Posted in: Disc Reviews by David Annandale on January 8th, 2007
Sven Garrett plays the Photographer, who, when not exercising his profession of photographing beautiful women, is busy torturing and killing them. His girlfriend’s little sister (Jade Risser) thinks there’s something creepy about him, but isn’t listened to. Meanwhile, the bodies pile up.
There’s not a heck of a lot more to the plot than that. The title is an apt description of the film: it is basically a collection of set pieces. References to Nazi Germany and footage of 9/11 are tossed in to no very compelling purpose. The acting is painful, as is the dialogue (what one can make out of it – more on this below). This is a film that has stirred up quite a fuss among the critics, horror or otherwise, but viewers wanting to see what all the fuss is about won’t be enlightened by this release. The film originally ran 105 minutes, according to IMDB. This version runs 83. So when I said this is a collection of set pieces, I should have said “truncated” set pieces, and all the really nasty stuff is completely absent. The result is akin to a hardcore porn film with the sex removed. The actual technical aspects of the film are quite slick, but that doesn’t make it watchable.
Posted in: Disc Reviews by Archive Authors on January 7th, 2007
If you haven't heard of The Simple Life, the reality series starring celebrity debutantes Paris Hilton and Nicole Ritchie, you must not own a TV. If you just haven't ever watched the show, you're one lucky person. I used to be lucky, too, but now I've seen the show's fourth season on DVD.
The Simple Life features Hilton and Ritchie, spoiled rich and absolutely clueless, experiencing everyday American life. You know, like doing chores on a farm. What's new for this season? The girls have had a falling out, which I'm sure was covered in great detail in all of the tabloids and on all of the entertainment "news" programs. So this time Paris and Nicole are alternating days, so as not to cross paths and get in a catfight.
Posted in: Disc Reviews by David Annandale on January 5th, 2007
You may have heard this one before. Annabelle (Erin Kelly, channelling Leelee Sobieski) is the hellraising daughter of a US Senator, sent to a Catholic girls’ school to be out of sight and out of trouble. Her rebellious ways continue, however, and she falls in love with her poetry teacher Simone (Diane Gaidry). Much angst, particularly on Simone’s part, ensues, not to mention inevitable walks on the beach and much Lilith Fair-style musical noodlings (our heroines would clearly die of shock if they had a run-in with Maria Beatty), before the consummation and the rather sudden ending of the movie arrive.
Kelly and Gaidry turn in good work, and succinctness of the storytelling keeps the viewer’s interest. There is a larger problem, though, than the movie’s rather overdone storyline and not-terribly-original narrative technique. In the making-of featurette, writer/director Katherine Brooks acknowledges the inspiration provided by Mädchen in Uniform, and how she had wished the student and teacher had gotten together in that film because that would have been “hot.” All right, so that makes this pic something a fantasy. Fair enough. But she also wants a real-world tie-in to all the stories in the news about teachers arrested for having sex with their students, only her take is sympathetic. This leads to some intellectual dishonesty. Having the student actively seduce the teacher is a neat but cheap cop-out from dealing with the unbalanced, predatory power dynamic such a relationship implies. Any truly ethical teacher would have run in a blind panic from a student making the advances Annabelle does, but Simone only utters one line at the end of the film to suggest that her many haunted looks might have been caused by the notion that what she is tempted to do might be wrong. I have this sense of the film trying to have things both ways, and it simply can’t. But even with these knocks against it, it remains a not unengaging romance.
Posted in: Disc Reviews by Archive Authors on January 3rd, 2007
I've gotta say, I love stand-up comedy. My first albums were George Carlin records, and I'd always listen to my Dad's recorded tape of a Friar's Club roast of Don Rickles, where four letter words would get dropped as often as the drinks in the room. Then it was on to Richard Pryor, then onto the R-rated genius of Sam Kinison and to a lesser extent, Andrew Dice Clay. And now, it's Lewis Black, David Cross, Dave Attell and Robert Schimmel.
To understand the premise behind Dane Cook's Tourgasm, I guess one has to better understand Dane Cook. For those that don't, he is the stand-up flavor of the month right now, a man whose albums have sold like gangbusters, who has successfully utilized the internet to spread word of mouth about his material, and he is all over shows that the kids are watching. In March/April 2005, he rented a rock star bus and invited three comic friends of his (Jay Davis, Robert Kelly and Gary Gulman), and did a bit of a barnstorming tour of college campuses across the country, similar to what Kinison did with the so-called "Outlaws of Comedy" in the '80s, as Cook's tour was designed to get his friends some more exposure, while giving his fans a chance to check him out. Filmed over 30 days in 20 locations, the group of episodes (that presumably aired on HBO awhile back) was also a look into the personalities of each comic.
Posted in: Disc Reviews by Archive Authors on December 30th, 2006
Comments on the supplemental material on this edition have been ported over from Ryan Erb's excellent (and recent) review of the HD DVD, which also can be enjoyed on this site. Now onto this review...
Remember when it was announced that far-left conspiracy theorist (and resident Castro admirer) Oliver Stone would be making a film about the September 11 attacks? Of course you do. In fact, the collective pucker of the nation tightened in horror and trepidation when the notion was first thrown around, and later grew in suspicion as the film's realization became closer and closer.
Posted in: Disc Reviews by Archive Authors on December 29th, 2006
I'd never seen, nor heard of, Harvey Birdman, Attorney at Law before I received my review copy of this second volume of the series, which aired as part of Adult Swim. What a bizarre show! Not since Ren and Stimpy have I seen such a strange, adult-oriented cartoon.
Harvey Birdman was a shoddy superhero who has become a substandard Attorney. His firm handles cases for well-known animated Hanna-Barbara characters like The Jetsons, with each of the 13 episodes in this second volume presenting a new case. The episodes run about 11 minutes each, and they're all very odd and pretty darn funny. Since the episodes are so short, I'm not going to spoil any of the storylines here. If you're not familiar with the show or the adult-oriented cartoon genre, I suggest renting a disc from Harvey Birdman volume one to get a taste. If you enjoy that, you'll eat up this volume two release.
Posted in: Disc Reviews by Archive Authors on December 22nd, 2006
Don't pay any attention to the description on the back of DVD case. Described as "hilarious", this film is anything but. While it may have a few funny moments, we're talking about a serious drama. The Last Kiss is a cautionary tale about temptation. It presents the circumstances and life choices of 30-year-olds in an intense, honest way, which makes the film both completely engrossing as well as difficult to watch.
The story centres around Michael (Zach Braff), a 29-year-old architect, and his girlfriend of three years, Jenna (Jacinda Barrett). Jenna is newly pregnant, and Michael is scared. Michael's best friend, Chris (Casey Affleck), is having a rough time with his own wife and their baby. Another friend has recently split from a long relationship. Jenna's folks, Anna and Stephen (Blythe Danner and Tom Wilkinson), are also on the brink of a breakup.
Posted in: Disc Reviews by Archive Authors on December 20th, 2006
Some films never achieve greatness, but still manage to leave their viewers with a wry smile, and a “that wasn’t so bad, I’m glad I watched it” mentality. Lonesome Jim from IFC Films is one such motion picture. Starring Casey Affleck and Liv Tyler and directed by Steve Buscemi, this is one mood-swinging comedy that will lull you into complacency, then occasionally drop large hilarious bombs into the experience when least expected. Centered on a depressing, tight-lipped, tell-it-like-it-is, loner, who is for...ed back into the misery of his parents’ house when he runs out of money, Lonesome Jim dramatizes a dreary journey from stark hopelessness to undying optimism. The laughs don’t come easy, but hang around, and you’ll reap the rewards.
Affleck and Tyler are familiar with one another, albeit in a six-degrees-of-Kevin Bacon sort of way, as Tyler previously played opposite the other Affleck in two films - Armageddon and Jersey Girl. Now she’s changing out for the younger brother, and I think the result is a better romance than Jersey Girl, but a lesser film than Armageddon. Holding it all together is Buscemi’s increasingly competent direction. (If you’ve seen his previous effort Trees’ Lounge you’ll know the kind of quirky comedy to expect here.) It’s a refreshing film, but not an uproarious one. Mary Kay Place, Seymour Cassel, and Mark Boone Junior, also star.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2006
Dr. Katz is Frasier on LSD. This cartoon is based on stand-up Jonathan Katz and is psychobabble routine. Most of each episode centers on Dr. Katz and usually a couple of sessions with patients played by fellow stand-ups or other celebrities. While there is some humor here, none of it jumps out as rip-roaring funny. Then there’s the infamous “Squigglevision”. To me this makes the darn thing near impossible to watch. The gyrating animation gives me a headache. To review this set, I couldn’t watch more than one episode per sitting. I’m told the show was much better in season one, which I’ve never seen. Too bad, really, but there isn’t anything worthwhile about this cartoon.
Video
Posted in: Disc Reviews by Gino Sassani on December 20th, 2006
It started as “the show about nothing”, but we really know better. While some say it’s much ado about nothing, they’ve missed the point, haven’t they. Ask some folks, and they’ve got nothing to say. Well. If you can’t say something nice…
Jerry Seinfeld did what so many comics have failed to do well. It seems just about every stand-up out there thinks the stuff will work on television. Some of it does. Those that got the chance owe much to the success of Seinfeld. Like few sit-coms before it, the series was the hot topic at work water coolers. If you can measure a show by its contributions to the pop culture, then Seinfeld must be one of the best. Terms like “Yada Yada Yada”, “No soup for you”, and “Not that there’s anything wrong with that” have invaded the lexicon and endured. What made this show work, however, was no mystery at all. It was a smart cast put in situations that were character chemistry magic. So many shows attempt to create bizarre complicated scenarios, when it turns out the mundane is funny after all. What makes these guys funny isn’t the situations they are placed in, but their reactions to them. This show proved you can take characters like this and put them anywhere and they’ll be funny.
