Posted in: Disc Reviews by Archive Authors on March 3rd, 2006
Week-End in Havana manages to entertain, but not by way of its musical numbers. For one, the songwriting is relatively lame and dated. Also, singing isn’t a forte for any of the performers. While Carmen Miranda certainly has a screen presence and a dynamic personality, her voice remains scratchy and flat – and she’s the best vocalist the film has to offer. But that doesn’t condemn it by any means. With films such as these that manage to function well as straight romance, the inclusion of musical numbers is mor... annoying than anything. Of course, without the numbers, Week-End would barely have cracked the one-hour running time mark. But at least all that remained would have been worthwhile. Once you do manage to cut through the padding of song-and-dance routines, the story provides a few nice surprises in the viewer’s journey. Instead of “will-they-or-won’t-they,” the film focuses on the question of “how will they?,” and it keeps things intriguing along that pathway.
John Payne plays leading man to Alicia Faye’s leading lady… but it’s not easy to tell this at first. Payne seems happy in his engagement, and Faye’s department store associate persona feels more than a little pathetic. She’s traveling to Havana alone, using Payne’s cruise liner company as her means of transportation. After an unforeseen occurrence ruins her trip, she plays hardball with the liner to get a free trip to Havana. But she won’t sign the waiver, which exonerates the company of any damages, until her vacation is in the bag, which means Payne has to come along for the ride. Contrived? Yes, but it’s also fun to see the complications that wait. Week-End in Havana is pure escapist fun in the nostalgic Jimmy Buffett sense of the words, and I’m sure no doubt influenced the great troubadour of beach and party tunes in his own professional journey.
Posted in: Disc Reviews by Gino Sassani on March 1st, 2006
Echoes of Innocence calls itself an ultimate tale of good vs.evil. Don’t expect Exorcist level of evil quality in this one. Don’t even expect the good fight. Sarah (Simmonds) has a Joan Of Ark complex of sorts. She’s having religious visions, apparently inspired by the disappearance of a boy she once promised to save herself for. He publicly proclaims her commitment to virginity and frequently fasts to the point of near collapse. This is the film’s “good”. The evil is represented in the character of Alec (Vodvarka). He teases folks and is a bit of a womanizer but no head turns or horns to be found. Mostly Alec wants to break Sarah’s virginity vow. You can see how exciting this is going to be. Ho hum.
Put aside the forced religious symbolism and you have no film. The acting is absolutely horrid. Everyone is pretty much a one dimensional symbol. It might have been better to label them and save us two hours of film. That’s a long time for virtually nothing to happen.
Posted in: Disc Reviews by Archive Authors on February 28th, 2006
Utter the simple phrase of Harry Potter to any age, and it is nearly guaranteed that they will know what you are speaking about. Since becoming a worldwide phenomenon in 1999, the Harry Potter series have been turned into everything from video games to bathing products. Most notably, the series have been turned into a set of excellent films that are successful, for the most part, in recreating the major elements presented in the novels by author J.K.Rowling.
With this being the fourth film in the series of ...even, I had a few fears going into this film. With this book being the longest of the four books at this point, I was worried that new director Mike Newell would’nt be successful in presenting all the ideas Rowling went over in the book. While the film does not mention every little detail (the most notable gripe is the lack of the Dursley’s), Newell is very successful in bringing the action, suspense, fear, emotion, and growth of the characters to the big screen in stunning style.
Posted in: Disc Reviews by Archive Authors on February 28th, 2006
Wildfire has all the subtlety and charm of an ABC After School Special. Truth be told, the pilot episode reminded me a lot of Showgirls, but instead of becoming a pole dancer, this girl is becoming a horse trainer. The basic elements are still the same, though. A girl with a rough past gets an entry-level position at her dream job, and must work her way up the ranks. Only this show is on ABC Family. Gone is all the glitz and flash that tried to cover up the horrid plot of Showgirls. Withou... all those distractions, the viewer is sadly left only with lame, tired dialog and incredibly predictable plot lines to keep them warm.
If this was a dog show, and you asked me what I thought, I'd say “woof”. However, it's a horse show. Therefore, I say “neigh”.
Posted in: Disc Reviews by David Annandale on February 28th, 2006
Synopsis
Dana Andrews was never an actor who radiated warmth, and here he is perfectly cast as a hardboiled con artist on the lookout for number one. He arrives in a small town and falls hard for sultry waitress Linda Darnell. She is holding out for marriage, but marriage with financial stability, which Andrew can’t offer. So he sets about seducing Alice Faye with the idea of fleecing her of her fortune.
Posted in: Disc Reviews by David Annandale on February 28th, 2006
Synopsis
Valentina Cortesa plays a survivor of the Belsen concentration camp. She has lost everything in the war. Her best friend in the camp is a woman whose infant child is being looked after in the USA, and when this woman dies shortly before liberation, Cortesa decides to adopt her identity, since no one alive would remember what she looks like. Once in the States, she meets and falls in love with Richard Basehart, the guardian of her “son.” Moving into their home in San Francisco, she sense host...lity on the part of the nanny (Fay Baker). She soon begins to fear for her life, and grows terrified of her husband.
Posted in: Disc Reviews by Archive Authors on February 24th, 2006
The death of a celebrity usually brings sadness to many of their fans. However, whenever a celebrity does die, you can definitely expect a best of or some type of collection to find its‘ way to your video store shelves as soon as possible. After Richard Pryor died in December, Universal decided to wait one short month before releasing this four disc movie collection which features four of Pryor’s films that he either starred in or had something to do with. While the film’s contained her are not the best work of Pryor...s (other studios have rights to those particular works), the film’s Universal chose are pretty entertaining and remind us of the genius that Pryor was.
First up is the film Which Way is Up? which is re-make of the 1972 Italian comedy The Seduction of Mimi. The Italian version concerns the mob, but this version concerns Corporations and Labor Unions, where the workers at an orange-picking field want to form a union to ensure better and less-dangerous working conditions. Pryor steps up the plate when he falls off his ladder one day. Pryor is asked to leave the town by the big bosses at the orange corporation. This causes him to move to the city, fall in love with a union supporter, and funny comedy simply ensues. While the comedy presented is nothing that will have you laughing on the floor, it did have me similing many times simply because the type of comedy is something we can all relate to. The comedy is about human beings and their life lessons through family and work.
Posted in: Disc Reviews by Archive Authors on February 24th, 2006
Lincoln and Lee at Antietam: The Cost of Freedom delves into what is, without doubt, the single bloodiest day in American history. In 12 hours, we lost about 24,000 people – nearly eight times the carnage of 9/11. As historical events go, The Battle of Antietam is one of the most vivid reminders we have of the realities and the horror of war. It was also one of the first battles in the history of the world whose carnage was put on display for all to see through actual photographs. After Antietam was in the boo...s, a studio opened in New York and made available for public viewing pictures containing the bodies of soldiers from both sides, twisted and broken on the battlefield. Unfortunately, the years which have passed since that day have lessened the impact of the battle, but this new documentary succeeds in taking us back to that time, and forcing us to appreciate the lives of these men and the fear they must have felt.
War should never be a course of action – it should always be a course of reaction, and an extreme one at that. This documentary does a fine job of making us see such a truth, and Antietam is an excellent example of how the Civil War was altered from being a war of rebellion to becoming one of freedom for all men. It was this hard-fought and costly victory that allowed Lincoln to be effective in his release of the Emancipation Proclamation, and though by no means does it represent the end of the War, it’s where the tide turned for the North, and freedom became a reality rather than a possibility. I highly recommend this documentary to every American. It succeeds at presenting both the broad picture and the personal intimacies of the participants. And it does so without any partisan fat connected to current political climates. It’s simply about remembering these men and this battle – not judging them – and that’s the kind of neutrality we could use more of in our history books. The only drawback is some of the narration is overdone by the actors, but it’s just a minor complaint to an all together informative, entertaining viewing experience.
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2006
The 1970’s was the decade of the muscle car. Films like Smokey and the Bandit and Cannonball Run raced into theatres, riding on the thrills of speed. If you were a young man, then you were right there ridin’ shotgun. Kicking butt and takin’ names. The Last American Hero makes the unfortunate attempt to combine this “need for speed” with a typical “against all odds” story. The result is a dead end street.
Junior Jackson (Bridges) is the son of a bootlegger with a real talent for running roadblocks. Wh...n his booze-making father finally takes a fall with the law, Junior turns his talents to the racing circuit. Stop me if you’ve heard this one before. Faced with corrupt promoters and unsportsmanlike fellow drivers, Junior must climb a mountain of adversity and finally win the big one. While the cast features some fine performances, the film just never delivers on all cylinders.
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2006
The film’s prologue informs us that the sport of sculling captured the nation’s attention long before baseball or football came along. We’re told that this activity created a national obsession with much the same pitfalls of modern sports. Somehow I can’t imagine, in this age of sports bars and ESPN, that rowing would demand the attention this boast assumes. I don’t remember my grandfather or great grandfather for that matter reminiscing about some great rowing move he witnessed with his dad as a child. The film al...o reports that the events are based on the true story of rowing legend Ned Hanlon. If any of this is true, it appears the more things change the more they truly do remain the same. The same slimy agents and event fixing have been represented as well as the heroes who came from nothing.
The film is an obscure 1986 effort, notable only as an early role for Nicolas Cage. He wears the part well. In fact, the film features a rather fine cast that includes Christopher Plummer and David Naughton in fitting roles. The real problem is, there isn’t all that much to work with here. None of the parts allows the fine acting to be showcased. The film uses too much time with rowing scenes that offer no variety from one to another. There’s a reason rowing doesn’t command huge network contracts or even much cable coverage. It might be very exciting to participate in these events, but there is nothing at all engaging as an observer. The plot is familiar: Unlikely hero battles incredible odds and triumphs in the big event. Still there is no eye of the tiger here. More like eye of the tiger beetle. An inspiring story with no inspiration.
