Posted in: Disc Reviews by Archive Authors on March 19th, 2006
Synopsis
Sometimes Disney will release a film that provides feelings of nostalgia to a lot of people. And other times they release shows onto DVD that make me realize just how old I am. When Disney’s Goof Troop was released onto DVD, my wife said the most horrible thing I’ve heard her say so far: “I used to watch that show growing up.” Keeping in mind that Goof Troop aired from 1992-1993, that statement probably says more about her than it does me, it still didn’t make me feel good. For God’s...sake, I was of drinking age when this aired!
Posted in: Disc Reviews by Archive Authors on March 11th, 2006
Synopsis
First off, I never would have thought that a Comedy Central TV show featuring animated eight-year olds who curse like I used to (I still do, who am I kidding?), is transformed into a 94 minute movie with abundant musical numbers and (gasp!) an Oscar-nominated song performed by Robin Williams at said awards ceremony. Creators Trey Parker and Matt Stone created a dazzling, hilarious, and unpredictable movie, filled with musical numbers, and vocal cameos from George Clooney, Dave Foley and Eric Idle, ...o name a few.
Posted in: Disc Reviews by Gino Sassani on March 9th, 2006
In its first year NYPD Blue succeeded through controversy. Language and partial nudity was pretty much all the critics were talking about. Season two brought “the test”. Could the show survive a major cast loss with David Caruso’s well publicized split from the show? Season three, however, is when it all came together. It’s so much fun watching a quality series hit its stride, that season when everything falls into place and we see for the first time that we could be in for a sweet ride.
The cop show ...as back in the 1990’s resurrected by the man who performed CPR on the genre in the 1980’s. With NYPD Blue we realize that Hill Street Blues wasn’t a fluke. Jimmy Smits was far more compelling than Caruso could be on his best day. The writers were beginning to find deep emotional material here. The season’s many rich themes included alcoholism, with not only Sipowitz but the newly formed Russell character. This seems to be a common theme for Steven Bochco. Every one of his shows have featured at least one alcoholic. Andy gets a fresh shot at fatherhood. One of the most compelling arcs has been the Andy/Andy Jr. arc. The tragic death of his son and the birth of a new son were huge stories in this season. Overall the characters are challenged both professionally and personally. The show’s documentary-like filming remains. This is the point when NYPD Blue finally took shape. We haven’t looked back yet, until now.
Posted in: Disc Reviews by Archive Authors on March 9th, 2006
Michael Ontkean and Kate Jackson play a married couple dealing with the ramifications of the husband's newly discovered homosexual behavior. Right off, I'll say these two seem too happy from the beginning to make the sudden turn believable. Also, the ending [SPOILER ALERT, kind of] is too predictable and cliche to be the least little bit effective. The "I'm okay/You're okay" resolution, where everyone moves on and everyone's okay with who they are, and the world is once more a wonderful place, is pure Grade-A drivel ...hat simply got by with it at the time because it was one of the first movies to deal so openly with such a controversial topic.
With that said, the film's flaws really have nothing to do with its handling of the subject matter. Instead, it goes down - in flames - at the hands of two actors, who haven't learned a thing since they nabbed their first roles. Kate Jackson's wife is supposed to be a career woman, but she never stops whining and self-indulging into her own feelings long enough to step off your nerves and convince you she's any more than a cry-baby trophy wife. Harry Hamlin secured his rightful place in Lifetime movie hell with performances such as this one, where he's so convinced he's charming that all he really accomplishes is making the viewer want to punch him right in the mouth. As two-thirds of the triangle (Ontkean is actually quite good as the husband), the film was dead in the water, and nothing Arthur Hiller's direction could do was able to save it.
Posted in: Disc Reviews by Archive Authors on February 25th, 2006
Synopsis
I think that by revisiting Unbreakable, and looking at it outside of M. Night Shyamalan’s other films (The Sixth Sense and Signs), there’s actually a pretty good movie going on there. I mean, a movie that grossed $95 million domestically can’t be considered a failure, right? It did, however, do amazing overall numbers, the international totals brought the film up to a near $250 million gross. However, I guess when you put them up against Signs ($227 million domestic, $40... million worldwide) and The Sixth Sense ($293 million domestic, $672 fricken’ million worldwide), maybe it can be considered disappointing, but the film itself is pretty good.
Posted in: Disc Reviews by Archive Authors on February 24th, 2006
The death of a celebrity usually brings sadness to many of their fans. However, whenever a celebrity does die, you can definitely expect a best of or some type of collection to find its‘ way to your video store shelves as soon as possible. After Richard Pryor died in December, Universal decided to wait one short month before releasing this four disc movie collection which features four of Pryor’s films that he either starred in or had something to do with. While the film’s contained her are not the best work of Pryor...s (other studios have rights to those particular works), the film’s Universal chose are pretty entertaining and remind us of the genius that Pryor was.
First up is the film Which Way is Up? which is re-make of the 1972 Italian comedy The Seduction of Mimi. The Italian version concerns the mob, but this version concerns Corporations and Labor Unions, where the workers at an orange-picking field want to form a union to ensure better and less-dangerous working conditions. Pryor steps up the plate when he falls off his ladder one day. Pryor is asked to leave the town by the big bosses at the orange corporation. This causes him to move to the city, fall in love with a union supporter, and funny comedy simply ensues. While the comedy presented is nothing that will have you laughing on the floor, it did have me similing many times simply because the type of comedy is something we can all relate to. The comedy is about human beings and their life lessons through family and work.
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2006
The film’s prologue informs us that the sport of sculling captured the nation’s attention long before baseball or football came along. We’re told that this activity created a national obsession with much the same pitfalls of modern sports. Somehow I can’t imagine, in this age of sports bars and ESPN, that rowing would demand the attention this boast assumes. I don’t remember my grandfather or great grandfather for that matter reminiscing about some great rowing move he witnessed with his dad as a child. The film al...o reports that the events are based on the true story of rowing legend Ned Hanlon. If any of this is true, it appears the more things change the more they truly do remain the same. The same slimy agents and event fixing have been represented as well as the heroes who came from nothing.
The film is an obscure 1986 effort, notable only as an early role for Nicolas Cage. He wears the part well. In fact, the film features a rather fine cast that includes Christopher Plummer and David Naughton in fitting roles. The real problem is, there isn’t all that much to work with here. None of the parts allows the fine acting to be showcased. The film uses too much time with rowing scenes that offer no variety from one to another. There’s a reason rowing doesn’t command huge network contracts or even much cable coverage. It might be very exciting to participate in these events, but there is nothing at all engaging as an observer. The plot is familiar: Unlikely hero battles incredible odds and triumphs in the big event. Still there is no eye of the tiger here. More like eye of the tiger beetle. An inspiring story with no inspiration.
Posted in: Disc Reviews by Archive Authors on February 21st, 2006
David Lynch's Dune has an extremely odd past, which some might say is just how David Lynch likes it. This cult classic came out in 1984 to the joy of sci-fi fans everywhere. Some time after the film's release, the studio tried to get Lynch to take all of the extra footage that he had shot for the film, and re-cut the product into an extended TV-appropriate film. Lynch refused, but since the studio already owned the footage, they went ahead and cut it together themselves. The result is an "Alan Smithee" directe... version of Dune. (For those that may not know, "Alan Smithee" is a pseudonym often given to films that directors want to totally remove their names from, as a result of their films being re-cut by the studio against their wishes. A search for Alan Smithee on IMDB is a fascinating and often-times humorous look at what happens when the "business types" get involved in the creative process.)
Lynch further expressed his displeasure with this new cut of the film by crediting the screenwriter as "Judas Booth", a cross between the Judas from the bible who betrayed Jesus, and John Wilkes Booth, who assassinated Abraham Lincoln. In this way, Lynch made the statement that the studio had betrayed him and killed his film.
Posted in: Disc Reviews by Archive Authors on February 19th, 2006
Riding on the coattails of the successful and acclaimed film Ray comes the life story of Johnny Cash. Walk the Line, adapted from the novel The Man in Black, places Joaquin Phoenix in the role of the legendary country singer. Similarly to Ray, Walk the Line has garnished critical acclaim for both the film (which was a surprise omission in the Best Picture category at the Oscars) and the lead roles of Phoenix and Witherspoon (both of whom won best actor/actress and the Golden Globe..., and are nominated at the Oscars).
More then the music, this film focuses on the downward spiraling emotional state of Cash, and his addiction to drugs to try to constrain his inner demons. The story starts with a glimpse into Cash’s childhood where we see a strong bond with his brother and meet his emotionally abusive father. After his brothers accidental death, and the emotional scaring his father puts him through, we fast forward to Johnny’s moving away from home.
Posted in: Disc Reviews by Archive Authors on February 14th, 2006
Disney's Valiant is a film by the producers of Shrek, but it is certainly not up to the same caliber of filmmaking. Still, it has a certain charm despite its rather obvious humor. Also, the animation is excellent. Children are sure to love this story of a young pigeon named Valiant, who wants to join the Allied Forces in the fight during World War II. He's a cute little guy, but he's too small to reach his lofty aspirations... or so all those close to him say. But when every squad of carrier pigeons is ...iped out by the evil Falcons, Valiant and his friends - a team of incompetent, but lovable birds - set out on a quest for adventure that will change the course of the war.
The film is rather lightweight. But then, it's meant to be. There isn't anything remarkable enough to bestow classic status on Valiant, but it's an enjoyable time-waster for the kids. Some of the bodily function humor goes close to overboard, but the film manages to never overstep its G-rated bounds. While it's all pretty formulaic, the concept and voice work (including Ewan McGregor, John Cleese, Hugh Laurie, and Tim Curry - as the evil Von Talon) raises the bar, though much of the material falls short. Unlike its pint-sized star, Valiant will not be achieving any great heights in the near future, but it will keep your little ones occupied and even inspire a chuckle or two.
