Posted in: Disc Reviews by Archive Authors on May 18th, 2007
Blood & Chocolate is based upon the novel of the same name by Annette Curtis Klause, which was written in 1997 and has since been in the talks of screenplay adaptation. Written by Ehren Kruger (Arlington Road, Scream 3, The Ring) and directed by little known German director Katja von Garnier, Blood & Chocolate looks too impress.
It was refreshing to see a werewolf movie with a much different formula then were used to. Instead of the typical blood soaked horror we are presented with a dark an... somewhat more reasonable storyline. Vivian (Agnes Bruckner) and her family live in America, but when word spreads that they are a family of werewolves, a posse burns down their house and leaves everyone for dead. Vivian escapes and moves to Romania to be with her aunt Astrid and fellow werewolves. What interested me was the fact that these werewolves are proud. They come from a centuries old family of loup-garou’s (their fancy word for werewolves) that can shape shift on thought as opposed to the tiresome uncontrollable full moon fits of rage. They hunt only to survive and only on the full moons, and they avoid any public displays as they know if their identity is compromised they will stand no chance against the enraged humans.
Posted in: Disc Reviews by Michael Durr on May 18th, 2007
Synopsis
My life has been a strange journey. Recently I found myself divorced after a three year marriage. Needless to say I'm probably need a bit of soul searching. Perhaps I need to cleanse my spirit before setting back out into the world from which I came. Now I've never been a religiously deep person but I do take myself on as a spiritual one. So to see a surprise title in my queue with the words The Seven Spiritual Laws of Success would bring at least a little ...bit of curiosity to my senses. In 1994, Deepak Chopra wrote a book with the above title and it granted him critical acclaim from people worldwide. Thirteen years later, this is brought to us in dvd form to enjoy. While some of the theories can be debated, a lot of its fundamental ideas make sense.
Posted in: Disc Reviews by Archive Authors on May 18th, 2007
Blood & Chocolate is based upon the novel of the same name by Annette Curtis Klause, which was written in 1997 and has since been in the talks of screenplay adaptation. Written by Ehren Kruger (Arlington Road, Scream 3, The Ring) and directed by little known German director Katja von Garnier, Blood & Chocolate looks too impress.
It was refreshing to see a werewolf movie with a much different formula then were used to. Instead of the typical blood soaked horror we are presented with a dark an... somewhat more reasonable storyline. Vivian (Agnes Bruckner) and her family live in America, but when word spreads that they are a family of werewolves, a posse burns down their house and leaves everyone for dead. Vivian escapes and moves to Romania to be with her aunt Astrid and fellow werewolves. What interested me was the fact that these werewolves are proud. They come from a centuries old family of loup-garou’s (their fancy word for werewolves) that can shape shift on thought as opposed to the tiresome uncontrollable full moon fits of rage. They hunt only to survive and only on the full moons, and they avoid any public displays as they know if their identity is compromised they will stand no chance against the enraged humans.
Posted in: Disc Reviews by David Annandale on May 18th, 2007
Synopsis
Peter O’Toole plays Maurice, an actor now reduced largely to playing corpses (or near corpses) and watching his days fade away in the company of his similarly elderly friends. Enter Jessie (Jodie Whittaker), the grand-niece of one of those cronies. Maurice is taken with her, and the story then takes a decidedly Pygmalion-esque turn as sullen young woman and ageing Lothario learn from each other.
Posted in: Disc Reviews by Archive Authors on May 15th, 2007
The Pang brothers, twins Oxide and Danny, are most well-known for co-directing the hit horror film The Eye back in 2002, and its 2004 sequel, The Eye 2. The Messengers marks their first Hollywood studio effort, and despite it being panned by critics, the brothers have already moved on to more.
The story here is simple. A family buys a house in the middle of nowhere, hoping the move will turn around their fortunes and heal their bonds, which are strained after some big, emotionally traum...tic event. Too bad for them the house is haunted. I could have told them, if they’d only asked. One look at the place and it screams “enter if you dare.” Plus, I had the benefit of seeing the film’s intro, which depicts the horrible, violent deaths of a mother and two children at the hands of some mysterious, unseen force. In the same house.
Posted in: Disc Reviews by Michael Durr on May 14th, 2007
Synopsis
Meeska Mooska Mickey Mouse! (tell me you just didn't say that) So what happens to a 31 year old adult who sits through a show alone that is geared towards children who might not even be in grade school yet? Besides binge drinking & wondering why he doesn't have a date this weekend? Apparently some good wholesome family entertainment. I was actually a little surprised how decent this was after twenty minutes into the program.
Posted in: Disc Reviews by Archive Authors on May 14th, 2007
Released earlier this year to a successful box office run, Ghost Rider is yet another Marvel character making his way to the big screen. There’s something about these comic movies that have everyone all psyched these days, all of them performing admirably in the theatre and selling just as well upon DVD release. For me, there are only a couple of these Marvel films that I actually think were well done and in good contrast compared to their comic book counterparts. In fact I’m probably the only person on this c...ntinent to despise the Spiderman movies. So I wait in anticipation, is another Marvel franchise about to be ruined, or can director Mark Steven Johnson pull off a good one.
A Ghost Rider is a bounty hunter for Mephisto (Satan) (Peter Fonda), and for as long as time can tell, the devil has had a Ghost Rider. In the days of the Old West, a Ghost Rider was too retrieve the souls of an entire town, but the souls proving to be too powerful to be in the hands of Mephisto, the Ghost Rider outran the devil and hid the contracts. 150 Years later Mephisto is back and he wants the contracts. Fooling a young Johnny Blaze into trading his soul for his father being cured of cancer and then later having him killed anyways, he is doomed to one day face the curse of the Ghost Rider.
Posted in: Disc Reviews by Michael Durr on May 14th, 2007
Synopsis
Stereo-typing is a nasty business and unfortunately happens a lot in Hollywood. Certain actors play certain types of characters, certain movies always have the same themes, certain Uwe Boll movies (all) get bad ratings, etc. One of those unfortunate stereo-types is african-american movie making. Quite often you see an urban setting, a rise from the ghetto, or something related to basketball or football. Dominant african-american stereo-typing at what everybody thin...s they do best. Sometimes however there are films that try to steer away from that by portraying them in a different light; one we aren't used to (but should be). It is the only hope that it is still a good film when all said and done.
Posted in: Disc Reviews by David Annandale on May 9th, 2007
Synopsis
After the apprehension of a rogue general results in the death of his mentor, officer Dan Chupong accompanies his sister and her team of athletes on a charity visit to a rural village. As luck would have it, the general’s forces attack this very village, threatening to slaughter all the villagers is the general is not released. What these villains fail to mention is that they have a nuclear missile which they plan to fire at Bangkok no matter what happens. Chupong leads the villagers and ath...etes in a desperate resistance.
Posted in: Disc Reviews by Gino Sassani on May 8th, 2007
OK. Everyone knows about The Blair Witch Project by now. We’re all impressed that this little independent film managed to bust out and generate enormous success. Every film student in the world is encouraged that a crude looking film can make history. So, can we all stop trying to imitate it now? The Hunt is nothing more than an obvious copy. In this case it’s a trio of deer hunters who are attempting to make a “how to” video on hunting deer with a bow. The film integrates their grainy footage with that of one of t...e members of the rescue operation. He, of course, is also documenting his search for the now missing hunters. Throw in an out of nowhere climax and you have the entire film in a nutshell. The film keeps everything that was annoying about The Blair Witch Project, but retains none of what made it original. It doesn’t take long to get really tired of the shaky grainy camera work that basically gives us nothing remotely suspenseful or entertaining. Before long, Atticus (Rusler), the group’s cameraman, plays the part of a poor man’s Mulder with no Scully for balance. I can’t imagine what is really motivating these two men to continue their romp in the woods with a 10 year old boy in tow. Whatever happens to them we tend to feel they deserve. The final reveal is a complete letdown. Not even the film’s creatures are original. Hell, they’re not even rendered competently.
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