Posted in: Game Reviews by Archive Authors on January 7th, 2007
Gameplay
Hype. Hype is a piece of the media that we never want to admit to ourselves, or anyone for that matter, we let get the best of us. After all, how many times has the hype for something become so huge that it turned out to be a real bummer once you finally played it? When message boards started rambling in 2005 about a game coming from Microsoft Studios (made by Epic) entitled Gears of War, a small look into Microsoft’s history of product release, would easily entail a game that would ...ake forever to actually hit the store shelves. So low and behold the shock when Gears of War hit store shelves in November of this year. Taking over a year to make and amid numerous delays, would this spell a sign of things to come for Gears of War?
Posted in: Disc Reviews by David Annandale on January 5th, 2007
Here we go, with another rise and fall story in the underworld. Two young friends in Jamaica, Biggs and Wayne, grow up separately to become powerful gangsters (the “shottas” of the title). After a prolonged separation, they reunite in Kingston, and the story takes them back and forth between that city and Miami as they climb the drug totem pole, heading for the inevitable fall shown pre-credits.
All the characters speak Jamaican patois, making subtitle necessary. This and the vision of the grinding poverty of Kingston give a certain freshness to the film, but the storyline is utterly hackneyed, and we know nothing about the characters we are following, let alone have any reason to sympathize with them. Attitudes toward women are, as one might expect, antediluvian. Imagine a Grand Theft Auto storyline presented with all the humour and satire removed, and this is what you’d get.
Posted in: Disc Reviews by Archive Authors on January 3rd, 2007
Two things you should know about me before reading this review: I'll watch anything involving John Goodman, and I've never seen the animated classic this live-action version of The Year Without a Santa Claus is based on. So unlike when I watched the horrendous Jim Carrey-Ron Howard take on Dr. Seuss' How the Grinch Stole Christmas, in this case I hold no special place for an original.
The times are changing. Toys are becoming more complicated and violent, people are becoming more and more materialistic, and the "true" meaning of Christmas is being lost. Santa (John Goodman), now just "a toy delivery division of Santa Co.", can't keep up, and he's becoming disillusioned about the whole thing. What he needs is just one kid who really cares about Christmas for the right reasons. Otherwise, he's skipping the whole Christmas Eve present thing.
Posted in: Disc Reviews by Archive Authors on January 2nd, 2007
On its surface, The Promise seems to have a good pedigree backing it up. You've got the guy who directed Farewell, My Concubine and the cinematographer of Crouching Tiger, Hidden Dragon, combining forces for a Chinese film that is epic in scope, similar to the Zhang Yimou films Hero and House of Flying Daggers.
The problem with The Promise is that the story rambles a bit, and the characters are ones that you don't care about. The stunts aren't even breathtaking either, as the visual effects are apparently done with wires and green screens, and can be made out so obviously, they lack the magic and wonder of the Yimou films, or even other films like Shaolin Soccer and Kung Fu Hustle.
Posted in: Disc Reviews by Archive Authors on December 30th, 2006
Comments on the supplemental material on this edition have been ported over from Ryan Erb's excellent (and recent) review of the HD DVD, which also can be enjoyed on this site. Now onto this review...
Remember when it was announced that far-left conspiracy theorist (and resident Castro admirer) Oliver Stone would be making a film about the September 11 attacks? Of course you do. In fact, the collective pucker of the nation tightened in horror and trepidation when the notion was first thrown around, and later grew in suspicion as the film's realization became closer and closer.
Posted in: Disc Reviews by Archive Authors on December 29th, 2006
Hilary Duff vehicle Material Girls hit theatres in August 2006, and failed miserably. That fact was my only comfort while I wasted 98-minutes of my life watching this movie.
I fully expected to dislike this teeny-bop flick, but I was actually surprised by just how bad it actually was. Hilary Duff and sister Haylie probably wish they'd never made this movie, though I imagine the paycheck would make up for this blotch on their filmography. I'm hoping the same is true for Angelica Huston (The Royal Tenenbaums) and Brent Spiner (Star Trek's Data), who play cringe-worthy supporting roles.
Posted in: Disc Reviews by Archive Authors on December 28th, 2006
Jet Li's Fearless is reportedly the star's final martial arts epic. Since we're talking about the guy who did Once Upon a Time in China, Twin Warriors and Hero, that fact alone makes this is a significant film for martial arts fans.
Fearless tells the story of Huo Yuanjia, who in 1910 helped found the Jin Wu Sports Federation (Chin Woo Athletic Association), the first civil Kung Fu organization in China. Li plays Yuanjia, who is a Chinese folk hero. The film follows Yuanjia's life from early childhood until his last days, showing his journey from a weak, little boy to a cocky, selfish bully, and finally to a respected martial arts master and Chinese patriot.
Posted in: Disc Reviews by Archive Authors on December 22nd, 2006
Don't pay any attention to the description on the back of DVD case. Described as "hilarious", this film is anything but. While it may have a few funny moments, we're talking about a serious drama. The Last Kiss is a cautionary tale about temptation. It presents the circumstances and life choices of 30-year-olds in an intense, honest way, which makes the film both completely engrossing as well as difficult to watch.
The story centres around Michael (Zach Braff), a 29-year-old architect, and his girlfriend of three years, Jenna (Jacinda Barrett). Jenna is newly pregnant, and Michael is scared. Michael's best friend, Chris (Casey Affleck), is having a rough time with his own wife and their baby. Another friend has recently split from a long relationship. Jenna's folks, Anna and Stephen (Blythe Danner and Tom Wilkinson), are also on the brink of a breakup.
Posted in: Disc Reviews by Gino Sassani on December 22nd, 2006
In case Rain Man didn’t give you your fill of films about autistic characters, Ron Bass, writer of Rain Man, has decided to give us an unnecessary sequel. OK, this isn’t really a sequel, but it might as well be. Honestly, this film has everything Rain Man had except for a good scripts, solid performances, and oh yeah, Dustin Hoffman. Still, this romantic nonsense utilizes the same theme. Unfortunately autism here is reduced at times to stereotyping that appears grossly unfair to the millions of people who suffer from the disability and their loved ones. Some of the actors appear to be having a blast with their portrayals. They should be ashamed of the glee they derive from these “crazy” routines. They are neither entertaining nor fair. I’m sure none of this was the intent of the filmmakers, but it is insulting just the same. This is a huge part of the reason this film never has or never will capture the critical acclaim of Rain Man. In fairness, the leads Josh Hartnett and Redhe Mitchell take the roles more seriously than the pathetic supporting cast. There isn’t enough compelling for any of this to work on anything more than an emotional level.
Guts may make a good first impression, but this film has neither guts nor a good impression. The film pretends to have incredible bravado, but the mask of cowardice prevails. Except for the romantic interactions of the leads, we are never allowed too far beneath the surface of any of these complex individuals. Because of this fatal flaw, the romantic quirkiness loses all of its charm. An over-explanation of who these people are is a not so subtle attempt to remind us these folks suffer from autism. Show me, don’t tell me, is what my writing teachers have always said. Bass might benefit from a refresher course. Quirkiness like this is much more interesting the less it is explained. Allow these limitations to be part of the character without so many “remember we have autism” lines. The title is very confusing until you get to a pivotal Halloween party. Life is far too accelerated to be appreciated here. Issues arise from out of nowhere and are just as quickly resolved or simply forgotten. Wherever this tale is going, it missed a connection somewhere up the line. Save your nickels and watch Rain Man again. You’ll thank me for it.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2006
A twisted twist on the zombie genre. Dellamorte (Everett) is a watchman of sorts over a small village cemetery. The problem is not so much with folks breaking in as with the dead breaking out. In this neck of the woods the dead arise within 7 days of their death. A simple shot in the head solves the rather pesky problem; however, it requires a certain amount of vigilance. Now so far none of this is terribly original at all. Things begin to change when Dellamorte becomes infatuated with a mourning widow. Their escapades at her husband’s grave literally wake the dead. Her deceased hubby’s attack leaves her apparently dead, and of course needing to be placed in a more permanent position by Dellamorte and his revolver. That might be that, as they say. It appears you can’t keep a good gal down, and the woman begins to reappear in many guises throughout the film. Here things get quite confusing, and it’s hard to determine how much of this is actually taking place. The film’s climax further complicates the question.
The film’s original title is Dellamorte Dellamore. If you are at all squeamish about in your face necrophilia, this one will make you quite antsy. Apparently you can really have a blast if you can keep your head about you. Francois Hadji – Lazaro steals the show in his role of Gnaghi, the Curley Howard-like mute but faithful sidekick with a head for romance. Anna Falchi plays the object of desire with skills more physical than not. The film utilizes a narrative style which never really captures the action. Perhaps the translation from Italian leaves holes not originally intended. While the film is originally an Italian film, many of the actors are obviously talking in English. It isn’t hard to conceive that Cemetery Man might have been some inspiration for Tim Burton’s Corpse Bride. Many of the visuals are starkly familiar. The theme is certainly rather similar. The zombie effects themselves are not terribly original, but many of the images are fresh takes on an old theme. With the help of clever set design, the atmosphere of the film is accomplished throughout. The film manages to be a black comedy while still satisfying the horror fan as well.
