draw in the under-18 market, so the challenge is to take a strong dramatic story and mold it to hit that balance between Hard Eight and Raise Your Voice. However, I have said it before, and here we go yet again... movies that try to appeal to everybody will successfully appeal to nobody. This is a movie that is a bit too racy and violent for your average 12-year-old girl, but way too soft for adults.
The plot is the same kind of thing you have seen time and time again. Usher plays a Hip-Hop DJ trying to break into the music business on a national scale. One night at a party, he saves the life of his friend's father, who is a Mafia boss. As a result of his heroism, he is made to be the bodyguard of the boss' daughter (despite the fact that he has no experience in such a role). Naturally, he soon falls in love with the bosses' daughter, and a conflict of interest ensues.
Posted in: Disc Reviews by Archive Authors on May 13th, 2006
Like it or not, you can't talk about this show without talking about the C.S.I. phenomenon. The extreme popularity of that single show has launched an entire genre of hour-long police investigation shows that are showing up on every network, every night. There are now three different C.S.I. programs on the air, as well as military crime programs, FBI profiler programs... even a mathematical approach to crime solving with Numbers.
The latest show in this trend is The Closer, a TNT ...riginal program staring Kyra Sedgewick. The twist on this program is that Sedgewick's character is a sweet southern investigator from Atlanta who becomes the head of the Priority Murder Squad in Los Angeles. As one could discern from the title, her specialty is suspect interrogation. Despised by her colleagues because she is a female southern outsider, she must fight against criminals as well as the members of her own department to solve the crime.
Posted in: Disc Reviews by Archive Authors on May 10th, 2006
Sam: Hey, I recognize you.
Andrew: Oh, did you go to Columbia High?
Posted in: Disc Reviews by Archive Authors on May 9th, 2006
Fran Drescher, the nasally, whiny-voiced beauty we all either love or hate, returns in The Nanny – The Complete Second Season, and the show hits its stride, if you’re of the belief it ever had one. With mileage out of the mutually aloof Fran Fine-Maxwell Sheffield (played by Charles Shaughnessy) relationship, The Nanny does manage a few chuckles, even from someone such as myself. Let’s make things clear right out of the gate: I’m not a Nanny fan. If I had free reign to decide on everything that w...uld, and would not, be watched on my television, this hit show from the nineties would never make the cut. Never mind that its star is an absolute knockout. (You know she must be gorgeous if you still find her attractive in spite of that voice.) But alas, I don’t have that autonomy, for I am married. That, along with the frequent airings on Lifetime, spells out whom the show’s demographic really is – women… in particular, women, who wish to escape in the form of a fairy tale with real-world context. I can’t fault them for liking it; and the show really does succeed in reaching that demographic. I’m just not of the multitude.
Sony’s package includes all 26 of the second season episodes completely uncut. Most of the laughs are hokey and telegraphed, but a few will occasionally take you off-guard, especially during Niles the Butler (hard to believe this guy’s from my home state of Arkansas, as his British accent easily bests Shaugnessy’s – who’s actually from England!) and C.C. Babcock’s banter. Also of value is the aforementioned relationship between boss and employee, as the show, from its very first episode (“Fran Lite”), plays up the continual “they’re perfect for each other, but don’t know it” angle. I don’t hate this series, and some may really feel it’s blasphemous to make this comparison, but I honestly look at it as an I Love Lucy for the nineties. I get the same escapist feeling from both programs, and neither one invokes much laughter in accordance with my personal tastes. But neither show is fly-by-night either, and I’ve got a feeling each will hang around for some time to come.
Posted in: Disc Reviews by Archive Authors on May 8th, 2006
Synopsis
The Who’s Who of San Francisco is gathering for the grand opening of the Glass Tower, the world’s tallest building. The architect, Paul Newman, is disturbed by what appear to be corners cut in the electrical installations by Richard Chamberlain, and sure enough, a fire starts on the 81st floor. Fire Chief Steve McQueen is soon on the scene, but the situation deteriorates rapidly, and hundreds of celebrants on the top floor are at risk of fiery death.
Posted in: Disc Reviews by Archive Authors on May 3rd, 2006
I have been rambling on and on about the merits of this outstanding series to friends, family and innocent bystanders for years. I will continue to do so until the final disc of the final season has hit Amazon.com; and probably for quite some time after that. It is a show that is important, culturally relevant, and surprisingly political without becoming annoyingly partisan.
Season Six is something of a bounceback season for the show. In Season Five, the show floundered a bit. While it was still easily one of...the best things on television, the ship lots its way. Issues were explored, but no one issue really solidified itself as a strong story point. By the time Season Six came around, the show had a natural theme to run with; re-elections. As Bartlet begins to struggle with complicated issues in the Middle East, Presidential hopefuls emerge in the form of Alan Alda and Jimmy Smits. Instead of winding down and fading away, this show picked up steam as it headed toward the end of its seven season run. I, for one, am enjoying every minute of it.
Posted in: Disc Reviews by David Annandale on May 2nd, 2006
Synopsis
Over 400 years in the future, the remnants of humanity live in one last city. This is under the total control of the Goodchild regime. Innocents are constantly disappearing. The government is fought by the Monican resistance, and super-assassin Aeon Flux (Charlize Theron) is sent to assassinate supreme leader Trevor Goodchild. At the moment of her victory, however, she hesitates, and it soon becomes apparent that nothing is as she though it was.
