Posted in: Disc Reviews by Archive Authors on December 8th, 2005
Film
“This is not a trend. This is us. This is who we are.”
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Synopsis
Robert Redford narrates, but his on-screen avatar is Craig Sheffer. He and Brad Pitt are the sons of Presbyterian minister Tom Skerritt. The sons react to their stern father’s teachings in different ways. Sheffer is the good boy who becomes the scholar, while Pitt is the hell-raising journalist with the bad gambling debts. But both brothers do inherit their father’s love of fly fishing, and that is the act that bonds the three men together.
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Synopsis
This series has a clever conceit, being a sequel to the 1953 version of H.G. Wells’ novel. In the present, a terrorist group breaks into the base where the Martian corpses and war machines are being held. Turns out the Martians aren’t dead after all, and they revive to re-embark on their quest to conquer the Earth. In a budget-conscious move, part of this plan of attack consists in possessing the minds of humans, thus hugely diminishing the effects budget. So new viewers shouldn’t expect any...hing like the recent theatrical film, or even too much like the 1953 film, either. There is plenty of action, and a number of other clever ideas in the episodes (stars of the original film showing up, plays on the Orson Welles radio program), but plenty of limitations, too.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Synopsis
Dag Yngvesson sets out to the San Fenando Valley to investigate the way the porn filmmaking world works. His first contact is with veteran actor Bill Marigold, who now sees himself as a sort of den father (to coin a phrase) to other performers. With help from Marigold, our documentarist lands one contact after another, some plenty disturbing, and before he knows it, he is being asked to be cameraman on a porn feature himself. The emotional climax follows returning star Jenna Fine’s struggle ...o stay off drugs when her ex-boyfriend is released from prison.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Synopsis
On its surface, Almost You is potentially interesting. Considering the mid-‘80s production, you have Griffin Dunne, about to appear in Scorsese’s After Hours, but had already appeared in An American Werewolf in London. In this film, he is married to Brooke Adams, a.k.a. Mrs. Tony Shalhoub (Monk), but before that, had appeared in Terrence Malick’s Days of Heaven, and had her own experiences in horror, appearing in The Dead Zone. As husband and wife, Dunne’s ...haracter Alex feels rapidly disenchanted with their marriage, and says so just before they are about to leave on a trip to Erica’s (Adams) parents.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Synopsis
Anchor Bay, holding all (or most) of the keys in George Romero’s zombie film trilogy, released a four disc Ultimate Edition to capitalize on the theatrical release of the remake, done in grainy, handheld, 28 Days Later style by director Zack Snyder. There isn’t too much here plotwise that you need to be aware of. 4 people decide to seek shelter at an abandoned mall, a continuation of Romero’s first film Night of the Living Dead. I don’t really know of an underlying moral tale in this...film, aside from trying to make a life for yourself again, it really is about trying to get past the zombies and find some sort of freedom, wherever that may be. Special effects whiz Tom Savini gets to show off more of his work here, though not as much as in Day, as he spends some time in front of the camera as the leader of a biker gang.
Posted in: Disc Reviews by Archive Authors on December 3rd, 2005
Phillip Noyce's critically acclaimed Newsfront comes to DVD from Blue Underground in a quite impressive package. While not always exciting, Newsfront does manage to attract attention, and is pieced together very well. It's also a film covering unique material I am not sure has ever been covered in the realm of cinema.
The plot centers around Len, a newsreel photographer, who manages to keep audiences apprised of world events long before the nightly news ever exists. Len shoots films of any newsworthy item his employers at Cinetone can find for him. His footage is then used in theater houses throughout the country in an effort to inform, and sometimes entertain, the public. But heavy competition lurks ahead in the new invention of television. And Len is "a bit old fashioned," as colleague Amy (Wendy Hughes) refers to him, so his survival in this new world could be endangered by the competition, which includes his opportunistic brother Frank (Gerard Kennedy). Frank, also a skilled newsreel photographer, wants to change with the times to insure his survival, so he heads for America, where he finds success in television. He would like to bring his brother along for the ride, but Len is an unchanged man in a quickly changing time. As things go, Len would rather be true to himself and what he's always been, because he believes in it. And if that means he must give way, then so be it. But he's not about to let life run right over him. And he won't go down without a fight.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2005
Synopsis
Shannen Doherty, Holy Marie Combs and Alyssa Milano are three sisters who also happen to be witches. Very much in the vein of Buffy the Vampire Slayer, our heroines must battle supernatural monsters and evil cults, all the while dealing with love, heartbreak and other issues more connected with mere mortals. The season begins with Combs out of the picture, having eloped with Brian Krause. Their marriage is frowned upon by The Powers That Be, and this is one of the ongoing threads of t...e season.
Posted in: Disc Reviews by Archive Authors on November 30th, 2005
Mad Hot Ballroom is the sort of live action family entertainment with which I can get on board. Too often, the desire for a good family film is quickly hampered by third-rate idiocy that only appeals to the youngest in the family. We the adults plod dutifully along for the good of the kids, hoping and praying it will all be over soon. And even though running times on family films are often shorter than a standard feature, it still seems like you've watched twice the length of that standard feature by the time ...he credits roll.
But not with Mad Hot Ballroom. First and foremost, I've never been a dancer nor considered myself interested in it, but with this piece from Paramount and Nickelodeon Films, that doesn't matter. Just like a love for boxing is not essential to adore the first Rocky film, Mad Hot Ballroom will thouroughly involve you in its story and characters and make its major platform of ballroom dancing seem incidental compared to the immersing quality of its narrative.
Posted in: Disc Reviews by Archive Authors on November 30th, 2005
Synopsis
After the death of a popular commander, the stern and inflexible Richard Widmark steps in to take charge of a group of a Navy underwater demolition team. His command gets off to a rocky start, as he is seen as heartless and unwilling to take risks himself. But he eventually proves himself to his men (and old hand Dana Andrews), just in time for a particularly dangerous mission.
