Dolby Digital 2.0 (French)

"When you give up your dream, you die."

Jennifer Beals and Michael Nouri star in Flashdance, a misguided, but highly entertaining piece of nostalgia from director Adrian Lyne (Fatal Attraction).

A lot has happened since its 1983 release. Still, it’s hard to imagine anyone that grew up in or around the eighties has escaped the iconic image of Beals in her cutoff gray sweatshirt, long legs bared for the world to see. Harder to imagine is people exist who could have made it their whole lives without hearing at least one song from the amazing (for the times) soundtrack.

There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello. Both teams were at the height of their careers when a drug overdose would claim the wilder member of the team. Both of the deceased comedians left behind at least one successful brother to carry on the name in show business. Tommy Boy was by far the best of the films this duo made before Farley’s tragic overdose in 1997.

Comedy movies can often bring together two or more separate groups of people. This can be groups among the races, culture, and even nations that have been feuding for years. It brings these groups a chance to laugh together, a chance to perhaps look over stereotypes and realize that people aren’t so different at all. You Don’t Mess With the Zohan while not meant to be taken seriously does bring together Israelis and Arabs into one picture. A picture where they can have a good time and hopefully everybody regardless of their race or creed can laugh right along with them.

Jack Black stars as a Panda named Po who works in his family’s noodle shop. His dreams, however, aren’t of noodles and broth, but of Kung Fu. He fantasizes of hanging out with the famous furious five, the living legends of Kung Fu. The five are made up of the actual animal poses in Kung Fu. You have Tigress (Jolie), Crane (Cross), Monkey (Chan), Mantis (Rogen), and Viper (Liu). Together they have been training with the Master Shifu (Hoffman). Under the guidance of Grand Master Oogway (Duk Kim) they are preparing for one of them to take on the mantle of Dragon Warrior.

Denys Arcand’s conclusion to the loose trilogy whose first two parts were The Decline of the American Empire and The Barbarian Invasions takes place in a near-future Quebec of soulless bureaucracy and nonexistent human relations. Our hero (Marck Labrèche) is a civil servant with a wife whose job leaves no time for him, two iPod-dependent teenage daughters, and a giant suburban house that is not a home. He retreats from his dead-end life into a series of fantasies which see him as hero, shiek, rock star, celebrated novelist, and so on, always with women rushing to have sex with him.

My earliest recollection of VCR’s was when I was just a little boy and my parents went down to the local TV shop and purchased a Zenith for about $600. At the time, it was a wondrous machine and I can still remember fondly my copies of Ghostbusters or Die Hard and how many times I would watch them. I didn’t care whether the tapes had a case or which edition of the tape I had. As long as it was the original movie and the tape wasn’t beat to heck I was a happy camper. Times change. I don’t think I own a single VHS tape that isn’t exercise related and my dvds, more than 400 of them are cataloged and cared for to the utmost degree. In truth, I sometimes miss the VHS days when things were simpler & films sold on the film alone, not on how many extras the dvd has or how fantastic the Dolby Digital 5.1 sound is. Be Kind Rewind goes back to that simpler time and gives a movie that is more about substance than the tiny snap case it comes contained in.

I don’t remember that much about Diva growing up; it was a film that I heard about as a kid, and a lot of people liked it, but that was the first time I can honestly say I was exposed to the arthouse film, and that it was something that I wanted to find out more about. Through the years, I’ve seen many a foreign or independent film, however the one that started all of it off for me I hadn’t seen, until now.

It’s not that these fantasy-epic films that feature a young child in the starring roles bore me, it goes to the larger notion that Hollywood will remake every child’s fantasy novel into some sort of cinematic product, so a buck or two can be made. For every Harry Potter, there’s a Golden Compass or even Spiderwick Chronicles. The well is rapidly running dry, and you needn’t look much further than The Seeker: The Dark is Rising, a film about a young lonely boy who finds himself in circumstances and an adventure beyond what he might initially suspect. Wait, doesn’t that sound like EVERY children’s movie lately?

Come on, admit it, you want to say that Hayden Christensen was the worst part if the latest trilogy of Star Wars films, and yeah, the guy did bring the suck, to be sure, but he wasn’t really that bad, right? Well yeah, he was, but he’s not the only thing wrong when it comes to Jumper, the latest film from writers David S. Goyer (The Dark Knight) and Jim Uhls (Fight Club), who adapted the Steven C. Gould novel. Directed by Doug Liman (The Bourne Identity), Jumper features Christensen as David Rice, a man who grows up with a genetic gift, the ability to ”jump” from place to place, Christensen’s performance was his first major role since transforming Darth Vader from an ominous, silently rueful and dominating presence, to a dude who thought his girl was cheating on him, so he started hanging out with a creepy old guy as a result.

A question to ponder before we head into this review. What do you get when you mix anime or japanese animation with a healthy dose of John Woo? Besides a ton of falling gun shell casing and cute characters performing acrobatics in the air while taking down a dozen bad guys? You get a movie that goes full speed for over a hundred minutes and makes you realize that this is truly the perfect avenue for John Woo and style of films. However, just don't expect there to be a completely solid story behind it.