Posted in: Disc Reviews by Archive Authors on February 21st, 2006
Synopsis
Lydia (Sara Wiseman) is in her thirties, is a costume designer, and is desperately in love and lust with her childhood friend Christian (Philip Brown), though he clearly doesn’t think of her in the same way. One day, on the run from an angry pursuer, Luella Miller (Sia Trokenheim) turns up in Lydia’s home, and our heroine gives the interloper shelter. She soon comes to regret this kindness, as Luella begins to weave a destructively sexual web around all the men in the small town, including C...ristian.
Posted in: Disc Reviews by David Annandale on February 20th, 2006
Synopsis
Dennis Quaid is a widower Coast Guard Admiral with eight kids. He runs his household with (of course) military precision. His career has taken him back to his home town, where he runs into high school sweetheart Rene Russo. She is a widow (no divorces in THIS movie, thank you very much) with ten kids (four biological, the rest adopted), and her household is a joyful chaos of artistic self-actualization. Quaid and Russo fall in love and marry immediately, and then announce to their kids that ...heir family has just double in size. Cue conflict as the military kids and the artsy-hippy kids collide, and then collude to try to break up the marriage.
Posted in: Disc Reviews by Archive Authors on February 19th, 2006
The idea of a gross-out comedy is nothing new. There have been some extremely funny gross-out comedies like The 40-Year Old Virgin and The American Pie Trilogy. However, there have also been some extremely boring and stupid gross-out comedies like National Lampoon’s Van Wilder and Deuce Bigalow: European Gigalow. The key to a successful gross-out comedies to is have a smart plot and jokes that actually make sense and aren’t just made for a quick laugh. While there are some funny sequences ...n Waiting…, the film just lacks the overall spark and humor of a good comedy.
Basically summing up the plot of the film; Monty (Ryan Reynolds), Serena (Anna Faris), and Dean(Justin Long) star in this film about a bunch of waiters that are simply trying to show their customers how awesome the service can be at the restaurant ShenaniganZ can be. Monty’s job, it seems, is to show the new guy Mitch (John Francis Daley) around the restaurant, showing him everything from where the condiments are kept to a rather vile game that ends with the offender’s butt being kicked. (I won’t go into full detail as it seemed like Director McKittrick was trying to bring some energy into the film with a gross-out concept that falls extremely flat.)
Posted in: Disc Reviews by Archive Authors on February 18th, 2006
I think all true DVD fans have a list in their mind of movies or television programs that they find to be utterly captivating, and simply cannot fathom why the rest of the world doesn't feel the same. I have some products on that list in my mind, and MI-5 may very well be on the top.
I first discovered MI-5 when I was sent Volume 2 to review. Upon watching the first episode of that season , I was so completely blown away that I promptly sent away for Volume 1 before proceeding any farther. I was...not disappointed. For my money, this is a program that rests comfortably between the best seasons of Alias and The West Wing.
Posted in: Disc Reviews by David Annandale on February 17th, 2006
Synopsis
Untroubled by charisma, Jimmy Kimmel hosts this concertedly nasty roast of Pamela Anderson. The roasters include Tommy Lee, Adam Carolla, Sarah Silverman, Andy Dick, Bea Arthur, and Courtney Love. They all mangle each other as well as the guest of honour. So many jokes involve Anderson’s breasts and Lee’s penis that the they get rather boring (scratch that: EXTREMELY boring), but there are a few very funny bits. The highlight is Bea Arthur’s reading of Anderson’s novel Star. Arthur’s ...elivery, her constant disbelieving looks directed at the “author,” and the riotously awful prose itself make sitting through the more predictable moments worthwhile. Notable too is the spectacularly off-kilter Love. That woman needs help.
Posted in: Disc Reviews by David Annandale on February 13th, 2006
Synopsis
Jane Fonda plays Lilliam Hellman. She is living in a beach house with Dashiel Hammett (Jason Robards), struggling with a play (The Children’s Hour, though the film is ridiculously coy about mentioning its title). She is also worried about her childhood friend Julia (Vanessa Redgrave), who is caught up in the struggle with the rising tide of fascism in 1930s Europe. Hellman loses contact with Julia, but on a trip to Europe in the wake of her play’s success, she is contacted by friends ...f Julia’s, asking her to take on the risky job of transporting bribes to Hitler’s Berlin.
Posted in: Disc Reviews by David Annandale on February 10th, 2006
Synopsis
These are the adventures of the Legacy (whose front is the Luna Foundation), a secret society dedicated to protecting humanity from the forces of darkness. And wouldn’t you know it, those pesky forces are present around every corner in the form of somewhat ramshackle special effects. The leader of the group lost his father to demons as a child, and now carries on the good fight. Every episode sees the group up against another nasty ghost or other supernatural force. Points must be given for ...heer creativity, even if the explanations as to what the nasty creatures are all about stretch credulity, even by the often flexible terms of the genre. If you can insert your tongue firmly into your cheek (necessary to put up with much of the dour and portentous dialogue), you might find some cornball entertainment here. And no, the series has nothing to do with the movies, other than the title.
Posted in: Disc Reviews by Gino Sassani on February 9th, 2006
Long before Marlon Brando was making us an offer we couldn’t refuse, he was making his bones in James Dean-like portrayals of the young troubled spirit. It isn’t hard to see why Sidney Lumet chose him for the role of Val Xavier in The Fugitive Kind. Ultimately Brando is miscast in the part. He is obviously struggling to get a feel for the character. Instead of a classic Brando performance we are tortured, having instead to watch him try to make the job more than it is.The film is based on the Tennessee Williams pl...y Orpheus Descending. Williams himself co-wrote the screenplay, which likely explains the terribly contrived dialogue and moody atmosphere. The southern town is nothing more than a 1950’s stereotype. The awkward pacing makes this film quite difficult to watch.
The film, like the play, is basically a character study. Brando plays a troubled 30 year old man trying to grow out of his rebellious youth. His arrival in a sleepy southern town stirs up a nest of discontentment. His presence seems to bring out the worst in those around him. Pain both past and present, real or imagined, is rocketed to the surface. It doesn’t take long for us to figure out that this one can’t end pretty. Brando carries around an apparently valuable guitar. More a symbol of his sordid past, it doesn’t seem to be damaged by pouring rain and a little slapping around. One of the women affected by Val’s influence is Carol Cutrere, played quite abrasively by a young Joanne Woodward, very annoying to watch. She plays like an overdriven 1920’s flapper. It’s no wonder no one in town seems to care much for her.
Posted in: Disc Reviews by David Annandale on February 9th, 2006
Synopsis
FBI trainee and psychic Caterina Scorsone is suddenly graduated because her abilities are needed on a missing person case, and so begins her partnership with borderline rogue FBI agent Vivica A. Fox. And there’s the premise set up: each episode, someone else is missing, and CSI meets the X-Files, but with none of the panache of either show. The dialogue is pseudo-hard boiled, and Fox is no more an federal agent than I am the Pope (I highly doubt those stiletto-heeled, snakeskin boots are eit...er regulation or practical). The show is competently put together, but flat and uninspiring, the investigation feeling like tired motions being gone through. If the premise grabs you, you might find a modicum of entertainment here, but that’s about it.
Posted in: Disc Reviews by Archive Authors on February 7th, 2006
I have always held a place in my mind and heart for the warmth of Mickey, even though I usually prefer the antics of Goofy or Donald Duck. Mickey just seems to have that innocent, charming look to him that one would not picture as someone who would get into mischief. This is probably why Disney slowly phased Mickey out of cartoon shorts and relied more on Donald Duck, Goofy and the rest. Funny Factory with Mickey Volume 1 contains 8 Mickey shorts totaling 61 minutes.
The 8 cartoons we are given range...anywhere from the early 1930’s to 1950. Each cartoon is around 7-8 minutes long and each feature Mickey in wacky situations. One pleasant surprise though is the quality of the episodes. One might expect them to be a bit poor considering the age, but Disney, as they always do with new and old releases, touched up the quality keeping the picture looking nice. Onto to the cartoons!
