Posted in: Disc Reviews by Archive Authors on January 19th, 2011
Written by Diane Tillis
Magic is a source of great debate. From the great magicians like Harry Houdini to the modern magicians like David Blaine, they continue to force their audiences to pick a side of the debate. Should you believe the truth of the trick? On the other hand, you could forget the truth and believe in the magic. Which side would you choose?
Posted in: Disc Reviews by Archive Authors on January 18th, 2011
Written by Diane Tillis
You know him from Baywatch, Knight Rider, and America’s Got Talent. After nearly four decades in the entertainment business, David Hasselhoff created quite a name for his career as a pop icon. Now at a point in his dwindling career, Hasselhoff takes the plunge to be the center of attention at a Comedy Central Roast production. The man of a thousand voices, Seth MacFarlane (Family Guy), hosts the production.
Posted in: Disc Reviews by Archive Authors on January 12th, 2011
I have never watched Little House on the Prairie, so I admit to having no frame of reference when I approached this set, which actually contains two separate made for television movies: Beyond The Prairie: The True Story of Laura Ingalls Wilder, and Beyond The Prairie: The True Story of Laura Ingalls Wilder Continues. Now, since I’ve used up a large portion of my review space just mentioning the titles of these two films, I will try to be as succinct as possible. Suffice to say that, while I was aware of the show, all I really know about the lady is that she grew up on the prairies in a small house of some kind, and that she is beloved by a certain portion of the population. Also, if memory serves, she may or may not have been friends with NFL Hall of Famer Merlin Olsen.
The two films chronicle the life of Ingalls Wilder, from her days as a teenager growing into womanhood on the 19th century Dakota frontier to her eventual marriage to Almanzo Wilder and their emigration to Missouri. The films are quite authentic in their depiction of the harsh realities of frontier life, particularly the Dakota winters, and show death and loss as a constant danger, even when the focus is on wholesome family drama. Blizzards, hail storms, starvation, and disease are among the constant threats that loom over these characters, and the films do a pretty good job making these things real.
Posted in: Disc Reviews by Gino Sassani on January 6th, 2011
In one of Stephen King's most popular stories, at least of those translated into films, a prison inmate sits in his cell and dreams of escape. His fantasy is to escape into the welcoming arms of Rita Hayworth. While that particular element wasn't to be found in the film, it was important enough in the original story to warrant mention in the original title, which was Rita Hayworth And The Shawshank Redemption. It was a nod to the pin-up status that the actress had in early younger days. In my generation it was Farrah, but for most adolescent boys and World War II soldiers it was the red-headed come-hither smile of Rita Hayworth.
Hayworth first trained as a dancer. The instruction would certainly pay off in her film career where she would trade steps with some of the great dancers in cinema history including Fred Astaire. She was just a young teenager when she managed to be cast in Dante's Inferno and five other films that year. She left films at the peak of her popularity in a Grace Kelly-like marriage to foreign royalty. She wedded the Prince Aly Kahn, who would also die in a car accident, much as Kelly did. Fortunately for the movie-going public, Hayworth had divorced the prince 7 years earlier in 1953 and returned to the silver screen.
Posted in: Disc Reviews by Gino Sassani on December 27th, 2010
“As an exterminator I'm called upon to curb the destruction by beasts both great and small, be it eliminating a deadly menace or safeguarding a lake from ruin. But sometimes one wrong turn on the job can become a question of life or death."
Billy Bretherton is the owner of Vex Con Pest Control in Shreveport, Louisiana. It's a family run business. Mom is the office manager and takes all of the service calls and then dispatches the technicians to their various jobs. Dad is the office mascot. He's had a heart attack along with a few other medical scares, so he's not really very hands-on. You might say his main job is to worry and complain. Mary is Billy's wife. She quits halfway through the first season, appearing only a couple of brief moments in the second season. Still, she's a part of the opening credits. Ricky is Billy's brother and often his partner on many of his two-man jobs. It's interesting that we're constantly told that Ricky is deathly allergic to wasp stings. One sting and it's an airlift ride to the ER, Billy is always reminding us. But when a wasp call comes in, who do you think Billy takes along to help? Of course, it's Ricky. Mom always reminds us of the allergy and admonishes Billy to be sure his brother doesn't get stung. It's things like this that make this the most frustrating A&E series I've ever watched.
Posted in: Disc Reviews by Gino Sassani on December 27th, 2010
By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.
So let’s go down that checklist, shall we?
Posted in: Disc Reviews by David Annandale on December 24th, 2010
Omar (Omar Metwally)desperately needs to write the biography of author Jules Gund if he wants to hang on to his academic post. In order to do this, he will have to secure the cooperation of the reclusive author's surviving family: his wife (Laura Linney), his mistress (Charlotte Gainsbourg) and his brother (Anthony Hopkins). Pressured by his girlfriend to make something of himself, Omar heads off to Uruguay and essentially invites himself into the Gund residence, an isolated mansion in a state of genteel decay. Hopkins and Gansbourg are quick to agree to the project, but Linney resists, and Omar is gradually entangled in the family's complicated web of relationships, while drifting into an affair with Gainsbourg.
I haven't read Peter Cameron's novel which which the film is based, so I can't say whether this story's vision of academic life is the same as the book's, but I will say that what we have here is rather bizarre. Yes, there is some truth to the old “publish or perish” saw, but Omar's desperate career straights are ludicrous. So the film starts off with a shaky premise, and is further saddled with a distinctly callow protagonist. Though he is clearly supposed to be a rather weak figure, he is so difficult to care for that the film has a void at its centre. As for Linney, Hopkins and Gainsbourg, these are people who could make a recital of the phone book interesting, and their time on the screen is compelling, even if the film itself isn't quite.
Posted in: Disc Reviews by Archive Authors on December 22nd, 2010
One man. One alien. One choice.
That’s the tag line for Hunter Prey, the latest project from Sandy Collora, idol to fanboys everywhere thanks to his 2003 short film, Batman: Dead End, believed by many to be the best fan film ever made. Well, after a long wait, he has finally made his first full-length feature film, and though it’s clearly hovering around the bottom rung of the budget ladder, there is much to admire here.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2010
He's been called the King Of Late-Night. Today when there are so many talk shows on at pretty much every hour of the day, that might not appear to be such a huge distinction. There were talk shows on before Johnny Carson, but there can be no doubt that he invented the modern late-night show. For 30 years Johnny Carson was like a member of the family for millions of Americans. He was a friendly face at the end of a long, stressful day. He was that dependable routine that you could set your biological clock by. You would lie back in bed and let Johnny bring the world to you. You could count on a wide assortment of entertainment experiences. Johnny would deliver a monolog that often touched on the hot topics of the day. The news programs might be depressing, but Johnny always gave you a reason to crack a smile at the worst of times. There were characters like Aunt Blabby and Carnac who became comfortable old friends. The top names in show business competed for precious minutes on his stage, and if you were very lucky you spent some time on the couch and some face time with Johnny and his faithful sidekick Ed McMahon. Johnny could make or break your career in three minutes. He brought you the best of the new comics and musicians while delivering the big stars just as well. When you made it to The Tonight Show, you really made it.
There will never be a complete season or complete series set for Johnny Carson. There are several problems that present themselves almost immediately. Johnny was on nearly every night for thirty years. Do the math and you'll realize there have been thousands of episodes. The sad fact is that many of these moments are lost forever. Footage has either been lost completely or is in such bad shape as to be almost unwatchable. The was so much variety that having a full season would be a logistic nightmare to find those favorite moments. No, there just isn't ever going to be a complete anything when it comes to Johnny Carson. But Respond2 Entertainment has come about as close as I would have believed possible with the extraordinary release of 4 Decades Of The Tonight Show. Now, I hesitate to even call this a comprehensive collection. Again, I'm just convinced that wouldn't be possible. This comes as close as it gets.
Posted in: Disc Reviews by Gino Sassani on December 16th, 2010
“The name's Brogan, Lieutenant Brogan. For 20 years I was with the NYPD. Now? Well ... let's just say I'm transferring to another precinct.”
That Precinct is the 88th, which serves Demeter City from an orbiting station around the planet Altor. Demeter City is one of the toughest cities in the universe. There's tons of slums and every kind of scumbag criminal you could ever expect to find in the worst of Earth's hoods. The planet is primarily populated by three species, although there are literally hundreds of known species that might be found in one of the darkest corners of the city. Humans make up about a third of the dominant population. The Tarns are a species with a third eye that grants them varying degrees of telepathy and telekinesis. The Creons are the dominant species. They look a little like hammerhead sharks with their bulging eyes extended outward on either side of their face. This species is high on ritual and tradition. The three species are well represented in the officers who serve at the 88th.
