Posted in: Disc Reviews by Archive Authors on February 21st, 2006
Sex and the City: The Essentials – Mr. Big is a release, which serves no purpose that can’t otherwise be obtained from watching reruns on TBS. True, the series is edited for television, but a show should not have to resort solely to objectionable content to build a relationship with its audience. That’s not to say it can’t, but if you’re interested in trying out Sex and the City, I doubt it’s to see how many breasts, penises, and profane words you can see and hear, respectively, in a half-hour of televi...ion. (You’ll be disappointed because, while for mature audiences, there are far worse shows out there.) No, you’re probably going to watch Sex and the City because you like character-driven comedy that focuses less on jokes and more on social realities. Or, maybe you like HBO’s programming, and you feel this show must be good if they picked it up.
Whatever the reason, chances are, you’re better off buying the entire seasons on DVD, or first trying out the show on TBS before making the decision of building a season-by-season collection. With The Essentials, you get a sparse three episodes with nary a special feature in sight. It’s a pointless waste of time no matter what angle you’re coming from. On the Mr. Big Essentials disc, you will get three episodes detailing different highs and lows in Carrie’s relationship with the title character. Perhaps it will leave you wanting more. If so, then the disc has done its job, but the real challenge which lay ahead for it is getting picked up in the first place. A fan won’t want it, and a curious spectator can find much better ways of sampling the menu.
Posted in: Disc Reviews by David Annandale on February 20th, 2006
Synopsis
Dennis Quaid is a widower Coast Guard Admiral with eight kids. He runs his household with (of course) military precision. His career has taken him back to his home town, where he runs into high school sweetheart Rene Russo. She is a widow (no divorces in THIS movie, thank you very much) with ten kids (four biological, the rest adopted), and her household is a joyful chaos of artistic self-actualization. Quaid and Russo fall in love and marry immediately, and then announce to their kids that ...heir family has just double in size. Cue conflict as the military kids and the artsy-hippy kids collide, and then collude to try to break up the marriage.
Posted in: Disc Reviews by Archive Authors on February 19th, 2006
The idea of a gross-out comedy is nothing new. There have been some extremely funny gross-out comedies like The 40-Year Old Virgin and The American Pie Trilogy. However, there have also been some extremely boring and stupid gross-out comedies like National Lampoon’s Van Wilder and Deuce Bigalow: European Gigalow. The key to a successful gross-out comedies to is have a smart plot and jokes that actually make sense and aren’t just made for a quick laugh. While there are some funny sequences ...n Waiting…, the film just lacks the overall spark and humor of a good comedy.
Basically summing up the plot of the film; Monty (Ryan Reynolds), Serena (Anna Faris), and Dean(Justin Long) star in this film about a bunch of waiters that are simply trying to show their customers how awesome the service can be at the restaurant ShenaniganZ can be. Monty’s job, it seems, is to show the new guy Mitch (John Francis Daley) around the restaurant, showing him everything from where the condiments are kept to a rather vile game that ends with the offender’s butt being kicked. (I won’t go into full detail as it seemed like Director McKittrick was trying to bring some energy into the film with a gross-out concept that falls extremely flat.)
Posted in: Disc Reviews by Archive Authors on February 18th, 2006
I think all true DVD fans have a list in their mind of movies or television programs that they find to be utterly captivating, and simply cannot fathom why the rest of the world doesn't feel the same. I have some products on that list in my mind, and MI-5 may very well be on the top.
I first discovered MI-5 when I was sent Volume 2 to review. Upon watching the first episode of that season , I was so completely blown away that I promptly sent away for Volume 1 before proceeding any farther. I was...not disappointed. For my money, this is a program that rests comfortably between the best seasons of Alias and The West Wing.
Posted in: Disc Reviews by David Annandale on February 17th, 2006
Synopsis
Untroubled by charisma, Jimmy Kimmel hosts this concertedly nasty roast of Pamela Anderson. The roasters include Tommy Lee, Adam Carolla, Sarah Silverman, Andy Dick, Bea Arthur, and Courtney Love. They all mangle each other as well as the guest of honour. So many jokes involve Anderson’s breasts and Lee’s penis that the they get rather boring (scratch that: EXTREMELY boring), but there are a few very funny bits. The highlight is Bea Arthur’s reading of Anderson’s novel Star. Arthur’s ...elivery, her constant disbelieving looks directed at the “author,” and the riotously awful prose itself make sitting through the more predictable moments worthwhile. Notable too is the spectacularly off-kilter Love. That woman needs help.
Posted in: Disc Reviews by David Annandale on February 13th, 2006
Synopsis
Jane Fonda plays Lilliam Hellman. She is living in a beach house with Dashiel Hammett (Jason Robards), struggling with a play (The Children’s Hour, though the film is ridiculously coy about mentioning its title). She is also worried about her childhood friend Julia (Vanessa Redgrave), who is caught up in the struggle with the rising tide of fascism in 1930s Europe. Hellman loses contact with Julia, but on a trip to Europe in the wake of her play’s success, she is contacted by friends ...f Julia’s, asking her to take on the risky job of transporting bribes to Hitler’s Berlin.
Posted in: Disc Reviews by David Annandale on February 10th, 2006
Synopsis
These are the adventures of the Legacy (whose front is the Luna Foundation), a secret society dedicated to protecting humanity from the forces of darkness. And wouldn’t you know it, those pesky forces are present around every corner in the form of somewhat ramshackle special effects. The leader of the group lost his father to demons as a child, and now carries on the good fight. Every episode sees the group up against another nasty ghost or other supernatural force. Points must be given for ...heer creativity, even if the explanations as to what the nasty creatures are all about stretch credulity, even by the often flexible terms of the genre. If you can insert your tongue firmly into your cheek (necessary to put up with much of the dour and portentous dialogue), you might find some cornball entertainment here. And no, the series has nothing to do with the movies, other than the title.
Posted in: Disc Reviews by Gino Sassani on February 9th, 2006
Long before Marlon Brando was making us an offer we couldn’t refuse, he was making his bones in James Dean-like portrayals of the young troubled spirit. It isn’t hard to see why Sidney Lumet chose him for the role of Val Xavier in The Fugitive Kind. Ultimately Brando is miscast in the part. He is obviously struggling to get a feel for the character. Instead of a classic Brando performance we are tortured, having instead to watch him try to make the job more than it is.The film is based on the Tennessee Williams pl...y Orpheus Descending. Williams himself co-wrote the screenplay, which likely explains the terribly contrived dialogue and moody atmosphere. The southern town is nothing more than a 1950’s stereotype. The awkward pacing makes this film quite difficult to watch.
The film, like the play, is basically a character study. Brando plays a troubled 30 year old man trying to grow out of his rebellious youth. His arrival in a sleepy southern town stirs up a nest of discontentment. His presence seems to bring out the worst in those around him. Pain both past and present, real or imagined, is rocketed to the surface. It doesn’t take long for us to figure out that this one can’t end pretty. Brando carries around an apparently valuable guitar. More a symbol of his sordid past, it doesn’t seem to be damaged by pouring rain and a little slapping around. One of the women affected by Val’s influence is Carol Cutrere, played quite abrasively by a young Joanne Woodward, very annoying to watch. She plays like an overdriven 1920’s flapper. It’s no wonder no one in town seems to care much for her.
Posted in: Disc Reviews by David Annandale on February 9th, 2006
Synopsis
FBI trainee and psychic Caterina Scorsone is suddenly graduated because her abilities are needed on a missing person case, and so begins her partnership with borderline rogue FBI agent Vivica A. Fox. And there’s the premise set up: each episode, someone else is missing, and CSI meets the X-Files, but with none of the panache of either show. The dialogue is pseudo-hard boiled, and Fox is no more an federal agent than I am the Pope (I highly doubt those stiletto-heeled, snakeskin boots are eit...er regulation or practical). The show is competently put together, but flat and uninspiring, the investigation feeling like tired motions being gone through. If the premise grabs you, you might find a modicum of entertainment here, but that’s about it.
Posted in: Disc Reviews by Gino Sassani on February 7th, 2006
Pity the younger generations that will forever associate the character of Inspector Clouseau with Steve Martin. Peter Sellers might not have been a “wild and crazy guy,” but he was nothing short of brilliant as a comedic actor. Sellers never relied on over the top grandstanding to make a point. You never needed to be hit over the head with the jokes. He displayed an altogether different, more subdued, flamboyance than the modern comic. You didn’t need to be told when to laugh. The problem was more often being able to stop. Teamed with Blake Edwards in the Pink Panther series, the comedy becomes iconic. While it is true that Return of the Pink Panther might not be the best of the series, it is superior to later entries that eventually ran out of steam. The series without Sellers finally resorted to the pushy humor so prevalent today. In case it isn’t obvious by now, the success of this franchise rested squarely on Sellers’ shoulders. Attempts were made to continue the series immediately after his untimely death. All of these films were resounding failures. I suspect the current film will find itself stuck in the same fate.
The largest and most valuable diamond in the world, The Pink Panther, has been stolen for a second time. All clues point to The Phantom (Plummer). His only hope of clearing his name is the man who recovered the jewel the first time it was taken: Inspector Clouseau (Sellers). Clouseau has troubles of his own. Someone wants him dead… his boss.
