Dolby Digital 2.0 (English)

Synopsis

Well, Mark Dancer’s review of Season Two of Bridezillas pretty much echoes my general thoughts on the show. Now, for those of you who haven’t read his review, go there. Come back, and see what I do with it.

Now again, I basically agree with Mark’s comments. Bridezillas is another in a growing list of shows featuring women (or young girls, as is the case with MTV’s Sweet Sixteen) that are either in upper-middle class relationships or in a very safe position in life tha...

Synopsis

In 1930, the animation department at Warner creates three characters: the Warner Brothers and their sister, Dot. The siblings run riot, however, and are finally caught and imprisoned in the Warner water tower. Flash-forward to today, when they escape to once more wreak havoc.

From the opening song and credit sequence (which echoes The Bugs Bunny Road Runner Hour) on, this is an affectionate look back to the golden age of the Warner Looney Tunes, and mixes postmodern humour w...

Synopsis

I’m probably one of the few remaining “critics” that wasn’t familiar with the Showtime original series Weeds, and when Mary-Louise Parker (Fried Green Tomatoes) won a Golden Globe for Best Actress, like some other people who haven’t seen it, my response was “what the hell for?”

As it turns out, her win is not only well deserved, but openly makes me question the Academy of Television Arts and Sciences for not nominating her for a Best Actress Emmy. She plays Nancy Botwin, a h...

Synopsis

There are a lot of surprising things that I was not aware of about when it came to Tales From the Crypt. Not only is this the fourth season that I’m reviewing, but there were a couple more seasons on top of everything else. Now granted, the show’s executive producers have a bit of a good pedigree. There’s Richard Donner (16 Blocks), Walter Hill (Aliens), Robert Zemeckis (Back to the Future), Joel Silver (The Matrix) and David Giler (Myra Breckenridge).

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This is a really odd idea for a DVD release. In Bill Maher's HBO television show, Real Time with Bill Maher, he does a short segment called New Rules. This segment is mostly made up of one-liner jokes that take shots at celebrities and the Bush administration. Each segment runs less than a minute, and this disc contains every one of them from the show's three seasons.

The jokes themselves are funny enough, but my big complaint is that this entire disc just plays like one big overblown special feature.

Blue Collar TV is essentially a perfect balance between Hee Haw and The Man Show. As with all sketch comedy shows, some of the skits are very funny, and some of them never really go anywhere. The Blue Collar team of Jeff Foxworthy, Larry the Cable Guy and Bill Engvall have hedged their bets, however, by adding in some stand-up bits, and the occasional musical guest. This means that the average half-hour show might only have two or three skits in it, so the odds of those skits being funny are pretty good.

Synopsis

For the longest time, Dennis Miller was known as the guy who could subreference unlike any other comedian, with tactical precision and timing long before anyone had heard of the Gilmore Girls. While some of the material may have been a bit redundant, he certainly put a spin to it unlike any other.

Then the events of September 11 happened, and the predominant opinion is that Miller went for smart comic (and a failed stint on Monday Night Football) to a Fox News loving, Democratic/liberal l...

Synopsis

Starting in 1937, Peter Lorre starred in a series of eight films about the Japanese detective. In this set are the first, second, fourth and fifth in the franchise. WWII put an end, of course to a series with a Japanese hero played by a German-speaking actor. Whatever one might think of racist stereotypes (and it is best, in viewing such films, to try not to think of them at all), these are enormously entertaining programmers.

Think Fast, Mr. Moto (1937) introduces us to Ken...

The truth may never come out as to why HBO cancelled Carnivale after the show's second season. They claim that it was a combination of decreased ratings and rising production costs equaling $2 million an episode. What doesn't make sense, however, is that the network also admits that they received as many as 50,000 emails in a single weekend following the cancellation announcement. The facts also show that they followed up this show that was “too expensive to be profitable” with Rome, a show that has been widely recognized as the most expensive television series ever produced.

Stan Lee and Jack Kirby have created some of the most iconic superheroes of our time. Marvel Comics brought us such great names like Spiderman, X-Men, Iron Man, and of course, The Incredible Hulk. Now, television has had a jaded history with comic superheroes as series material. A bad Spiderman and Captain America set of episodes are good examples. The Incredible Hulk is one of the exceptions. Why? Mostly because the series was less about super heroics and more about human drama. The Fugitive style set-up gives the writers the entire country to play with.