Posted in: Disc Reviews by Archive Authors on December 31st, 2005
The first Deuce Bigelow film was something of a surprise hit. Rob Schneider's first outing as a leading man was never expected to be as, well... genuinely entertaining as it was. Sure, the movie was a little hokey, but that was to be expected. After all, we're talking about a film that tells the story of a pool boy that becomes a gigolo. What was not expected was that the film would actually have a heart. As would be expected, the film had its fair share of comedy, but the tender love story was unexpected and ...enuine. Could lightning really strike twice?
In a word, “no”. This is the film that audiences were expecting the first time around. It is childish, contrived, and decidedly low-brow, with none of the genuine affecting elements of the first film. This time around, as the title suggests, Deuce spends some time in Europe; Amsterdam to be exact. No longer a gigolo, Deuce is now helping out his old pimp TJ by trying to catch a serial killer of “man whores”. As bad as that plot sounds, trust me... it's worse. So many of the jokes just make no sense. For instance, at one point TJ finds some french fries just lying around, and decides to eat them. He then accidentally drops them into the toilet. Naturally, he then dips them out and eats them. Why would he do that? What's more.. who cares? Certainly not me.
Posted in: Disc Reviews by Archive Authors on December 31st, 2005
Synopsis
Jennifer Connelly is going through a messy divorce with Dougray Scott. They are feuding over the custody of their daughter. Trying to piece her life together, Connelly rents an apartment in a down-at-the-heels building on Roosevelt Island in New York City. A leak develops in her ceiling that keeps getting worse. Her daughter develops an imaginary friend. The supernatural events gather force, apparently determined to drive her out of her mind.
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
Meiert Avis' new romantic comedy-drama Undiscovered has been turning up on more than a few worst lists for 2005, and while that may be an unfair assessment, as just about every film out this year could have made it onto the same list, it's still no picnic. Some of the numbers are hip enough, and the two lead actors deliver likeable, though poorly written performances. However, Ashlee Simpson's performance drives it all down into the mud and solidifies her standing as not just the least talented Simpson daughter, but also one of the most obnoxious wretches, who dares call herself a celebrity.
While anyone who's ever created anything can certainly relate to the noble Luke Falcon in his efforts to make it big on his own terms, no viewer can get past the egotistical pseudo-charms of Simpson, whose very performance seeks selfish standing as Undiscovered's novelty act. I didn't want to turn this into an Ashlee bash-fest, but she makes it too darn easy, and clouds the quality of what otherwise may have been a decent romantic comedy-drama. She spends all of her too-freely-given screen time shooting frequent looks to the camera and smiling a big stupid grin as if she's flirting with us. While Jessica may be somewhat charming and physically attractive (jury's still out), Ashlee falls far short of what could be construed as her sister's qualities, and seems like she's doing her best stupid impersonation. And while she certainly makes a convincing idiot, it's her sister's act, and she needs to find one of her own. Of course, when the only reason she's even succeeded depends on the existence of her sister, originality may be a hard attribute to come by.
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
8MM 2 is a sequel to Schumacher’s 8MM in name only. It tells the story of an aspiring politician and his loving fiancée on a mission of sexual experimentation in Budapest, which quickly turns into a trust-no one game of seduction, blackmail, and murder. The crux of the story is a steamy threesome between the two lovers and a strange dark-haired beauty. The only eight millimeter tie-in is from the film which is shot during the escapade – unbeknownst to the lovers – which is then used to string the politi...ian along in the unknown blackmailer’s deadly game.
As a sequel, this story completely fails to work. Gone is the creepiness of the first’s horrific plot. Now it’s just about sleaze and blackmail, neither of which are executed in very interesting fashion. Lori Heuring and Johnathon Schaech are good-looking enough, but their presence seems better suited to a made-for-Lifetime movie. Their looks are too clean and simply fall short of the sleaze level the film hopes to obtain. While production values are slick, director J.S. Cardone’s ego is dripping from every frame. I’m glad he takes his work so seriously, but when that work is as cheap and trashy as 8MM 2, such behavior is more obnoxious than endearing.
Posted in: Disc Reviews by Archive Authors on December 29th, 2005
Director Brian Henson continues a family tradition with father Jim’s creations, The Muppets. He also carries on another tradition, this time in the form of the long-told tale “A Christmas Carol” by legendary author Charles Dickens. The combination goes so well together I can hardly understand why it wasn’t done sooner, as in by Jim himself before his untimely death. Michael Caine does an extraordinary job, as usual, in the role of Ebenezer Scrooge, a hopeless miser, who receives visits from three very different ghost... in a last ditch chance at redemption. It doesn’t matter how many times the story is told, or in how many ways – it never seems to lose its power, and The Muppets’ retelling in their own unique way only serves to enhance the tale.
There is something missing without Jim Henson as the voice of Kermit the Frog, but his replacement does a comparable job, and we still get Frank Oz in his usual roles of Miss Piggy and Animal. The result is something any Muppets’ fan will be proud to place on the shelf alongside the other children’s classics for which this troupe is responsible.
Posted in: Disc Reviews by Archive Authors on December 29th, 2005
John(Owen Wilson) and Jeremy(Vince Vaughn) are divorce mediators faced with the daily struggle of attempting to reconcile fractured partners for long enough to enable them to reach some kind of settlement. But let's not worry about that too much because it’s nearly wedding season, a time when their entire agenda shifts focus. Why? Because John and Jeremy are wedding crashers. We're not talking about anything half-hearted either. These two are professional wedding crashers. They have rules, game-plans, and even fake f...mily trees to help them crash any party. Anglo or African-American, Italian or Spanish, Chinese or Korean, it does not matter to them—they just pretend to be some distant relative of a dead aunt and bluff their way through the rest. The purpose behind this cleverly conceived fraud? Simple, they want to get laid. They want no-strings-attached sex with beautiful, twenty-something women. Tons of them.
After a long and eventful season of fun weddings, these two come across the ultimate wedding to crash. The eldest daughter of a prominent Senator is getting married, and John and Jeremy simply cannot afford to miss such an illustrious event. When they arrive, however, it is not long before the plan goes out of the window and everything starts to fall apart. Although they appear to find their designated targets, and set about on their elaborate plans to seal the deal with these lovely ladies, it turns out that things are much more complicated than they seem because the girls are the two younger daughters of the Senator and they each come with their own share of woes. The boys may just have their work cut out for them if they want to close the deal but the real trouble comes when they start to realize that they may want more than just the one night.
Posted in: Disc Reviews by Archive Authors on December 28th, 2005
Synopsis
It would appear that the 1961 Disney film The Parent Trap helped to spur popularity within Disney’s non-animated film section. Films like the Herbie films, and films featuring other stars like Kurt Russell would soon follow several years later. Based on a book by Erich Kastner, and written and directed by David Swift (Eight is Enough, Barney Miller), the film is centered around Sharon and Susie (both played by Hayley Mills, Saved by the Bell, Pollyanna), who are i...entical twins who do not realize that they are sisters. After some initial bristling between the two, they manage to get along and learn more about each other.
Posted in: Disc Reviews by Archive Authors on December 28th, 2005
I must admit feelings of suspicion before popping in the DVD copy of Prozac Nation:. I remember seeing the theatrical trailer years ago. It was not, by any means, poor advertisement. I had taken a liking to the acting of Christina Ricci, and the film looked like a decent outing with a talented supporting cast. So I waited for the film to come out. Then I waited some more. Years passed and the film never popped up at my local multiplex. It is generally not a good sign that a film is shelved for so long, but I s...ill kept an eye out for its theatrical release.
However, Prozac Nation: never did get that theatrical release. Instead Miramax gave it a cable debut on its sister network Starz/Encore, and the film went straight to DVD. Now I have seen awful films that have been delayed for years, and those titles were even given a theatrical release. Since Prozac Nation: was not even given that freedom, I couldn’t help but suspect a terrible film. Just when I had started thinking about the film after seeing an advertisement on Encore, a copy of the film ended up on my doorstep a few days ago for review. Truthfully speaking, I don’t quite see what all the delays were about. This may not be a wonderful picture, but it certainly deserved more respect than some of the other crap that reaches screens across the world.
Posted in: Disc Reviews by Archive Authors on December 27th, 2005
Synopsis
This is a short (69 minutes), quite elliptical film that traces the arc of a relationship between a young man (Kieran O’Brien) and woman (the pseudonymous Margo Stilley). We see individual moments, usually framed around episodes of lovemaking, and in between we see our couple at rock concerts (and so we get, in their entirety, performances by the likes of Primal Scream, Super Furry Animals and Franz Ferdinand). The whole story is a flashback, with O’Brien in the present, post-relationship, r...flecting on it while he does research in Antarctica.
Posted in: Disc Reviews by Archive Authors on December 27th, 2005
Most film-goers could identify a Michael Bay film just by the techniques he uses -- quick edits, sun drenched color palate, and lots of action. This usually means that Bay is suited more for low-brow action movies as opposed to high concept films.
In Pearl Harbor, Bay proved that he couldn’t handle anything that didn’t explode -- resulting in a lop-sided film. The first hour was a tedious love story and the last 90 minutes were better -- including an excellent recreation of the surprise attack.
