Posted in: Disc Reviews by Gino Sassani on July 3rd, 2005
Synopsis
For several years, unbeknownst to a lot of people, Kevin Spacey (American Beauty) was a fan of Bobby Darin and had a film project in the works about the singer’s life. One of the reasons why the project took so long is that even with someone of Spacey’s caliber, the toughest part is always the financing. Spacey’s project was definitely a labor of love, as he wrote and directed the film, and even sung such Darin standards as “Splish Splash”, “Dreamlover” and of course, the hit that shares the...movie’s title.
Posted in: Disc Reviews by David Annandale on June 29th, 2005
Synopsis
Lauren Ambrose is a Candide-like figure, wide-eyed in her approach to the world, and she really doesn’t want to go to college, so her interviews are disasters. She reads her poems to her mentally handicapped sister and no one else, and when this sister starts spouting the poems (she memorizes very well), her mother (Amy Madigan) thinks something wonderful has happened. Ambrose doesn’t clear things up, and events soon spiral out of control.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2005
Synopsis
When it comes to 80’s films, you can talk about Spielberg, Lucas, or whomever, but those in the know will always put John Hughes at, or near, the top of influences of that era. Take a look at the 7 year run that he had in the 80’s when it came to writing movies in that era. From 1983 to 1990, the list brings up a flood of kitsch and nostalgia for any movie going kid during that time – Mr. Mom, Vacation, The Breakfast Club, Sixteen Candles, Pretty In Pink, Ferri... Bueller’s Day Off, Some Kind of Wonderful, Planes, Trains and Automobiles, Uncle Buck and Home Alone. Aside from getting a good dose of Anthony Michael Hall, Molly Ringwald and John Candy, one, some or all of those films have a soft spot in anyone’s heart if they’re under 30. So much was experienced from his films, hell, the guy served as a surrogate parent to a lot of people! For good or bad, he had an influence on a lot of lives, and if you take a look at the high school comedies that come out now, there’s no comparison. They just don’t have the same kind of originality. Hughes may not have done the high school comedy first, but very few have come close to achieving the combination of unique characters, quotable lines, touching emotional moments and hilarious scenes that have resulted in the Hughes films of the 1980’s. Universal put out an inexpensive boxed set of 3 of his films; The Breakfast Club, Sixteen Candles, and the "other" movie in the set, Weird Science, which I’m reviewing for your dining and dancing pleasure.
Posted in: Disc Reviews by David Annandale on June 29th, 2005
Synopsis
Out of the blue, the Stevens family (whacky dad, brainy sister, dorky brother, and so forth) finds out they’ve won a trip to a tropical paradise. Unbeknownst to them, they have in fact been selected to participate in an over-the-top reality TV show, and their holiday turns into a series of slapstick catastrophes.
Posted in: Disc Reviews by David Annandale on June 28th, 2005
Synopsis
Hilary Duff plays a good-hearted by scatterbrained teenager. Her happy existence in NYC is disrupted (how many Disney teens has this happened to?) when her stepfather starts his new job as head of a military academy, and she is enrolled, willy-nilly. She has trouble fitting in, initially having as nemesis her Captain Christy Carlson Romano, but eventually both she and the institution adapt to each other.
Posted in: Disc Reviews by Archive Authors on June 27th, 2005
Gone in 60 Seconds is a guilty pleasure - its vacuous and superficial, full of typical Hollywood produced "guy-movie" cues. Cars, guns, explosions, anti-heros, and Angelina Jolie abound, as well as comically evil villains, comically thin plot devices, and comically honourable car thieves. All that being said, though, the movie is great for what it is - a typical Bruckheimer celebration of over-the-top action. Its fun to get lost in the action, and director Dominic Sena imparts a great sense of ...ace (which he failed to carry over into 2001's Swordfish), keeping the tension level-high, the action front & centre, and the cars at full throttle. There's also some real funny moments too - the "Brick House" rendition at the police impound lot makes me cackle like a hyena every time.
Synopsis
Posted in: Disc Reviews by Archive Authors on June 26th, 2005
Synopsis
If anything, the third part of the Godfather series of films is symbolic of when too many sequels are greenlighted, and consequently, the film is doomed to fail. More often than not, the reason why these films crash and burn are because of major studios acting like Adelphia executives and wanting more money, and in using the previous films’ successes as leverage, they lose sight of things like quality. It’s happened to other trilogies.
Posted in: Disc Reviews by Gino Sassani on June 24th, 2005
Las Vegas has a credo of sorts: What happens in Vegas stays in Vegas. Well... not anymore. Las Vegas tells all in a new smart and often sexy NBC series. Most of the cast was chosen for their more physical attributes; however, the performances are not bad either. James Caan takes a surprising journey to TV land. The part of an ex-CIA boss fits Caan like one of Sonny Corleone’s tailored suits.
The series always features special guest stars, often playing themselves. The lineup of guests includee Vegas names like Penn&Teller as well as box office champions that include Dennis Hopper and Sean Astin. The show’s Montecito Hotel and Casino is as much a character of the show as anyone in the cast. The sets have been an added bonanza for Universal, as the hotel has shown up in other studio run shows like Monk (sans the cast). Perhaps the most endearing aspect of the series is how easily the plots develop without ever really taking themselves too seriously. Even the dire straits Caan’s Big Ed often finds himself in never seem to venture too far from the shtick. While the stories are easily forgotten just minutes after watching, it is nonetheless a fun ride while it lasts.
Posted in: Disc Reviews by David Annandale on June 24th, 2005
Synopsis
After the suicide of his wife, psychologist De Niro takes his traumatized daughter Dakota Fanning off to a house in the woods to recover. Fanning begins to exhibit strange, hostile behaviour associated with her imaginary friend, Charlie. Then, as the violence escalates, De Niro realizes that Charlie might well be real after all.
Posted in: Disc Reviews by David Annandale on June 22nd, 2005
Synopsis
Two girls meet on the beech, and a lifelong friendship is formed. Hilary is the shy rich girl (horse riding and the whole thing, don’t you know) and she grows up to be Barbara Hershey. CC is the working class extrovert, and becomes Bette Midler. As adults, they become roommates, and we follow the entire arc of their friendship through their lives, with conflicting romances, plenty of ups and downs, and then, in the last act, the inevitable Hollywood Fatal Illness.
