Posted in: Disc Reviews by Gino Sassani on April 17th, 2006
Can good acting make a film? Quite often it can. Dirty is a prime example of a film ending up better than it deserves to be by the powerful performance of a few good actors. Amando Sancho (Collins, Jr.) is an ex-gang kid from the mean streets of L.A. He thinks his street smarts and credibility can be an asset on the police force. Unfortunately we will never know, because he is partnered with corrupt cop Salim Adel (Gooding, Jr.). Both appear to require abject lessons in morality and loyalty, lessons that come too...late to be of any true value.
To say this is a disturbing film is putting it quite mildly. If you are at all sensitive to racial epithets being thrown about in casual fashion, this is not a film you want to view. If the depiction of cops as basically all corrupt with a few good eggs is offensive, this film will offend. It is a tragedy that the entire force is portrayed in these negative terms. We get no indication that there’s a clean cop in the film. This film is not so much about doing what’s right or not. The real question here is what is right or wrong. This is a gritty, stark world that reminds us in many ways of Vic Mackey and the Shield’s hopeless universe. The stark difference is that Adel has no respect for anyone. There is no distinction between the good guys and the bad guys. Mackey, at least, appears to believe he’s doing good. Adel simply doesn’t care. On the other hand, Sancho is more swept up with events. He aware of the ghosts that this kind of a life creates. This “day in the life” tale is all about the lack of redemption. I found it to be a pessimistic, dim view of society. While some might claim that perhaps this is reality at its core, what value is a film that has no hope at all? What good is a morality tale if there is no moral? The film is entirely too self-indulgent and a waste of some fine actors.
Posted in: Disc Reviews by Archive Authors on April 13th, 2006
Certainly a surprise upon its initial release, Deuce Bigalow: Male Gigolo exceeded so many box office expectations a sequel was inevitable. From what I've heard, European Gigolo represents everything wrong with movies today; however, I did not let that abysmal word-of-mouth prevent me from giving the first installment a chance. Unfortunately, after viewing the original, I can't see how the sequel could be any worse.
This film has its share of supporters, and I can't really come down on anyone ...or personal taste. I can only gauge the film as a comedy based on how often it broke me down to laughter. I can honestly say the only chuckle derived from me was during the scene that involves the young lady and Deuce at a baseball game - hardly enough of an impact, however, to recommend this film to the uninitiated. Most of the "laughs" retread territory already ventured by both superior comedies (or, the equally crappy). Watch it if you dare - just, for Pete's sake - don't buy it.
Posted in: Disc Reviews by Archive Authors on April 11th, 2006
It’s rather stunning to discover that My Neighbor Totoro was made way back in 1988, long before the days of CG and all automatic illustration. And perhaps that animation does detract from the overall experience from the film, but if that’s the only reason that it would be a problem, then people simply need to get their taste in order.
In another film from legendary Japanese film director Hayao Miyazaki (who made the Oscar-winning film Spirited Away), the film follows sisters Mei and Satsuki, w...o move with their father to the countryside, to spend more time with their mother. They do some exploring and encounter Totoro, a mystical being in the woods that can only be seen by children. Totoro helps the children experience a world of wonder that they never would have previously seen.
Posted in: Disc Reviews by David Annandale on April 6th, 2006
Synopsis
Roy Scheider is the police helicopter pilot and Vietnam war vet (cue flashbacks) who is tapped to test Blue Thunder, a new helicopter equipped with every conceivable weapon and means of surveillance. He discovers that the machine is at the heart of a conspiracy to undermine all that is good and free, and chief bad guy here is Malcolm McDowell, for whom Scheider has a more than cordial dislike thanks to what happened back in 'Nam. The stage is set for high-tech showdown in the skies over LA..../p>
Posted in: Disc Reviews by Gino Sassani on April 5th, 2006
Let me admit straight away, I generally do not watch very many foreign films with subtitles. If a film is not dubbed in English, I generally pass. It’s not for a lack of tolerance. When I watch a film, I immerse myself into what I’m seeing. Films are total escapist fun. I experience a film more than view it. Having to read the dialogue denies me the ability to experience rather than watch the film. I also find that while I am busy reading subs I will tend to miss some of the film’s subtleties, which are quite important to me. In Gamblers, there is the added liability of dual languages. There is a prominent Asian element to this film. It took me too long to realize that more than one language was being spoken and that some of the characters could not understand others. The subs are presented with no distinction as to who is speaking or what language they are speaking. OK. End of disclosure.
As far as I could make out, Gamblers involves a territorial street gang that is somewhere between the mob and the IRA. In typical “Bloods” vs. “Crips” style, there is a reasonable amount of mayhem between two of these street gangs. Unfortunately we are never brought into the workings of either gang, and the violence appears simply as a result of one Asian boy’s love for an Asian girl. To add to the silliness of the whole premise, the violence results simply because Juen is bothering the girl while she is supposed to be working. A series of inexplicable romantic relationships is never fleshed out enough for us to care. Unless something serious was lost in translation, the dialogue is very simple tripe. An entire romantic conversation seems to be about nothing but another man’s penis. Fortunately much of the music is in English.
Posted in: Disc Reviews by David Annandale on March 28th, 2006
Synopsis
Clive Owen is a man approaching the end of his tether. His marriage is becoming stagnant, his job at an advertising firm is no better, and he is worried about his daughter, who has type 1 diabetes. He and his wife have set aside a lot of money to pay for an experimental drug for her. One day, on a train, he meets Jennifer Aniston. A friendship is sparked, and then an affair begins, only to be violently disrupted by Vincent Cassel. He brutalizes both, and begins to blackmail Owen for ever-inc...easing sums of money.
Posted in: Disc Reviews by David Annandale on March 27th, 2006
Synopsis
We begin with an ending: the final collapse of the marriage between Jeff Daniels and Laura Linney. He is a formerly renowned author who now can’t get himself arrested, let alone published. She is suddenly coming in to her own as a writer. He is pathologically self-obsessed. She is deeply insecure. Together, they spell bad news for their two sons, 16-year-old Jesse Eisenberg and 12-year-old Owen Kline. Both parents are a bit of a mess, but daddy is easily the worst offender, and is an absolut...ly poisonous influence on Eisenberg, who worships his father and viciously blames his mother for the split-up. What follows is primarily Eisenberg’s coming of age, where he must learn to see both of his parents (and, for that matter, himself) with real honesty.
Posted in: Disc Reviews by David Annandale on March 24th, 2006
Synopsis
French nuclear testing (?!) in the Pacific leads to the mutation of iguanas (!?), and giant one makes its way to New York to nest. Scientist Matthew Broderick hooks up with old-flame TV journalist Maria Pitillo and French secret service guy Jean Reno to try to stop the rampage.
Posted in: Disc Reviews by Archive Authors on March 24th, 2006
After the transformation of the Harry Potter and The Lord of the Rings books into hugely successful films, it was only a matter of time before someone decided to tackle C.S. Lewis’s famous novels The Chronicles of Narnia. Both of the aforementioned books into movies were excellent because, even though they didn’t include every little detail presented in the novels, fans still embraced the films for what they were. They brought a majority of the presented themes and ideas in the books and showed u... them in a live action manner via the film. Similar to the seven part Harry Potter series, would it be possible for the classic seven part Narnia series to have a successful transformation into film?
Both C.S. Lewis, author of the famed Narnia books, and J.R.R. Tolkien, famed author of the Rings books, were said to have been friends who taught at Oxford at exactly the same time. They both enjoyed smoking pipe, drinking in the same pub, taking Christianity seriously, and writing. Lewis loved Tolkein’s style of writing and the universe he created for the Rings books, but Tolkein never seemed to return the same affection to Lewis’s Narnia books. Many say this is because Tolkein actually created a vast universe for his novels, while Lewis just used his native country as the setting.
Posted in: Disc Reviews by Archive Authors on March 19th, 2006
The genre of Thrillers and Suspense are usually categorized by types of films that the viewer watches and then wonders what they just watched. Films like Memento and The Machinist are prime examples of this. Both films, after many viewings, are excellent films solely because they require that the viewer think of each scene with careful scrutiny making note of each and everything on the screen. Both films end with the type of ending that doesn’t necessarily satisfy on the first viewing, but ultimately sa...isfies after many viewings. Add the film Stay to this list of films.
Henry Lethem (Ryan Gosling) is an art student at a university who plays to kill himself in three days, that is unless his psychiatrist Sam Foster (Ewan McGregor) can figure him out to stop his plan. Foster soon learns that Lethem is starting to hear voices, voices that are telling him to do things. But the enjoyment for Foster doesn’t end here as Lethem starts experiencing horrifying visions of pain. Lethem seems to be able to see the future at least as he knows everything that is going to occur a bit before it does. When Foster asks if they’ll meet again when Lethem informs him that he’ll kill himself, he declares “Yeah, there’s still three more days’. While the concept of seeing into the future before your ‘death’ is nothing new, I always find it to be interesting how every movie plays this angle out.
