Dolby Digital 2.0 (Spanish)

Tyler Perry, best known for Madea's Family Reunion, is responsible for yet another film in Lionsgate's line of movies about nice black people. In Daddy's Little Girls, the writer-director explores the conflict between the ghetto-class African Americans we've seen so much of in films and the black middle- and upper-class we haven't. While this aspect of the conflict is relatively fresh in cinema, what the premise really boils down to is an age-old tale of love between princess and pauper.

When his mother-in-law passes away, Monty (Idris Elba, The Gospel) is forced to take care of his three daughters full-time. While he loves them and has been supporting them faithfully their whole lives, Monty is also struggling financially and the burden may prove too much. The mother of his kids, Jennifer (Tasha Smith, The Whole Ten Yards), has been absent for years, preferring to live it up with her drug-dealer boyfriend, Joe (Gary Sturgis, Pride).

I still remember the first time I watched a Spawn animated episode. I was with my parents in my younger years on what I believe was the last vacation we ever took together. It was a hotel we were staying at which had HBO (I never had that channel growing up). I had read Spawn but didn't even know of the animated series. The fact it was late at night and on a premium movie channel meant it had to be good. I was simply blown away and remember telling my parents that we had to be back at the hotel to watch it again the next night. I remember that later I would procure used copies of the series. All beat up, in snapper cases, it didn't matter. I soon dumped those copies in a couple of years and hoped that it would get reissued in a nice box set. That time has come, Spawn has come home.

Spawn is Todd McFarlane's baby; his issue of defiance when he and a group of artists started Image Comics. Great art, compelling stories and no boundaries. Spawn was the story of Al Simmons who sold his soul to the demon Malebolgia so that he come back to avenge his death and be with his wife Wanda one more time. Problem was once that occurred he was to become an undead "hellspawn". So he fights that control constantly along with enemies from that conflict and those enemies in the human world that would bring him harm. He is not a superhero so much but the boogieman, a character that lives in the shadows and comes out at night to take care of business and then return to those same shadows by morning.

With the release of Fantastic 4: Rise of the Silver Surfer just around the corner, it’s no surprise to see the studio rolling out a double-dip of the first film. Fantastic 4 – Extended Edition revisits the film with an extra 20 minutes of footage, and a second disc full of special features. But is it a worthy acquisition for your collection?

First, a bit about the film for the uninitiated. This is the Fantastic Four’s origin story, including how they came to have their super powers, and who Dr... Doom, their first super-villain nemesis, was. And that’s enough about that.

Films about fantasy have always caught my eye. Even though most end up bordering on the top realm of pure stupidity, a majority of them succeed in what they intend to succeed in, that being pure entertainment. Fantasy films typically please audiences simply because they bring the audience into a world they know they’ll never travel to. Dragons, in particular, have always interested me possibly because they’re majestic creatures that seem so complex. I suppose that’s what makes Dragonheart as entertaining as it...is.

In May of 1996, Dragonheart was released into theaters. The funny thing was that I had not heard much about it until I saw a TV spot. At first I was amazed at the great special effects, especially when they announced “Sean Connery as Draco”. Instantly I was sold. I remember being somewhat disappointed after my first viewing as I guess I expected too much, as teasers are designed to do. This latest high-definition viewing further improved my opinion of the movie, now knowing well what to expect.

OK, it's difficult to talk about Season Three of NCIS without talking about what happened in Season Two of the show, so I'd suggest anyone reading this who hasn't seen it to skip ahead to the next paragraph. OK, done. Season Two of NCIS brought in a cast change that virtually nobody saw coming, let alone the cast member who indicated they wanted to leave anyway. Agent Todd (Sasha Alexander, Mission Impossible: III) had been shot and killed by a terrorist, and her comrades made concerted attempt to avenge her death at the beginning of Season Three.

(OK, spoiler over, come on back). Still, the cast felt a little bit incomplete. Enter Agent Jen Sheppard (Lauren Holly, Dumb and Dumber), to fill the void. At least the remaining members of the cast were still around so that Holly's breaking in period could be a slow and gentle one. You still have the unofficial head of the group in Leroy Gibbs (Mark Harmon, St. Elsewhere), the young stud who frequently clashes with Gibbs when it comes to style points in Tony DiNozzo (Michael Weatherly, Dark Angel), and the resident tech geeks in McGee (Sean Murray, Hocus Pocus) and Abby (Pauley Perrette, Brother Bear). Holly's character also has a past with Gibbs as it's discovered later in the show, which adds another layer to the relationship of the characters.

Synopsis

I really wasn’t entirely sure how to digest watching a film about a natural disaster where a quarter million people have died or are presumed missing/lost. Nevertheless, Tsunami: The Aftermath is a compelling portrait of the events surrounding the 2004 event that resulted in the deaths of thousands of people.

Synopsis

Emilio is a Grade 11 student smitten with Jacklynne, the most popular girl in the school. She, of course, doesn’t even know he exists. He decides to get her attention by running for president of the Student Council, but no sooner does he declare himself as candidate then he discovers that his opponent is Jacklynne herself. Oops. He is now forced to run, but plans, with the help of his friends, to sabotage the results of the election to make sure he loses, but the is fraught with risks, most ...otably running afoul of the tyrannical principal and her hall monitor toady.

Synopsis

The 4400 Season Two left us on quite the cliffhanger. The returnees had been taken off the promicen inhibitor, thus enabling their abilities to return to normal strength. Ryland (played by Peter Coyote) was exposed as the one behind the cover up and went straight to trial. Isabelle (played by Megalyn Echikunwoke); infant daughter of Richard & Lily Tyler(played by Mahershalalhashbaz Ali and Laura Allen respectively), had grown up quite quickly as she was found in Shawn Farrell's (played by Patrick Flueger) office. Meanwhile, the two main protagonists' Tom Baldwin (played by Joel Gretsch) & Diana Skouris (played by Jacqueline McKenzie)are dealing with events of their own in addition to their casework at NTAC (National Threat Assessment Command).

We hear it all the time. Some kid had it rough as a child. Single parent home, gangs, poor schools and even poorer neighborhoods. What this usually describes is some three time loser who has just robbed or killed somebody and ends up in a high speed chase with police. Some folks take adversity and turn it into gold. George Lopez is the latter. He’ll be the first one to tell you that the sad stories his character tells of his youth are rooted in cold hard reality. Not only does he bare these painful memories for mil...ions to see, but he encourages us to laugh at them. Lopez doesn’t have the same kind of raw talent that most comedic actors draw from. For Lopez the talent is in the genuineness of the portrayal. He’s capable of some of the most complicated expressions that make us want to take him home. Of course, feeding him is another story. There’s nothing really complicated about the George Lopez Show, however. While it has recently been cancelled, it remains one of the true standout sitcoms of the decade. The George Lopez show doesn’t rely on sexual innuendo or exotic situations for its laughs. This is the kind of show you don’t have to be embarrassed watching with the kids.

George Lopez is George Lopez. He has a son, Max (Garcia) and a daughter Carmen (Lusha). His wife Angie (Marie) is a fiery Cuban who is a constant clash to George’s more laid back demeanor. Their family backgrounds are quite different even though both are Latino. Here the show does a great job of dispelling Latino stereotypes by accenting the cultural differences between George and Angie. Don’t get me wrong. There’s plenty of Latino generalization throughout the show, played mostly for laughs. The show is almost stolen by George’s mother, Benny (Moreno) who’s not often very apologetic about her dysfunctional mothering when George was a child. The banter provides some of the best moments in the show. There are few comedies these days that actually get me to laugh. The most many get are a random chuckle from time to time. The George Lopez Show is one of those few that elicit genuine laughter. I’m talking Sanford and Son laughs here.

Following the success of back-to-back hits Forest Gump and Apollo 13, Tom Hanks wanted to shake things up. His project of choice? Writing and directing his first feature film.

The result was That Thing You Do!, a light, enjoyable comedy about a 60’s pop band that makes it big on the strength of one hit song. Barely together a few weeks, The Oneders (pronounced “Wonders”) win a small-town talent contest, which lands them their first gig, playing at a local bar. Before they can adjust to ...heir first taste of success, they land a touring deal with Play-Tone, a record label. Just like that, they’re on a whirlwind tour that echoes the success of The Beatles. But can they handle the big-time, or will fame tear them apart?