Posted in: Disc Reviews by Gino Sassani on December 20th, 2006
A twisted twist on the zombie genre. Dellamorte (Everett) is a watchman of sorts over a small village cemetery. The problem is not so much with folks breaking in as with the dead breaking out. In this neck of the woods the dead arise within 7 days of their death. A simple shot in the head solves the rather pesky problem; however, it requires a certain amount of vigilance. Now so far none of this is terribly original at all. Things begin to change when Dellamorte becomes infatuated with a mourning widow. Their escapades at her husband’s grave literally wake the dead. Her deceased hubby’s attack leaves her apparently dead, and of course needing to be placed in a more permanent position by Dellamorte and his revolver. That might be that, as they say. It appears you can’t keep a good gal down, and the woman begins to reappear in many guises throughout the film. Here things get quite confusing, and it’s hard to determine how much of this is actually taking place. The film’s climax further complicates the question.
The film’s original title is Dellamorte Dellamore. If you are at all squeamish about in your face necrophilia, this one will make you quite antsy. Apparently you can really have a blast if you can keep your head about you. Francois Hadji – Lazaro steals the show in his role of Gnaghi, the Curley Howard-like mute but faithful sidekick with a head for romance. Anna Falchi plays the object of desire with skills more physical than not. The film utilizes a narrative style which never really captures the action. Perhaps the translation from Italian leaves holes not originally intended. While the film is originally an Italian film, many of the actors are obviously talking in English. It isn’t hard to conceive that Cemetery Man might have been some inspiration for Tim Burton’s Corpse Bride. Many of the visuals are starkly familiar. The theme is certainly rather similar. The zombie effects themselves are not terribly original, but many of the images are fresh takes on an old theme. With the help of clever set design, the atmosphere of the film is accomplished throughout. The film manages to be a black comedy while still satisfying the horror fan as well.
Posted in: Disc Reviews by Archive Authors on December 19th, 2006
Spike TV has really picked up steam in recent years, and this momentum is nowhere more apparent than in their staple show MXC – Most Extreme Elimination Challenge. Now on DVD with the complete first season, fans of the show and adventurous new viewers are sure to enjoy the antics and wisecracks of hosts “Kenny” and “Vic,” who provide commentary on each episode of insane Asian people sacrificing their bodies for the thrill of being on television. Of course, the American voiceovers of MXC are all added ...ost-facto. But the original show – “Takeshi’s Castle” – is not short on the crazies itself, as we see from this collection’s bonus materials.
I’m not sure how necessary owning these 13 episodes on DVD is, but to each his own. I am content to watch on Spike TV late night, but I will admit, some of Kenny’s most painful eliminations are worth multiple viewings. If you like to see people in pain but not to the point of death, then this What’s Up, Tiger Lily game-show knock off is for you. Just be careful, and, above all, “Don’t Get Eliminated!”
Posted in: Disc Reviews by Archive Authors on December 16th, 2006
Maybe you guys don't remember the Blake Edwards romantic comedies of the '70s and '80s like 10 or even Skin Deep, but I'd even go so far as to say that when it clicks, The Oh in Ohio is much in the same vein of those comedies. Anyone notice the disclaimer?
Anyway for those that missed it, Priscilla Chase (Parker Posey, Superman Returns) is a successful businesswoman in Cleveland who is married to Jack (Paul Rudd, Anchorman), a high school teacher in the area. They've been married for awhile, but the marriage is cold and distant, in large part because Priscilla has problems, well, "arriving", when she sleeps with Jack. Jack thinks the problem is his, even though it isn't.
Posted in: Disc Reviews by Archive Authors on December 15th, 2006
Why is it that kids watch so much bad programming? When I was a child I watched a lot of Full House, even though I knew at the time that it was a poorly-crafted program. I really don't remember ever laughing during an episode, and I knew how cheesy the whole thing was, yet if I was at home changing channels, and the show came on, I would inexplicably stop and watch. At first, I think it was confusing for me that Dave Coulier was on the show, as up until that point I was used to seeing him as the host of Nickel...deon's Out of Control. I think that was the first time that it really sunk in for me that the people on TV were actors, and not real people.
Season Five catches the show's eight-season run during its "prime". The season starts off with Uncle Jessie and his wife Becky finding out that they are going to have twins. This is an event that really marks the beginning of the end of this show for me. The episodes leading up to this point put the focus on Bob Saget and his daughters, while this season starts the transition to spending much more time with the supporting characters. Subsequent seasons saw the characters growing in increasingly different directions, and the whole mess just became more and more disjointed. While this opened up new storytelling options for the writers, it also changed the show's core dynamic. The same could be said for the final couple of seasons of this show's thematic forerunner, Growing Pains. Once Mike Seaver became a responsible adult, the show had strayed too far from what made it appealing to audiences in the first place.
Posted in: Disc Reviews by Gino Sassani on December 13th, 2006
Paul McCartney is a great example of what Darwin meant by survival of the fittest. No one in the music business has learned to adapt and thrive like Paul McCartney. The term timeless has been applied so often to so many performers that it might have lost any meaning. Still, if anyone deserves that description, it is Paul McCartney. With The Beatles he helped define the 60’s and reinvent Rock and Roll. In the 1970’s and 80’s he continued the hits with Paul McCartney and Wings. When Wings finally disappeared into the midnight sky, McCartney was still at it as a solo artist. Certainly, McCartney albums are fewer and far longer between. Still, each new release is an exercise in quality. Even when I don’t care for a particular McCartney song, it’s easy to hear the work that went into each note.
The Space Within US is a wonderful showcase for this ageless Beatle. At 65 years of age, he doesn’t seem to show any of it. He might not be quite as energetic as he was, but all of the passion and energy is still in the music itself. McCartney gets to wake up the astronauts aboard the International Space Station with a cut from his latest CD. (Talk about being up in the nosebleed section.) Even though I live in Tampa which was the second stop of the tour, I missed the show. Turns out Paul missed a hole in the stage and fell straight through. Fortunately he was unharmed, and the show, as they say, went on. I did catch McCartney here during the Trip The Lights Fantastic Tour, and it was one of the best I’ve seen. Only Elton John has put on a better one that I’ve seen. This concert film catches the show with a huge number of cameras and wonderful sound. I do wish the documentary material wouldn’t interrupt the concert. At least give us the ability to watch the performance uninterrupted. Some of the inserts are nice trips down memory lane or touching interviews with Paul himself. Some of it horribly detracts from the music. Do I really care what Bill Clinton has to say about McCartney?
Posted in: Disc Reviews by Archive Authors on December 8th, 2006
Synopsis
Hooray for Donald Bellisario and his decision to create prime time television shows with various branches of the armed forces! But in this case, NCIS takes advantage of the craze of all the CSI related shows that have sprouted up over the last several years. But with various jump cuts and clips of music that are interspersed with it, it’s still hard to make the distinction.
Posted in: Disc Reviews by David Annandale on December 8th, 2006
This is an interesting package, in that the title feature could just as easily pass as an extended extra to accompany all the shorts here. At any rate, said feature is a 104-minute documentary/autobiography. Don Glut has been successively fan, amateur filmmaker, writer and pro, and most of the film consists of him sitting in front of the camera, recounting his amateur days. Interspersed are brief interview with his mother, friends, and other notable fans/historians such as Bob Burns and Bill Warren, as well as clips from the films. Glut still has a great many of the props he used as a kid, which is astonishing. The style of the doc is very simple, and this probably won’t have too much appeal beyond, well, the same kind of people as this feature is about. But for anyone who ever read an issue of Famous Monsters of Filmland, this will bring a nostalgic tear to your eye. It also makes an excellent companion piece to Monster Kid Memories Home Movies.
Audio
Posted in: Disc Reviews by David Annandale on December 4th, 2006
Four discs of Irving Klaw's 8mm films from the fifties: 270 minutes of material, which is astounding, given that all this was supposed to have been destroyed. The discs are distinguished by theme: "The Bettie Page Films," "The Wrestling Films,""The Fetish Films," and "The Dance Films." The titles are self-explanatory, and a synopsis is, of course, utterly beside the point. These are short films featuring women parading around in heels and hose, fetish gear, and wrestling while got up in sam. These are not great art, by any stretch of the imagination. But they DID stretch the popular imagination. The rating I've assigned reflects the cultural impact of Kaw's work, which continues to be felt to this day. This is an important collection.Audio
Cult epics has jazzed up the presentation by adding soundtracks of 1950's style music to the shorts: lounge, jazz swing and big band are the offerings, and they add a great deal of fun to the proceedings. The 2.0 mix treats the music well, and the bass lines are very solid. This is, of course, the only sound, and it is a very nice touch.
Posted in: Disc Reviews by Archive Authors on December 1st, 2006
Ah, good old 1990 � such an important year in our history. The Soviet Union was in a state of social and political upheaval, David Robinson had just taken the professional basketball world by storm, and I was hatching plans for my first double-digits birthday.
Oh yeah, and Beverly Hills, 90210 hit the airwaves for its inaugural season. Obviously, at the time I was a bit young to have been interested in this teen soap opera, so watching this first season DVD set has not be full of reminiscence for me.Instead, it�s been like discovering for the first time what 1990 could have been like, had I been a beautiful, spoiled-rich teen living in Beverly Hills, as opposed to a chubby, pre-pubescent boy residing in the Arctic � er, Canada.
Posted in: Disc Reviews by Gino Sassani on November 29th, 2006
The first full season of Kelley’s “The Practice” spin-off was somewhat abbreviated. It was also a time to introduce us to the firm and new cast of characters. As is Kelley’s trademark style, we were sure of one thing. These characters would be quirky with enough of a touch of reality to keep them interesting. So as his flagship series faded away into production problems and slipping ratings, Boston Legal erupts like a phoenix from the ashes of certain death. Now as popular or more so than The Practice, Boston Legal...hits our DVD shelves for season 2. This set contains a whopping 27 episodes, which includes several originally produced for season 1. There is an awkward beginning to this season, as cast changes don’t kick in for a handful of episodes. Once the season finds its legs, however, it is better than ever.
Most of the action surrounds friends Alan Shore (Spader) and senior partner Denny Crane (Shatner). From the very beginning this coupling has been character chemistry at its best and perhaps drives the entire show. I say this because even the weakest and most outrageous stories are somehow worth watching just for the Shore/Crane antics. Shatner has certainly enjoyed a rebirth of his own with this role. The supporting cast is also very strong. Fellow Trek alumnus Rene Auberjonois plays senior partner Paul Lewiston and Candice Bergen is senior partner Shirley Schmidt. Both seem to exist only as foils for Shore and Crane. Leaving the series by the 5th episode are Rhona Mitra’s Tara and Monica Potter’s Lori. Lake Bell’s Sally left earlier to pursue sea monsters in the doomed NBC series Surface. The combination of laughs and drama continue. In spite of the often over the top Democratic rhetoric and Republican demonizing, the show offers plenty of entertainment no matter what your own philosophies. Still, Kelley just can’t seem to help himself, and when the show suffers, this is often where the weak link lies.
