Posted in: Disc Reviews by Gino Sassani on February 23rd, 2011
"When, in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the laws of nature and of nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation."
Of course, that declaration would be heard the world over as thirteen small British colonies began an experiment that would change the face of the world. The words came out of a Continental Congress, more specifically a committee that included Ben Franklin and John Adams. But it is neither of those men from whose pen came the liberating words of the Declaration of Independence. That honor belonged exclusively to the young wordsmith Thomas Jefferson. He would put words to the spirit of rebellion that consumed a small corner of a great continent. He would become our third president and the first to expand the country by more than double with the purchase of the Louisiana Territory from Bonaparte in France. His concept of the separation of church and state would become known as Jefferson's Wall and become one of the most abused and misunderstood rights of the Constitution. He was an inventor. He was a naturalist, cataloging hundreds of new species of plants and animals. He was a meteorologist, leaving us the first accurate records of America's climate. He would die on the Fourth of July at the 50th anniversary of his famous document.
Posted in: Disc Reviews by William O'Donnell on February 23rd, 2011
A young couple are drawn into a deadly game of cat and mouse when they investigate a piece of real estate and a psychopath starts to trail them. Brazen Bull is the title of the film and the killer's mantra, which means he acts as if he has nothing to lose, when in fact he's already lost everything.
The first act is a plodding mess of abysmal dialogue and weak acting from everyone. It was a genuine struggle for me to become invested in the story when there was nothing drawing me in. By the time it's poor Michael Madsen's turn to phone in another performance, I could care less about the torture his victims receive. There is something almost tragic about the fact that it was lack of talent that made me so callous to the lives of these fictional characters. A man's hand is slowly sawed off, and I'm yawning.
Posted in: Disc Reviews by David Annandale on February 21st, 2011
It's funny how the zeitgeist works, in that it is hardly unusual for two films with very similar high concepts to hit the screens at close to the same time. Dante's Peak and Volcano. Deep Impact and Armageddon. Hell, The Towering Inferno came about as a result of Fox and Warner cooperating in order to avoid making identical films. And this year, two animated features with super-villains as their protagonists: Despicable Me and our current subject: Megamind.
His childhood consistently ruined by the budding Metro Man (Brad Pitt), Megamind (Will Ferrell) becomes the super-villain he feels he was destined to be. But when his latest scheme actually succeeds in destroying Metro Man, he finds life curiously empty, and so sets about creating a new super-hero: Tighten (Jonah Hill). But Tighten, it turns out, is more villain than hero, while Megamind, thanks in no small part to a budding relationship with reporter Roxanne Ritchie (Tina Fey), moves ever closer to hero territory.
Posted in: Disc Reviews by Michael Durr on February 9th, 2011
One of the most underappreciated films in my opinion in the last ten years is Undercover Brother. Stop looking at me strangely! Seriously, it was a very funny movie. It was because of one man and I don’t mean Neil Patrick Harris (though he was hilarious). That man would be Eddie Griffin. Eddie Griffin has starred in almost fifty different films but he also makes a respectable living doing stand up comedy. One such concert is new to dvd and we get the chance to talk about it my brother.
Live from Oakland, California, we have the star of Malcolm & Eddie, Deuce Bigelow, and Meteor Man (okay, some more than others), the one, the only Eddie Griffin. *waits for crowd applause*. Let’s find out what he has to talk about, shall we? The first thing out of Eddie Griffin’s mouth? Well, it would appear he wants to have his way with Michelle Obama, the president’s first lady.
Posted in: Disc Reviews by Gino Sassani on February 7th, 2011
Simon Baker is riding high these days. Last year his new series, The Mentalist, was the highest ranked new drama of the year. That accomplishment got the show paired with CSI in that enviable Thursday night time slot. I’m amazed when I hear folks tell me how the actor appeared to come out of nowhere. A few film roles and he’s Mr. Television. Well, count me in with the small group that isn’t so surprised and saw him coming as far away as 2001 with a sleeper CBS series called The Guardian.
Baker played Nick Fallin, a talented young lawyer who just got busted for cocaine. Nick won’t see the inside of prison, however. His father, Burton (Coleman) is the senior partner at one of Pittsburgh’s most influential corporate law firms. Instead of jail, Nick is given five years probation and ordered to serve 1500 hours of community service. His court ordered assignment is Legal Services Of Pittsburgh, formally Children’s Legal Services. He’s placed under the charge of Alvin Masterson (Rosenberg), an idealist who set up the law clinic originally to speak for children who have no one else to do so. He’s resentful of Nick’s pampered lifestyle and at first wants to make the gig hard enough on him that he might ask to be assigned elsewhere. Eventually they warm to each other as Nick becomes more vested in the job than he thought he would be. Much of the show’s conflict is derived from Nick juggling these two worlds. He still has a duty as a shark attorney for his father’s firm, yet must find time to help these indigents and children that have come to the clinic for help.
Posted in: Disc Reviews by Michael Durr on February 3rd, 2011
My teenage years were set firmly in the 80’s and early 90’s. As a result, I watched my fair share of cheesy television shows and loved every minute of it. Shows like Sledge Hammer, Silk Stalkings, and Alf. But alas, some shows even escaped my cheese-dar until well into my adult years. One such show is Zorro, yes that Duncan Regehr vehicle where he wore a mask and carved Z into various objects while wooing the ladies. How could I ever miss that one?
Since, I’m dealing with a box set that covers a ton of episodes, I will do my best to break this down season by season with major changes between them. To be honest, from what I’ve seen, the show’s story is the same from start to finish. Even though some of the actors do change, it’s still Duncan Regehr running around in a mask with a sword. Too frank you say? Ha, ha (in best evil guy’s laughing voice)!
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2011
This series from Comedy Central began as a low-budget film hosting show in a small television station in Minnesota. It was the brainchild of Joel Hodgson. It ended up running for 11 years and a feature film version.
Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. This DVD collection is better than some because it includes films from four different seasons to give you a good sample of the overall series.
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"Contestants are experienced marksmen operating on a closed course. Do not attempt this at home."
Posted in: Disc Reviews by William O'Donnell on January 22nd, 2011
A young Cambodian boy, named Sokvannara “Sy” Sar, is spotted performing a traditional dance by the film's director and American Dance patron Anne Bass. She immediately takes note of his smooth talent and figures he has massive potential as a classical ballet dancer. Sy is given a rare chance to audition at the School of American Ballet in New York and then proceeds on a unique and fast-paced journey through a new world of dance, in a nation that is completely alien to his homeland.
This film would be interesting simply for the fact that it displays many parts of what it means to train as a professional ballet dancer and student, but is all the more engaging because of S's situation; that being the lone Cambodian to take on such a quest. Sy may come from poor roots, but his is by no means a sob story of an underdog, but that does not make it any less special or rare an opportunity. This film gives us the chance to see more than just his home, family and friends, as well as the many stages he earns a spot performing on, but we are privy to what can happen when chance falls upon the sort of person who has the passion to take hold of it and elevate themselves in something that was a total unknown to himself and his fellow countrymen.
Posted in: Disc Reviews by Archive Authors on January 20th, 2011
The Freebie is a festival friendly drama-comedy about Darren (Dax Shepard) and Annie (Katie Aselton) ailing sexual relationship. The film is interested with relationships after they pass the lust stage. How do couples maintain a healthy romantic relationship? Darren and Annie strive for ways to spice up their situation and the idea eventually becomes one night of freedom from each other to explore other options. The film is shot very intimately and the audience will be shocked at the warmth conveyed by direction. The tension explored in this film is not typically deployed in this genre. This film showcases a perspective that could surprise viewers, I know I was.
Both Dax Shepard and Katie Aselton are able to deliver solid performances. I have always been skeptical of Shepard’s acting chops given his track record. However, he delivers a subtle and strong performance. His scenes with Aselton always have naturalistic approach and the direction only amplifies this. The intimacy and warmth in scenes is overwhelming. Aselton also directs and she uses a variety of tight portrait shots to convey emotion. I commend the effort and was surprised at how invested I found myself in the characters.
