Posted in: Disc Reviews by Archive Authors on May 29th, 2007
Kelsey Grammer reprises his role as Dr. Frasier Crane in the ninth season of Frasier. Spanning eleven seasons, winning 39 Emmy Awards, and being one of the most critically acclaimed shows of its time, these are just a few of the achievements Frasier amounted during its eleven year run. So there’s no denying that Frasier has quite a following and for any of us who have watched can admit that it has its moments, and its more ‘sophisticated’ humor can be quite funny at times.
For those of y...u that aren’t familiar with this program I’ll fill you in on its premise before I get into the Season nine details. I’m sure most of you remember Dr. Frasier Crane drinking his money away with his fellow alcoholics in that little Boston pub, Cheers. If you know that much then I’m sure you can put it together that Frasier is a spinoff of the character created on Cheers, making Frasier the most successful spin off on television. The show began with Frasier moving back to his hometown of Seattle after a divorce. Before he gets to enjoy the bachelor life he takes in his father Martin, who is an ex cop and due to being shot in the line of fire has retired and left physically disabled. Among the frequent visitors to Frasier’s house are Daphne who is Martin’s physical therapist, Niles who is Frasier’s brother and a fellow psychiatrist, and Roz Doyle who is a producer on Frasier’s radio call in show. The overall feel of this show is somewhat intellectual, the main characters are pompous, but that doesn’t mean you have to be high society to enjoy the show. Although some of the jokes require a bit more thought that you’re standard sit-com just about anyone can enjoy Frasier.
Posted in: Disc Reviews by Archive Authors on May 29th, 2007
Moral Orel airs on Adult Swim, and like a lot of programs on Swim, each episode is about 12 minutes long. After watching only a few episodes, I just knew this show must face a lot of criticism. A lot of the subject matters are pretty touchy - from the eleven year old Orel smoking crack to him impregnating the neighborhoods mothers. Although pretty much all races and denominations take a shot throughout this show, the blunt of all jokes are taken by Protestants. Without getting into a whole religious tirade, I’...l say that as a Christian I don’t find this show overly offensive. Sure there are some things I don’t like about the show, or views that are expressed, but you have to take it with a grain of salt. With that being said, this show isn’t for everyone. A lot of Christians will probably find it offensive, but if you look past the initial shock of some of the jokes, this show can be pretty funny.
The premise of the show is simple. It begins with Orel listening to his Reverend dictate a passage from the bible, then the rest of the episode is based on Orel taking this lesson way to literally. This show is so far out there, how could it be offensive?
Posted in: Disc Reviews by Archive Authors on May 27th, 2007
Synopsis
Steven Soderbergh has done a successful job of leveraging his reputation through the years in order to experiment with various directorial techniques and styles. With mainstream successes like Erin Brockovich and Traffic, he’s managed to keep in the spirit of anindependent film, producing stellar, less visible works like Bubble and a remake of Tarkovsky’s Solaris. Many of his works over the last few years have been with George Clooney, who starred in Solaris and < ...>Ocean’s Eleven, and was Soderbergh’s partner in a production house that released their own pieces of cinema. So Clooney and Soderbergh team together on film once again for The Good German, Soderbergh’s ode to ‘40s noir films.
Posted in: Disc Reviews by David Annandale on May 25th, 2007
Synopsis
Gary Cooper and seven colleagues are introverted academics working on a new encyclopedia. When Cooper realizes this his slang entry is hopelessly out of date, he bravely ventures outside the ivory tower to learn what the new lingo actually is. The most fluent slang speaker he encounters is nightclub performer Barbara Stanwyck. When her gangster boyfriend (Dana Andrews) is wanted for murder, she hides from the police by moving in on the professors, ostensibly to help them with their project. ...hey all fall for her, of course, especially Cooper, and she beings, despite herself, to see them as something more than useful pawns.
Posted in: Disc Reviews by Archive Authors on May 25th, 2007
Portions of this review have been "borrowed" from Brendan Surpless' recent review of the HD-DVD version of the disc, which can also be found on the site.
Synopsis
Posted in: Disc Reviews by Archive Authors on May 25th, 2007
Synopsis
When I was reviewing Season One of Martin, I was actually on a business trip in New Jersey, fondly recalling the early ‘90s and the huge popularity of the show that bore comedian Martin Lawrence’s name. Since that time, I’m no longer going to New Jersey on business, I’m working better hours, and a movie with Lawrence called Wild Hogs came out. It grossed over $150 million, and starred him, John Travolta and Tim Allen as aging adults who do the Easy Rider road trip. The only thi...g I really have to say about this is that I’m shocked and disappointed in you people, and I hope you never let this type of thing happen in American cinema again.
Posted in: Disc Reviews by Archive Authors on May 25th, 2007
OK, it's difficult to talk about Season Three of NCIS without talking about what happened in Season Two of the show, so I'd suggest anyone reading this who hasn't seen it to skip ahead to the next paragraph. OK, done. Season Two of NCIS brought in a cast change that virtually nobody saw coming, let alone the cast member who indicated they wanted to leave anyway. Agent Todd (Sasha Alexander, Mission Impossible: III) had been shot and killed by a terrorist, and her comrades made concerted attempt to avenge her death at the beginning of Season Three.
(OK, spoiler over, come on back). Still, the cast felt a little bit incomplete. Enter Agent Jen Sheppard (Lauren Holly, Dumb and Dumber), to fill the void. At least the remaining members of the cast were still around so that Holly's breaking in period could be a slow and gentle one. You still have the unofficial head of the group in Leroy Gibbs (Mark Harmon, St. Elsewhere), the young stud who frequently clashes with Gibbs when it comes to style points in Tony DiNozzo (Michael Weatherly, Dark Angel), and the resident tech geeks in McGee (Sean Murray, Hocus Pocus) and Abby (Pauley Perrette, Brother Bear). Holly's character also has a past with Gibbs as it's discovered later in the show, which adds another layer to the relationship of the characters.
Posted in: Disc Reviews by Gino Sassani on May 23rd, 2007
Thieves Like Us was never one of Robert Altman’s better known films. It did rather poorly at the box office in 1974, and I suspect it will fare little better on DVD. Certainly there is a bit more interest in Altman’s films with his recent passing, but Thieves Like Us is not a great representation of his work. It is a wonderful period piece, but there isn’t anything worthwhile happening inside that marvelously created world. Altman admits there were extreme cuts, over 45 minutes, made to the film. Perhaps that foota...e might have made a huge difference. An extended cut might have been the better way to go here. I suspect with Altman’s death, no one wanted to be the one to change any of his films right now.
The film is based on the Edward Anderson novel of the same title. The book had been filmed with superior results in the 1940’s as They Live By Night. Altman’s film more closely follows the book, and this could be its undoing. There is a reason why even the greatest written works are modified somewhat for the screen. This almost exact telling ends up being quite the bore. It just seems to go nowhere, and very slowly at that. The story follows three bank robbers who manage to escape prison only to return to their criminal ways. Most of the film centers on Bowie (Carradine), one of the robbers who falls in love with Keechie (Duvall). The other two are in and out of the story sparingly. The film is often compared with Bonnie and Clyde, but I don’t see it. First off, Bowie is never joined by Keechie on his criminal adventures. The most significant similarity is the brutality with which Bowie is gunned down in the film’s climax. Unfortunately Altman has developed superb characters and excellent actors to portray them, but he never ends up doing anything with them. Altman addresses the pacing and lack of action in his audio commentary, but he never tells us why. He only mentions at least 50 times that you couldn’t make a film with this pacing today. I think he’d have been better off not to have made one even 30 years ago. His reasoning is audiences today have less patience. That may be true, but the film didn’t exactly set any records even in 1974.
Posted in: Disc Reviews by David Annandale on May 22nd, 2007
Synopsis
Cord (Jeff Cooper) is a martial arts expert in a mythical land who competes for the right to go on a quest to confront a legendary master (Christopher Lee) who protects a mystical book. Cord cheats and is disqualified, but heads out on the quest all the same. Along the way he encounters various threats (all played by David Carradine) and a supernaturally talented blind man (also Carradine), not to mention oddities such as Eli Wallach sitting in a barrel of oil as part of long-term project to...dissolve his penis.
Posted in: Disc Reviews by Archive Authors on May 21st, 2007
Synopsis
To Catch a Thief has a lot going for it. For starters, two of the most marketable faces of their time playing opposite one another, in a film directed by one of the greats of cinematic history. What’s so wrong about that? John Michael Hayes (Peyton Place) adapted David Dodge’s novel, which Alfred Hitchcock (Psycho) directed.
