Posted in: Disc Reviews by Gino Sassani on November 13th, 2003
Dick Wolf reinvented the cop drama with the original Law and Order. That flagship program is the longest running drama currently in primetime. There does not seem to be an end in sight. This second version has a bit harder edge; dealing with sex crimes, it was important that the new show didn’t degrade into a “pervert” of the week scenario. The writing is top notch. For me, the addition of Richard Belzer as Homicide’s John Munsch was a stroke of genius. Belzer’s deadpan characterization is a perfect fit for such a sensitive subject. He now holds the record of an actor appearing in 5 TV shows as the same character: Homicide Life On The Street, The X-Files, Oz, Law And Order, and now Law And Order SVU.
Synopsis
Posted in: Disc Reviews by David Annandale on November 11th, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on November 10th, 2003
X2:X Men United is the follow-up film to the original X-men film from 2000. The original film did a good job of setting up the universe of the X-men and introducing us to the core characters that the comic books have always centered around. This film expands on this universe and brings along some of the coolest characters from the comics, this being Pyro, a brief glimpse of Juggernaut and lets not forget Nightcrawler. In this film we see the good and band mutants joining forces to defeat a common enemy. This is a little disappointing as we get to see cool new good characters but not really any super new baddies, but it also keeps the storyline fresh instead of it just being the good mutants versus the bad mutants.
l
Posted in: Disc Reviews by Gino Sassani on October 31st, 2003
Not since the height of the American Western has there been a film genre where we find ourselves rooting for the bad guys and booing the good guys. Yesterday’s Jesse James and Billy The Kid have become Michael Corleone and Tony Soprano. Add to the mix that The Sopranos have totally revolutionized the face of the television drama. It’s no fluke that this show dominates nearly every Emmy category there is. The cinematography is feature film quality. The cast is high end and the writing is gutsy and tight. Make no mistake about it. Season Four was not the best Sopranos by any measure. Still, even at its weakest, the show delivers what most shows can’t at their best.
Audio
Posted in: Disc Reviews by Gino Sassani on October 27th, 2003
Harrison Ford is the top selling actor in Hollywood these days. He owes this distinction in no small part to a couple of trilogies he did early in his career. While Star Wars might have been a chance for Ford to break out, Raiders of the Lost Ark and its sequels defined his abilities. Indiana Jones is the perfect hero. He’s strong, intelligent, and above all moral. Unlike the stereotypical hero Jones is also vulnerable and at times flawed. Credit Steven Spielberg for the iconic stature Indy occupies today. Left to his own devices, George Lucas would have given us Tom Selleck as the cigarette-smoking morally bankrupt Indiana Smith.
Raiders of the Lost Ark brought back the cinematic tradition of the 2-reel serials. These shorts would combine with a newsreel, a cartoon, and a feature film to provide a splendid moviegoing event in the early days of talkies. To those of us too young to remember them, the Indiana Jones saga is a time machine to a much simpler day of good guys and bad guys. While even Spielberg himself admits that Indiana Jones and The Temple of Doom was inferior to the rest of the trilogy, even this weaker film provided a historic filmmaking moment. Because of its dark nature and gore elements the film did not fit neatly into the PG rating. The filmmakers did not want this “family” adventure labeled with R, so the ensuing conflict brought us PG-13, now the most widely used rating on films. Indiana Jones and The Last Crusade dared to show us a much more vulnerable hero with the addition of his father. The relationship is a complicated one, but a relationship every father and son can instantly recognize and relate to. Right Dad?
Posted in: Disc Reviews by David Annandale on October 22nd, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on October 19th, 2003
The eighth season of the X-files brought major changes to one of Fox’s strongest running series. And whenever major changes occur there is always a concern about what is going to happen to the integrity of the show. By the end of the 7th season the worries about what David Duchovny was going to do left fans of the show in limbo. Luckily, the creative team behind the X-files (one of the best in television history) was up to the task.
The season opened with the introduction to Agent Fox Mulder’s replace...ent – John Doggett (Robert Patrick – best known as the lethal liquid metal T-1000 from T2). There was an initial great exchange between Scully and Doggett in which she throws a cup of water in Doggett’s face. The writers anticipated that this is exactly what the fans would have wanted to happen (how dare they replace Mulder?). Doggett was a great contrast to Mulder – a complete straight shooter and team player. A very similar premise reminiscent of the first season was replayed with a reversal of roles – Dogget was the skeptic and Scully was the believer. In addition a second addition to the cast occurred early with the appearance of Agent Monica Reyes – a true believer in the purpose of the X-Files with a weird new age feel about her that added some levity to Doggett’s “straight by the book” attitude. Scully was transformed throughout the season as her pregnancy progressed with worries about not only the health of her unborn child but also questions about its genetic make-up. How alien would it be? And what are the implications of its birth?
Posted in: Disc Reviews by Archive Authors on October 16th, 2003
“Say hello to my little friend!”
This is just one of the many cultural references that have come out of Brian DePalma’s 1983 epic film, Scarface. Al Pacino plays Tony Montana, a Cuban refugee that arrives in the United States with nothing, and leaves with everything. It’s a story about the American Dream, about excess, and about ambition. A fantastic supporting cast (including Michelle Pfeiffer, F. Murray Abraham and Mary Elizabeth Mastrantonio), and a script by Oliver Stone makes Scarface one of the...greatest gangster films of all time.
Posted in: Disc Reviews by David Annandale on October 14th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on October 13th, 2003
Synopsis
