Posted in: Disc Reviews by Archive Authors on May 8th, 2007
In the past, I have not enjoyed this types of movie. Save the Last Dance, You Got Served, Step Up and even Drumline are all comparable to Stomp the Yard. So it goes without saying that this isn’t one of my more anticipated movies of the year. But I’m throwing all pre-conceived notions out the window, and am hoping that Stomp the Yard will take a turn away from the clichéd norm.
I don’t even know how I would classify this movie – romance, drama, musical? Regardless o... its genre, it has all those aspects included. Personally I would call this movie a comedy, not because it was funny, but because it was a joke. I’ll try not to be too harsh about this, but this movie was extremely melodramatic. I can’t believe how repetitive movies are getting these days; I’ve seen this formula been done to death. The overcoming of tragedy, just to be thrown into the face of adversity once again, only to be uplifted again leaving the whole audience inspired. This movie was bad, ridiculous even. The one thing I respected and even enjoyed about the movie was a few of the dance sequences, which were extremely complicated and impressive. In fact the only reason why I give this movie any marks at all is because of this choreography, which was entertaining to watch.
Posted in: Disc Reviews by Archive Authors on May 6th, 2007
Synopsis
Holy crap, this movie made a boat load of money for Fox when it came out around Christmas 2006, making $250 million and running second only to the Pirates of the Caribbean sequel for box office money. And to see Ben Stiller finally appear in a film that could be considered a blockbuster success was nice too. And in Night at the Museum, he gets to play Larry, night security guard in the New York Museum of Natural History.
Posted in: Disc Reviews by Archive Authors on May 6th, 2007
Synopsis
Hey lookee here, in this movie called Off the Black, there are two Oscar nominees and one Oscar winner! So with this pedigree of talent, you’d expect to be a gangbusters piece of dramatic storytelling, right? Well, not exactly.
Posted in: Disc Reviews by Archive Authors on May 6th, 2007
Posted in Disc Reviews by Joshua Noyes
The Jerk, released in 1979, is a rags-to-riches-to-rags comedy film of belated self-discovery. This was Steve Martin's first starring role in a feature film and was also written by him.
Posted in: Disc Reviews by Archive Authors on May 5th, 2007
Catch and Release is appropriately dubbed as a chick flick. Written by Susannah Grant, who also makes her directorial debut, is responsible for the screenwriting of some rather dismal movies in the past, including Ever After, Erin Brockovich, and 28 Days. Although I hint at a dislike for romantic comedies, I'll have you know that in the past I have enjoyed several, and am going into this completely unbiased.
The movie starts off on a sad note, Grey (Jennifer Garner) a grieving a...most widow mourns the death of her fiancé Grady. Originally they were to be married on that day, but due to an accident on a fishing trip, Grady was killed. Dealing with the loss in her own way, Grey sits in a bathtub where she can be alone with her thoughts. Before long, Grady's friend Fritz (Timothy Olyphant) bursts in and seduces a waitress. Waiting until the woman leaves, Grey reveals herself and tells Fritz she never understood why Grady was his friend.
Posted in: Disc Reviews by Archive Authors on May 5th, 2007
Synopsis
Well in the ever ongoing series of reviews of the James Bond series, this particular installment is the last of the Pierce Brosnan collection (the others are on the site, so go find them). And in Tomorrow Never Dies, I saved it for last because well, I needed some form of drama to keep me going.
Posted in: Disc Reviews by David Annandale on May 4th, 2007
Synopsis
A serial killer who sounds just like Jigsaw (only rather less interesting) and kills exclusively using explosives (!) blows up the brother of a criminal psychologist, then turns his unwanted attentions to seminary student Marc Blucas, taking his life apart one explosion at a time. Blucas is convinced that the killer is a dark figure from his past, and turns amateur sleuth even as he is consumed by guilt. Most of his time, however, he puts his energy into being one of the whiniest protagonist... ever.
Posted in: Disc Reviews by Gino Sassani on May 4th, 2007
Gary Lennon is a first time writer/director and it shows with .45. Milla Jovovich is the obvious centerpiece of this misguided drama. We know we’re in for a long haul from the opening shots of Kat (Jovovich). Talking about the sexual prowess of Big Al, her abusive boyfriend. Big Al is played quite single dimensionally by Angus MacFayden). It’s not that the actor’s don’t have the skills or the desire it’s that they are severely limited by the script. The only entertaining moments occur when the film heads more into ...he black comedy realm. This momentary effectiveness is soon lost with rather graphic displays of domestic violence. We are intended to feel for Kat but no matter how inclined we are to find her sympathetic I just can’t. With the help of her manipulated friends Kat sets out to rid herself of her partner in crime once and for all. When she finally does pull it off it is so senseless and anticlimactic. The trailer and box art promise a thrill ride journey of cunning and revenge. What the film delivers is boredom and no satisfaction when it’s done. The film tries to be too many things at once and ultimately succeeds at nothing. Trust me. Pass on this one. You’ll thank me for it later.
Video
Posted in: Disc Reviews by Gino Sassani on May 1st, 2007
The Lost Room was a Sci-Fi Channel 3 part mini-series. There are actually 6 separate segments on the DVD. We are quickly introduced to a special old style motel key. Yes, before we all got those slide cards. This key is apparently quite valuable, as it is the subject of an underground meet to purchase it. The deal looks like one of those Hollywood drug buys we’re used to seeing, and like those plays, this one goes horribly awry. Enter Detective Joe Miller (Krause), assigned to deal with the aftermath of this meet. ...eter Krause is best known for his wonderful portrayal of Nate Fisher in HBO’s quirky Six Feet Under. Here he gets to stretch his acting chops along with our collective imaginations. His investigation leads him into possession of the valuable key. He soon discovers the key has incredible power. Using it on any door can transport you to any other door you can visualize in your own head. Most importantly, the key defaults to a Spartan hotel room from 1961. When his daughter (Fanning) is lost in the room, Miller begins a quest to get her back. With each episode we discover there are nearly 100 objects originally collected from this room, each with extraordinary powers. A watch can hard-boil an egg. A bus ticket transports anyone who touches it to a small town in New Mexico, and a comb can stop time for a few seconds. Along with these objects, there are fanatical collectors. Some see the objects as sacred and form religious orders, while others wish to destroy them. Mostly, however, folks just want the power of possessing them. Miller must contend with these factions in his quest. We soon discover that using these objects does not come without a price, and those folks who do own objects are quite eccentric.
If you are willing to take the nearly 6 hour ride, you’ll be taken on an Alice’s journey through Wonderland. What is most amazing is the ease with which this show unfolds such a complicated mythology. I was drawn in almost instantly. Beyond the complex premise are the various factions and their myriad agendas. There are no clear cut good guys or bad guys here. The series operates in an almost constant shade of gray. Miller must make choices about who he can trust. The twists are as varied as the objects themselves. From the start we are guided with Twilight Zone precision into a world more out than “The Outer Limits”
Posted in: Disc Reviews by Michael Durr on April 29th, 2007
Synopsis
*Booming Voice*, "When we last left the Venture Bros season 1, the incredible arch-villain Monarch had been imprisoned for a crime he didn't commit and the Venture Bros were suffering from the loss of their boys Hank and Dean, Meanwhile..." *Monarch voice*, "Where the heck are my cue cards, can't an arch-villain get some normal cue cards for once and how come there is nothing about the sweet Dr. Girlfriend anywhere in here, I mean who really cares about the f****ng V...nture Bros and their miserable excuses for children; Buddy Holly and Fred from Scooby Doo?" *Twenty-one and Twenty-four* "Sorry Monarch." So welcome to another exciting season of the Venture Bros, arguably one of the best animation series on television. Hopefully you know the main characters by now as this is season two. (and thankfully the series has been resigned for a seasons 3 & 4, however we might not see them until 2008). Venture Bros can be described as 4 parts Johnny Quest, 1 part Hardy Boys, 1 part Tick, and even a little Scooby Doo and then throwing that into a big sarcastic machine with lots of sexual innuendo and tons of other classic references before spitting out an animation show.
![The Jerk [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-jerk-hd-dvd-large.jpg)
