Posted in: Disc Reviews by Archive Authors on February 14th, 2006
Disney's Valiant is a film by the producers of Shrek, but it is certainly not up to the same caliber of filmmaking. Still, it has a certain charm despite its rather obvious humor. Also, the animation is excellent. Children are sure to love this story of a young pigeon named Valiant, who wants to join the Allied Forces in the fight during World War II. He's a cute little guy, but he's too small to reach his lofty aspirations... or so all those close to him say. But when every squad of carrier pigeons is ...iped out by the evil Falcons, Valiant and his friends - a team of incompetent, but lovable birds - set out on a quest for adventure that will change the course of the war.
The film is rather lightweight. But then, it's meant to be. There isn't anything remarkable enough to bestow classic status on Valiant, but it's an enjoyable time-waster for the kids. Some of the bodily function humor goes close to overboard, but the film manages to never overstep its G-rated bounds. While it's all pretty formulaic, the concept and voice work (including Ewan McGregor, John Cleese, Hugh Laurie, and Tim Curry - as the evil Von Talon) raises the bar, though much of the material falls short. Unlike its pint-sized star, Valiant will not be achieving any great heights in the near future, but it will keep your little ones occupied and even inspire a chuckle or two.
Posted in: Disc Reviews by Archive Authors on February 8th, 2006
One of the unfortunate responses to the emergence of a successful movie is the appearance of copycat films. When Gladiator won the Academy Award for Best Picture, all these sword and sandal flicks went into production. Now we have epics such as Troy, Kingdom of Heaven and Alexander to show for it. Sometimes, the backlash is even worse when the hit film is a bit of a surprise hit. Such was the case with The Fast and the Furious. Now, I really enjoyed Furious, but I knew on the...front end of my viewing experience that I was not in for a serious filmgoing experience. The point of the movie was hot cars, over-the-top action and plenty cool shots of Vin Diesel and Paul Walker doing stuff in slow motion. My expectations were met, it was a fun popcorn flick, and I went home happy. When The Fast and the Furious 2 came along, it was a much worse film, but just as the trailer suggested, the film was both faster and furious-er.
Then even more copycat flicks began popping up. I was hoping that this trend had hit rock bottom with the release of Torque, but Steve Boyum (whose only notable films up until this point were Meet the Deedles and Slap Shot 2: Breaking the Ice) has somehow managed to find a level somewhere below the lowest common denominator with Supercross. Anyone with half a brain could churn out this plot in moments. A reckless kid and his “play it safe” brother work hard, but only one of them makes it to the big time in supercross racing. Once he gets there, he looses sight of what is really important, and he has to find his way back to his brother, and what they loved about the sport in the first place, thus making their deceased father happy... wherever he is.
Posted in: Disc Reviews by Archive Authors on February 6th, 2006
Synopsis
For awhile, Jim Carrey looked to be taking the career path that Michael Keaton had previously established. Start off with strong, hilarious comedic performances, attempt to get into dramatic roles with some critical success, and fade into the sunset, with the occasional bad script choice. While Carrey hasn’t dipped into the Jack Frost period yet, with The Truman Show and Man on the Moon, Carrey had established the fact that he could pull off carrying a dramatic movie, and do it...fairly well, with consecutive Golden Globe awards to boot. Then, after playing a cop with multiple personalities (Me, Myself and Irene) and the Grinch and The Majestic came along, and it was hammered; no one went to see it. Enter Tom Shadyac, Carrey’s old reliable, and collaborator on Liar Liar and Ace Ventura: Pet Detective. With Bruce Almighty, Carrey goes back to the goofball comedy well that helped to propel him to the $20 million paychecks you hear about now.
Posted in: Disc Reviews by Archive Authors on February 5th, 2006
The concept of the musical biopic is nothing new. We have seen many films come and go, some good and some bad. A majority of these musical biopic films try to tell the rising of a group, whether or not the group is a reality, in a manner that will connect with the audience. Robert Townsend’s The Five Heartbeats is a prime example of a film that connects with its audience by taking this concept of the musical biopic just that one step further than we might expect from a film like this.
The Five Hea...tbeats are a nineteen-sixties Motown type singing group that consists of lead singer Eddie (Michael Wright), songwriter ‘Duck’ Matthews (Robert Townsend), ladies’ man J.T. Matthews (Leon), bassman ‘Dresser’ Williams (Harry J. Lennix), and tenor ‘Choirboy’ Stone (Tico Wells). These guys start out by singing on streets corners. Enter big shot manager (Chuck Patterson). Potter nails them a record deal and gets them to perform everywhere leading to super exposure and stardom. Naturally with stardom, comes the rocky road one travels on. The road consists of internal conflict between the band members and producers, drug addiction, racism, and even a close death. This all occurs before the groups untimely end in the mid nineteen-seventies.
Posted in: Disc Reviews by Gino Sassani on February 3rd, 2006
“Let’s be careful out there…”
The men and woman of Hill Street Station, a fictitious police precinct in Chicago, have found it rather difficult at times to live by their sergeant’s admonition. Steven Bochco’s award winning police drama changed most of the rules for a one hour television drama. Some of Hill Street’s trademark style has become rather ordinary over 20 years later. Bochco protégés now dominate the scene. Dick Wolf (Law and Order), David Kelley (The Practice), David Milch (Deadwood), Scott Brazil ...The Shield) and Ken Olin (Alias) all came from the tutelage of Bochco.
Captain Furillo (Travanti) runs one of the toughest precincts in the inner city. The streets are inundated by gang violence. Furillo also often finds himself under fire by city politics, a bitter ex-wife, and even his own girl: ADA Davenport (Hamel). The squad includes veteran sergeant Esterhaus (Conrad), scrappy biter Belker (Weitz), Redneck cop Renko (Haid), playboy detective LaRue (Martin), Gung ho SWAT leader Hunter (Sikking), Detective Goldblume (Spano), Detective Washington (Blacque). A more diverse and entertaining cast has never been assembled anywhere.
Posted in: Disc Reviews by Archive Authors on January 20th, 2006
Synopsis
At first glance, the Australian produced film Ferngully appears to be a film that helps to educate and moderately punish the crazy white man for all of the harm and damage that he’s done to Mother Earth, never mind all of the data that seems to refute the selfish thought that our generation would be ultimately responsible for harming the land.
Posted in: Disc Reviews by Archive Authors on January 18th, 2006
Synopsis
Toni Collette and Cameron Diaz are sisters. Collette is the older, sensible one, who has made a career as a lawyer. Diaz is the hard-drinking, terminally selfish party girl. After a series of disasters, which culminate in Diaz sleeping with Collette’s beau, the sisters have a seemingly irreversible falling out. Collette’s life is in ruins, but the pieces are gradually picked up by a co-worker who has loved for from afar for years. Diaz, meanwhile, discovers that she has a grandmother she nev...r knew about (Shirley MacLaine), and heads off to the Florida retirement community. She starts off as a sponge, but gradually begins to mature as a human being.
Posted in: Disc Reviews by Archive Authors on January 17th, 2006
Jodie Foster stars in this film as a propulsion engineer named Kyle Pratt who decides to take her six year old daughter Julia on a transatlantic flight aboard a brand new jumbo jet (which she helped design). Aboard the plane, her daughter goes missing. Naturally she has no clue what is going on as the captain (Sean Bean), nor the sky marshal (Peter Sarsgaard) are of any assistance. Foster calmly looks around the plane for her daughter wondering what has happened to her. We learn more and more facts about the daughte... as the movie progresses, some of which will definitely surprise you. That is what makes this film so overly effective. How it takes a fairly common plot but adds more flare and spark to the plot by having certain areas jump out at us.
Flightplan is being compared to Foster 2002 film Panic Room due to the similar concepts (Woman and a daughter are in peril). However, the problem Foster faces in Flightplan is far more inquisitive and far more interesting. Did her daughter suddenly disappear or was she kidnapping? How could all of this occur on a airplane with tons of passengers? Foster is a usual form in this film. She comes off a resourceful and extremely brave woman. As the plot progresses forward, Foster’s response continues to change as do her overall tactics. She tends to scream out, as would any of us in a similar situation. The director, who I will get to later, seems to know how an audience’s mind work as he constantly has Foster’s character think ahead of what she will do, almost anticipating the next development of the film.
Posted in: Disc Reviews by Archive Authors on January 8th, 2006
It seems that every action movie that is being released out of Hollywood nowadays always has to feature out of this world stunts that no real human could ever do. Now this is not necessarily bad if the action is done in correspondence to the film in a skillful manner. When the original Transporter was released onto DVD, it quickly gained a reputation through many action fans that caused the film’s sales to skyrocket. The sales skyrocketed so high that Twentieth Century Fox quickly greenlit the sequel to a film...they had no interest in making a sequel to after the rather poor theatrical performance.
Quickly recapping the first film for those of you have not seen it. The Transporter starred actor Jason Statham (Cellular) as Frank Martin a.k.a The Transporter, a man who would transport anything at a price. He had three rules if you wanted to hire him. 1. Never change the deal. 2. No Names. 3. Never look in the package. Martin is hired to deliver a large duffel bag. The bag tends to complain and squirm. The bag contains a Chinese woman named Lai. Martin cuts a hole in the tape over her mouth, thus violating his third rule of never looking in the bag. What occurs next is a movie that tends to have too much action at some point that it brings the film to a near dead standstill.
Posted in: Disc Reviews by Archive Authors on January 5th, 2006
Synopsis
Sometimes, you’ve gotta watch something because you’re waiting for a new satellite dish to be installed, plus your better half wants to see a Bond movie. Then I pulled out Never Say Never Again. Call it an "unofficial" Bond movie I guess. And I’ve always watched this pretty much before when I’ve seen it on TV. But I watched it this weekend, and it just seemed really dated to me. Or maybe dated isn’t the word. But for someone who’s watched the Austin Powers movies numerous times, boy oh boy d...es this seem like a bad parody!
