Posted in: Disc Reviews by David Annandale on May 21st, 2007
Thora Birch (remember when she was the lead and Scarlett Johansson was her support?) Is a young woman with a loving husband. She is struggling to deal with anxiety as she undergoes fertility treatments, and is having vivid nightmares in which she is living in a run-down apartment, working in a grotesque mortuary, is beset by strange visions, and is being stalked by a murderer. Or is it the other way around, as this young woman keeps dreaming she is the young married. And that murderer stalks both worlds. What’s going...on?
Writer/director Ray Gower cites David Lynch among his film’s major influences, but he leaves out the most painfully obvious one: Jacob’s Ladder, which this film mimics both in narrative structure (jumping back and forth between possible realities) and in groaner ending that makes a hash out of what has come before. Sorry, but that kind of third-hand Twilight Zone gambit simply doesn’t cut it. Along the way, there are some effectively gruesome sequences, nicely spooky imagery, and though the performances are uneven (a television newscaster is painfully amateurish, but Birch acquits herself well), the story is still interesting enough that the viewer will stick with the film long enough to be miffed by the conclusion.
Posted in: Disc Reviews by Michael Durr on May 21st, 2007
Synopsis
The 4400 Season Two left us on quite the cliffhanger. The returnees had been taken off the promicen inhibitor, thus enabling their abilities to return to normal strength. Ryland (played by Peter Coyote) was exposed as the one behind the cover up and went straight to trial. Isabelle (played by Megalyn Echikunwoke); infant daughter of Richard & Lily Tyler(played by Mahershalalhashbaz Ali and Laura Allen respectively), had grown up quite quickly as she was found in Shawn Farrell's (played by Patrick Flueger) office. Meanwhile, the two main protagonists' Tom Baldwin (played by Joel Gretsch) & Diana Skouris (played by Jacqueline McKenzie)are dealing with events of their own in addition to their casework at NTAC (National Threat Assessment Command).
Posted in: Disc Reviews by Archive Authors on May 19th, 2007
Synopsis
Way back in the ‘80s, I can recall doing a fifth grade science project on a fledgling disease called Acquired Immune Deficiency Syndrome. I got a bunch of material from my Dad (who worked at the National Institute of Health) and went ahead and did it. To be honest, I really don’t remember if I did this report before or after the first recognizable name died from it (that being Rock Hudson), but in the quarter century since AIDS cases were first identified, over 25 million people have died and almos... 40 million currently live with the disease. 3 Needles is a film written and directed by Thom Fitzgerald (The Wild Dogs), and what the film may attempt to communicate (or even dispel) is that AIDS is not predominantly a disease where behavior dictates contraction, sometimes a person’s fate might be dictated before they are even aware of it.
Posted in: Disc Reviews by Archive Authors on May 19th, 2007
Synopsis
In the late ‘70s and early ‘80s, Robert De Niro may have taken on some more famous roles (like The Deer Hunter and Raging Bull), but he wasn’t shy to experiment in roles with directors like Bernardo Bertolucci (1900), to name a few. And in his first film after playing Jake LaMotta, De Niro plays Des, a monsignor who runs into his brother Tom (Robert Duvall, The Apostle), a police homicide detective.
Posted in: Disc Reviews by Archive Authors on May 19th, 2007
Synopsis
I’d like to think of Amanda Bynes (She’s the Man) for being part of a smaller second wave of teen female performers. Nobody’s really sure of who she is, but she appears to stay out of trouble and certainly not emulate the Lohans and Spears of the world. She had an already established name among the Nickelodeon demographic, but soon moved to grown up television, joining television veteran Jennie Garth (Beverly Hills, 90210) in What I Like About You.
Posted in: Disc Reviews by Gino Sassani on May 17th, 2007
We hear it all the time. Some kid had it rough as a child. Single parent home, gangs, poor schools and even poorer neighborhoods. What this usually describes is some three time loser who has just robbed or killed somebody and ends up in a high speed chase with police. Some folks take adversity and turn it into gold. George Lopez is the latter. He’ll be the first one to tell you that the sad stories his character tells of his youth are rooted in cold hard reality. Not only does he bare these painful memories for mil...ions to see, but he encourages us to laugh at them. Lopez doesn’t have the same kind of raw talent that most comedic actors draw from. For Lopez the talent is in the genuineness of the portrayal. He’s capable of some of the most complicated expressions that make us want to take him home. Of course, feeding him is another story. There’s nothing really complicated about the George Lopez Show, however. While it has recently been cancelled, it remains one of the true standout sitcoms of the decade. The George Lopez show doesn’t rely on sexual innuendo or exotic situations for its laughs. This is the kind of show you don’t have to be embarrassed watching with the kids.
George Lopez is George Lopez. He has a son, Max (Garcia) and a daughter Carmen (Lusha). His wife Angie (Marie) is a fiery Cuban who is a constant clash to George’s more laid back demeanor. Their family backgrounds are quite different even though both are Latino. Here the show does a great job of dispelling Latino stereotypes by accenting the cultural differences between George and Angie. Don’t get me wrong. There’s plenty of Latino generalization throughout the show, played mostly for laughs. The show is almost stolen by George’s mother, Benny (Moreno) who’s not often very apologetic about her dysfunctional mothering when George was a child. The banter provides some of the best moments in the show. There are few comedies these days that actually get me to laugh. The most many get are a random chuckle from time to time. The George Lopez Show is one of those few that elicit genuine laughter. I’m talking Sanford and Son laughs here.
Posted in: Disc Reviews by Gino Sassani on May 17th, 2007
James Garner could have been a Hollywood leading man. He had surfaced in a few films and apparently was on every director’s radar at one time or another. Hit or miss, he might have made quite an impact on the film industry. Instead, he will forever be known for the two defining television roles of his career. Maverick completely reinvented the television western. Up until that time the western was a place populated by clear good guys and bad guys. Men like Marshall Dillon and Ben Cartwright were known for their wholesome ways and do unto others attitude, perhaps mixed in with the occasional frontier justice. Enter Bret Maverick, who was a morally ambiguous character who loved to gamble and often run a con, even if it was usually on the bad guys. A western Robin Hood, if you will. It’s no surprise that when Stephen Cannell was looking for a new character he would bring Bret Maverick into the current day. Instead of a horse, Rockford drove an iconic Firebird. Still, even without the western trappings, Rockford is Maverick.
James Rockford lived in a trailer on the beach. His lovable dad was a truck driver who never did understand how his “sonny” could be mixed up in the dirty world of private investigations. While Rockford always projected a tough guy exterior, it was his soft spot for a sad story that often got him deep in trouble. He could understand the world of injustice. He had spent five years in prison for a crime he didn’t commit. Even after a full pardon, the cops considered him a lowlife ex-con. His one buddy, Lt. Becker, usually laid low among his fellow officers, often afraid to admit to being Rockford’s friend. Rockford was also king of the con. When normal tactics didn’t work, he could bring together a group of scam artists and con men to handle the largest of productions. He traveled with his own business card printing press. Afraid of guns, Rockford usually kept his in the cookie jar.
Posted in: Disc Reviews by Michael Durr on May 13th, 2007
Synopsis
It's fairly common to bring ideas from other cultures and bring them into American television shows. We have done it with gameshows (Lingo) and we have done it with movies (Ring). However, sometimes we simply wish to recreate shows in our image. Rarely, we just go ahead and use the same show and edit it to suit our tastes. Enter Most Extreme Elimination or MXC. This show (part of SpikeTV's late night lineup) is simply the Japanese show; Takeshi's Castle peace me...led together with new commentary and a different focus. (I'll explain more later in the extras).
Posted in: Disc Reviews by Gino Sassani on May 8th, 2007
OK. Everyone knows about The Blair Witch Project by now. We’re all impressed that this little independent film managed to bust out and generate enormous success. Every film student in the world is encouraged that a crude looking film can make history. So, can we all stop trying to imitate it now? The Hunt is nothing more than an obvious copy. In this case it’s a trio of deer hunters who are attempting to make a “how to” video on hunting deer with a bow. The film integrates their grainy footage with that of one of t...e members of the rescue operation. He, of course, is also documenting his search for the now missing hunters. Throw in an out of nowhere climax and you have the entire film in a nutshell. The film keeps everything that was annoying about The Blair Witch Project, but retains none of what made it original. It doesn’t take long to get really tired of the shaky grainy camera work that basically gives us nothing remotely suspenseful or entertaining. Before long, Atticus (Rusler), the group’s cameraman, plays the part of a poor man’s Mulder with no Scully for balance. I can’t imagine what is really motivating these two men to continue their romp in the woods with a 10 year old boy in tow. Whatever happens to them we tend to feel they deserve. The final reveal is a complete letdown. Not even the film’s creatures are original. Hell, they’re not even rendered competently.
Video
Posted in: Disc Reviews by Archive Authors on May 8th, 2007
Beverly Hills 90210, although I never watched this growing up, I knew a lot of people who did. Often compared as The OC of the 90’s, the show does in fact share a lot of similarities with The OC; two popular primetime soap operas based around the posh lives of rich teens. The main difference between the two shows is the fact this 90210 lasted 9 seasons and 10 years on air, which made for a vast array of storylines and ever developing characters. Some people might not remember the show all ...hat much, but I’m pretty sure everyone remembers the teen idols that it produced which include Luke Perry and Jason Priestley. Of course the storylines are at times a little over the top, but also address serious problems that teenagers and young adults might deal with, but in an entertaining manner.
Incase you don’t know, Beverly Hills 90210 takes place in Beverly Hills, California a city known for its exclusivity ranging from shopping to housing. These elite teenagers enjoy a posh lifestyle that is a constant drama fest. From love triangles too serious issues like child abuse, divorce, and teenage pregnancy - this show has it all. In true soap opera fashion these mid to late twenty actors play seventeen year olds, but I can get past that I just thought I’d throw that out there.
