Posted in: Disc Reviews by Archive Authors on August 20th, 2006
Synopsis
So when you’re the head of Fox prime time programming, and you’ve got a television staple like The Simpsons on your Sunday night lineup, and Arrested Development wins the Best Comedy Series Emmy in its first season, what do you do? Well you callously trim the order of episodes from 22 to 18, put The Simpsons as its lead-in without a lot of fanfare, and almost even more egregiously barely hype guest appearances by well-established comic performers like Julia Louis-Dreyfus (Se...
Posted in: Disc Reviews by Archive Authors on August 19th, 2006
Clearly, I am in the minority when it comes to Veronica Mars. Reviewers go on and on about the sharp writing on this show, but I just don't see it. With character names like “Beaver”, “Butters”, “Weevil” and my favorite, “Dick Casablancas”, this is a show where the writing is actually one of the things that is wrong with this show. (And yes, Beaver and Dick are friends. How's that for creativity?) The character of Wallace is an African American stereotype that is embarrassing, and stinks of what old while people think young black men are like.
Posted in: Disc Reviews by Archive Authors on August 17th, 2006
Road House is macaroni and cheese for a lot of movie goers that are over 27 years of age. Released in 1989, the movie chronicles the life of James Dalton (Patrick Swayze, Ghost), a “cooler” at a local bar, who is offered a huge sum of money to help a bar owner named Frank Tilghman (Kevin Tighe, Mumford) get his place called the “Double Deuce” back on its feet. A cooler for lack of a better explanation is a bouncer who helps diffuse situations before they blow up into brawls.
Posted in: Disc Reviews by Archive Authors on August 16th, 2006
If you ask me, what sitcoms need are fewer contrivances and more realistic humor. That's what made Seinfeld so brilliant. As horrible as those people were, the sad truth is that all of us have a little bit of that twisted humor lurking within us. That's just the kind of thing that happens with The Worst Week of My Life. This amazingly funny BBC series lasts just seven episodes, but I guess that should be expected judging from the show's title. The names of the episodes themselves are “Sunday”, “Monday”, “Tuesday” and so on. By the end of the season, viewers have been treated to what is often-times the worst week of many people's lives.
Posted in: Disc Reviews by Archive Authors on August 15th, 2006
There is a little more Tracey to go around with Tracey Takes On: The Complete Second Season, so fans of the show shouldn't be disappointed. However, I find her humor quaint and dry in an inescapably British way. No one can deny her talent. But it's hard to like a show when none of the laughs are connecting. Of course, humor - like beauty - is certainly in the eye of the beholder. With that said, I am not one of the lucky ones that can look at this raw oyster of a show and see the pearl. This season, Ullman inc...
Posted in: Disc Reviews by Archive Authors on August 14th, 2006
Today, anyone with a credit card and some free time can make a movie. But that doesn't mean it's always a good thing. Case in point is Kisses and Caroms, which sports a massive hard-on for Kevin Smith’s Clerks (it’s Clerks in a billiards store. Brilliant!), but its characters, dialogue and location fail to be funny or engaging. For one, how many oddball customers can a billiards store receive in one day? In Clerks, it was believable, since people from all walks of life need what is readily...
Posted in: Disc Reviews by Archive Authors on August 11th, 2006
I think the fact that Invasion only ran for one season is more of a result of circumstance than anything else. The series starts with a very large hurricane hitting Florida, and the rest of the season dramatizes the aftermath of such a tragic event. Unfortunately, the series made its debut right after the real life hurricane Katrina wiped out much of Louisiana, Alabama and Mississippi. With the 24-hour coverage of the real-life disaster plastered all over the airwaves, audiences just didn't feel much like unwinding with a dramatization of the very same experience.
Posted in: Disc Reviews by Gino Sassani on August 10th, 2006
Ren and Stimpy was a wonderful throwback to the golden days at Warner. Embracing the charm and animation style of the early Warner greats John K (Kricfalusi) managed to work in his own rather twisted humor and create an endearing cartoon. For those of you who wish to remember Ren and Stimpy this way, I warn you, DO NOT buy this collection. In case you don’t know the story: John K left his creation after about a year and a half at the Nickelodeon Network. It seems his more adult themed ideas were not so in tune wi...
Posted in: Disc Reviews by Archive Authors on August 10th, 2006
Tell me if you've heard this one before... a high school girl is not allowed to join a certain club because it is boys only, so she dresses up like a (transvestite) boy to sneak into the club and prove that she has girl power!
Seriously, how many times can Hollywood make the exact same movie, before somebody sues somebody for copyright infringement? I understand the argument that each new generation of teens will pay big bucks to see the same crappy movie that has been made every couple of years for generations, but come on.
Posted in: Disc Reviews by Archive Authors on August 8th, 2006
Synopsis
Here we go again. Punky Brewster (Soleil Moon Frye) is pretty comfortably ensconced in the home of Henry Warnimont (George Gaynes) now. The season follows Punky through the usual round of problems at school, with friends, with boys, and so on. Will she do her homework and get to a rock concert? We await the answer on the edge of our seats. Frye is a few years older now, and so is moving from precocious youngster to tiresome tween. Lessons are learned in the most painfully didactic and mundan...
