Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Synopsis
There was a period in Francis Ford Coppola’s (The Godfather, Apocalypse Now) life where he went through a bit of a phase, where he was making films based on relatively obscure material. And he went through another smaller phase in the early ‘80s where he was making films from source material of author S.E. Hinton (The Outsiders). And Rumble Fish was one of those.
Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Four Brothers starts off as a solid drama about a group of orphans (Marky Mark, Tyrese Gibson, Andre Benjamin, and Garrett Hedlund) who were raised by a sympathetic woman (Fionnula Flanigan) in downtown Detroit. When she is murdered, the brothers reunite and stay in their mother’s old house. They sit at the dinner table and stare at her now empty seat. They horse around with one another in her living room. And in some cases they even wear her old clothes. In scenes like these, the actors do a good job of makin... their characters feel real -- a rare feat in movies these days. Then the action starts. And that’s where Four Brothers goes downhill.
What starts as a serious toned film about coming together to bury a loved one, Four Brothers transforms into an unintentionally funny action movie. The characters don’t just shoot at one another, they make corny quips while doing it. Marky Mark, yeah I know he’s Mark Wahlberg and all, but after this performance, he’s Marky Mark again. He’s lost the right to be taken seriously. Anyway, Marky Mark actually says the line, “Grab the gun and bust some shots” to Tyrese Gibson while chasing some bad guys down a street. I don’t know... the line might sound perfectly normal to some people. I guess they are the intended audience for this film. But it made me laugh. Many lines like that one made me laugh.
Posted in: Disc Reviews by Archive Authors on December 23rd, 2005
Synopsis
It did take a little bit of intestinal fortitude to sit down and be willing watch Herbie: Fully Loaded, but I did it dammit, because I care about YOU. Fully Loaded is not a remake, but an extension of The Love Bug films with Buddy Hackett and others. In this new edition, Maggie Peyton (Lindsay Lohan, Mean Girls) is the daughter of racing legend Ray (Michael Keaton, Batman) and brother of Ray Jr. (Breckin Meyer, Road Trip). She is going to work for ESPN now ...hat she’s just graduated college, but she’s still a racer at heart.
Posted in: Disc Reviews by Archive Authors on December 21st, 2005
Where does Dukes of Hazzard fall on the spectrum of TV show adaptations? Somewhere in the middle, which came as a surprise. I expected a stupid flick with no entertainment value, but I got a stupid flick with more than a few glimmers of amusement. The film’s plot borders on irrelevant, but I’ll recap it anyway. The flick focuses on the adventures of cousins Bo (Seann William Scott) and Luke (Johnny Knoxville) Duke. They deliver moonshine for their Uncle Jesse (Willie Nelson), and Bo also succeeds as a local ra...e driver. He looks forward to his fifth consecutive victory in the annual Hazzard County road race. However, an obstacle arrives when former four-time champion – and now pro driver – Billy Prickett (James Roday) returns to compete.
It turns out he’s there to create a diversion for local mogul Boss Hogg (Burt Reynolds). Hogg frames the Dukes to take over their land, and they learn that he’s done the same to claim other connected properties. With the aid of their sexy cousin Daisy (Jessica Simpson) and others, Bo and Luke attempt to find out Hogg’s plan and stop it. Along the way, they try to avoid law enforcement authorities and score with some babes – oh, and Bo still wants to win that race.
Posted in: Disc Reviews by Archive Authors on December 20th, 2005
Note: the following synopsis contains spoilers. Only read this first section if you know have happens in season four.
The Fourth Season of 24 begins with a deadly terrorist strike resulting in the kidnapping of Jack Bauer's new boss, the U.S. Secretary of Defense James Heller (William Devane). Even though Mr. Bauer was dismissed from his job at the Counter Terrorist Unit in Los Angeles at the end of Season Three, it comes as no real surprise that Robo-Jack is called back into action. We quickly l...arn that this kidnapping of Heller is just the beginning of trouble for Jack and CTU. The main villian is master-mind Habib Marwan (Arnold Vosloo) the middle eastern terrorist cell leader the US government has been trying to track down for years.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2005
Charlie was a British effort in the typical gangster style. It begins more like an A&E biography. Various characters from the film with ties to Charlie appear to be giving their insights on the man for a documentary camera. Charlie Richardson, it appears, was one of Britain’s most infamous gangsters. The film, directed by Malcolm Reeds, no relationship to a certain starship tactical officer, tries hard to be another Goodfellas. The film utilizes the same style of retrospective narration. There’s also the trademark period songs and freeze-frame on a particularly violent image. There’s enough rough language to fill a South Park feature film. In addition to the American mob clichés the film is riddled by more than bullets. Typical dry British humor abounds and appears entirely out of place in an otherwise brutal depiction of character. Although I found the film highly derivative and inconsistent, I must admit that at times it was quite entertaining. Like watching a train wreck, it was often difficult not to be drawn to the film’s exploitive portrayals.
The film has an annoying habit of abruptly switching time periods without much warning or visual clue. We find ourselves often enough in Charlie’s younger days. These transitions are seamless; in fact that is the whole problem. They are too seamless. It requires far too much attention to detail to know where you are in the timeline. The film also resorts to stylized cinematic distractions such as multi-frames during some of the trial sequences. The frames are completely unnecessary and require the viewers to again remove themselves from the flow of the action.
Posted in: Disc Reviews by Archive Authors on December 18th, 2005
Synopsis
I would hope that with films like The Wedding Date, that the genre of films set around weddings is over and done with. There’s nothing left to mine, the horse is very dead, and in this case, the film is rather predictable. Or to put in another way, my wife said “this film will probably be stupid, but I’ll like it”. And when I was watching parts of the film, the story was so easy to follow that I could go and make a batch of chili, come back, and be caught up to the story.
Posted in: Disc Reviews by Archive Authors on December 18th, 2005
Synopsis
After years of answering questions running along the lines of "When are you guys going to make a movie?" X-Files creator Chris Carter and stars David Duchovny and Gillian Anderson decided, in lieu of taking the time off between TV seasons 4 and 5, to go ahead and start production on a feature-length movie and a place in the summer blockbuster arena.
Posted in: Disc Reviews by Archive Authors on December 17th, 2005
Peter Jackson is a true visionary. In most circles, such a statement is agreed upon if the subject is the Lord of the Rings trilogy, or his brand new King Kong remake. There are also those who'd rather remember him for his schlocky, disgusting, and dangerously enjoyable efforts Braindead and Bad Taste. Of course, either camp will love his work. It's just a matter of preference as to which type of film they love more. I'd say most find his latest efforts to be superior to those low budget e...rly works. But none of his modern genius would have been possible without The Frighteners, his breakout studio film, which garnered respect and financing from Hollywood heavyweight Robert Zemeckis. By the same token, one might say The Frighteners would have never been possible without his terrific Heavenly Creatures. The debate can rage on for as long as it needs to, but the heart of the matter reveals this: Peter Jackson makes great films, and while he may not be a perfectionist, his work argues to the contrary -- The Frighteners being no exception.
This two-hour director's cut treats its viewers to a hefty 14 minutes of extra footage, and most of it is easily recognizable to those who have seen the theatrical release a couple of times, or once recently. By recognizable, I mean you'll know it's new when you see it. Right away, I want to mention a mild concern I have for the director's cut, and it's the same kind of problem other critics have pointed out about his latest effort King Kong. Most of the deleted scenes add a stigma of excess to the film. It's longer than it probably should be. But at the same time, you find yourself so in love with the picture Jackson puts together that you don't really mind the more meandering pace. In fact, you kind of enjoy it because the new scenes add more of the same rowdy horror-comedy fun, and come across as visually endearing. This film is eye candy, but it also doesn't forsake characterization and plot for the sake of its mayhem.
Posted in: Disc Reviews by David Annandale on December 16th, 2005
Synopsis
The oppressive Parliament controls human civilization, willing to engage in any atrocity for the sake of a dubious greater good. A teenage girl, developed as a psychic super-weapon and traumatized by some mysterious event, is broken out of Parliament custody by her brother, and the two become part of the fractious crew of the mercenary ship Serenity. This crew is made up of veterans of independent colonies who fought in an unsuccessful war against the Parliament. Captain Malcolm Reynolds is ...eluctant to stick his neck out for the two refugees, but events eventually force him to take a stand.
