Posted in: Disc Reviews by Gino Sassani on January 3rd, 2006
When did it become mainstream to root for the bad guys? Certainly our pop culture has been propagated with colorful villains since Shakespeare, goons we love to hate or even just love. Still, the rule always seemed to be that the white hats always win and the black hats get what’s coming. Maybe it all took hold with The Sopranos. We all became enamored by this lovable teddy bear of a guy in Tony. We don’t have to spoil it by pointing out he’s a killer, adulterer, and all-star criminal sociopath. The Shield places us ...quarely in that same situation. Vic Mackey has a lot in common with Tony Soprano. He’s guilty of the entire litany just made. Even worse, Vic carries a badge. So why do we love him so much?
The answer most certainly lies in the compelling writing both of these shows share. Perhaps we’re not so much in love with Tony or Vic, but the stories that are told around them. It just might be that superior drama rivets us to our sets. We root for the bad guy because, to be frank, when they go down the ride’s over. As with The Sopranos, we don’t want our moments with The Shield to end. Therefore Vic simply has to stay just one step ahead of his just desserts.
Posted in: Disc Reviews by Archive Authors on January 3rd, 2006
Note: the following synopsis contains brief spoilers. Only read this first section if you know have happens in season four.
Nominated for 25 Golden Globes and 110 Emmys, including 7 for Outstanding Drama Series, ER has long been one of the best prime-time shows on television. Premiering in September 1994 on NBC, the hour-long hospital drama vividly illustrates the intensity and fast-paced stress endemic to hospital emergency rooms across America. Brought into being by Michael Crichton - famous Hollywoo... insider, novelist, and brains behind such films as Jurassic Park, Twister, and Timeline – ER fulfills its creator's ultimate vision (it took over a decade of pitching the show before network executives bit) for a close-to-life glimpse of the technology and the humanity omnipresent in the ER. Since its inception, many cast members have passed through the halls of ER, many of them having gone on to become big stars in Hollywood.
Posted in: Disc Reviews by Archive Authors on January 1st, 2006
One of the few positive side-effects of the popular era of reality TV that we live in today is that the desire for the real has also crossed over to film. This has provided an excellent opportunity for documentary filmmakers to get their product seen by a large audience that just a few short years ago would never have taken the time to watch a documentary film. In fact, documentaries have become so mainstream that Murderball is produced in association with MTV Films. While a wheelchair rugby documentary sounds...like something that is ideally suited for the typical middle-aged PBS viewer, this film is rife with themes that will strike a chord with viewers from many different backgrounds.
This is not a film about sports. This is certainly not a film about feeling sorry for those less fortunate. This is a film about drive, about living life to the fullest, and about speaking your mind no mater what the consequences. It is not pretty, it's not sexy... in fact, some parts of it will probably make viewers downright uncomfortable. That's the point of this film. To make viewers look past their limits and preconceived boundaries, and to see the world and their place in it as something more than it is.
Posted in: Disc Reviews by Archive Authors on January 1st, 2006
Synopsis.
Working in the comedy salt mines, looking to break out into the superstardom they so richly deserved, Bob Odenkirk (The Larry Sanders Show) and David Cross (Men In Black) were hard at work doing writing for other shows, including Saturday Night Live, before finding one another. The two worked together, writing for the short-lived Ben Stiller show on Fox in the early 90’s, and a friendship bloomed, along with a working relationship. After doing some nightclub appearances, an ex...cutive offered them the chance to shoot a small group of shows for HBO. For lack of a better title, they called it Mr. Show, a sketch comedy series unlike any other. Maybe the words of Odenkirk may help, from bobanddavid.com:
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
Frasier is, quite simply, the one of best sitcoms of all time. This show proves that the studios don't have to dumb down their product to appeal to a mass audience.(Are you listening, Hollywood?) If the writing is of a great enough caliber, the audience will always rise to meet the material. More shows in this sad era of reality television overkill would do themselves well to follow the lead of this wonderfully funny program.
What Frasier is better at than just about an other film or televisio... show I have ever seen is it's mastery of farce. It is extremely difficult to make farce genuinely funny, and this show did it masterfully on a weekly basis. Any show can throw some lame jokes into a show, but it takes thought and attention to detail to craft jokes where the elements build up over time, and the punchline hits the audience out of nowhere.
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
Synopsis
David Carradine headlines yet another Roger Corman-produced action comedy. Here he’s the good seller of moonshine, up against the bad seller of same, who also happens to be the fater of Carradine’s girlfriend (Kate Jackson). Daddy is in bed with the mob, and is cheerfully selling rotgut on the streets (some of which as been fermenting in a tank with a car battery – blechhh). A battle for supremacy ensues, complete with many boat and car chases and plenty of fisticuffs.
Posted in: Disc Reviews by Gino Sassani on December 29th, 2005
A Dry White Season is a rather faithful adaptation of the critically acclaimed Euzhan Palcy novel. The film attempts to portray the infamous South African policy of apartheid, beginning with a massacre of peaceful demonstrators that occurred in 1976.Perhaps the point could have been made without the disturbing depiction of children being shot in such graphic detail. Such on-screen brutality seems drastic even under today’s less constrictive standards. I’m sure it can, and likely has, been argued that these events require realism, much as the opening salvo of “Saving Private Ryan” has been justified. In any case, the film certainly makes its point, leaving a lingering impression.
If anything, the film does provide a showcase for some quality performances. Donald Sutherland is most convincing as school teacher and former athletic star who finds himself compelled by conscience into the moral struggle.
Posted in: Disc Reviews by Archive Authors on December 29th, 2005
John(Owen Wilson) and Jeremy(Vince Vaughn) are divorce mediators faced with the daily struggle of attempting to reconcile fractured partners for long enough to enable them to reach some kind of settlement. But let's not worry about that too much because it’s nearly wedding season, a time when their entire agenda shifts focus. Why? Because John and Jeremy are wedding crashers. We're not talking about anything half-hearted either. These two are professional wedding crashers. They have rules, game-plans, and even fake f...mily trees to help them crash any party. Anglo or African-American, Italian or Spanish, Chinese or Korean, it does not matter to them—they just pretend to be some distant relative of a dead aunt and bluff their way through the rest. The purpose behind this cleverly conceived fraud? Simple, they want to get laid. They want no-strings-attached sex with beautiful, twenty-something women. Tons of them.
After a long and eventful season of fun weddings, these two come across the ultimate wedding to crash. The eldest daughter of a prominent Senator is getting married, and John and Jeremy simply cannot afford to miss such an illustrious event. When they arrive, however, it is not long before the plan goes out of the window and everything starts to fall apart. Although they appear to find their designated targets, and set about on their elaborate plans to seal the deal with these lovely ladies, it turns out that things are much more complicated than they seem because the girls are the two younger daughters of the Senator and they each come with their own share of woes. The boys may just have their work cut out for them if they want to close the deal but the real trouble comes when they start to realize that they may want more than just the one night.
Posted in: Disc Reviews by Archive Authors on December 29th, 2005
Note: the following synopsis contains spoilers. Only read this first section if you know have happens in season four.
I shall first give a bit of the background of the show for any readers who are a bit interested in the background of the show. The show debuted in the fall of 1985 during an era of non-violent and very-feel good nature type television shows. Even though a show like Macgyver did follow this standard 80’s television show rule, the show manages to distance itself from the standard cop sh...w/soap opera show solely because of the lead character Macgyer. Instead of using brute force to overcome his adversaries, Macgyver simply stops and takes a moment to use his head to decide what to do next. Since Macgyer he has an astounding mind (most specifically in the science field), he is able to always get the upper edge over his foes with his ability to make easy use of any of the materials surrounding him to create solutions to the numerous problems he encounters. While I must say this is a bit different from your average show, this routine does get a bit tiring after awhile.
Posted in: Disc Reviews by Archive Authors on December 28th, 2005
Synopsis
It would appear that the 1961 Disney film The Parent Trap helped to spur popularity within Disney’s non-animated film section. Films like the Herbie films, and films featuring other stars like Kurt Russell would soon follow several years later. Based on a book by Erich Kastner, and written and directed by David Swift (Eight is Enough, Barney Miller), the film is centered around Sharon and Susie (both played by Hayley Mills, Saved by the Bell, Pollyanna), who are i...entical twins who do not realize that they are sisters. After some initial bristling between the two, they manage to get along and learn more about each other.
