Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by David Annandale on June 20th, 2005
Synopsis
The superbly obnoxious Ben Stiller plans to have his Globo Gym take over and destroy the building that houses the apathetic Vince Vaughn’s Average Joe’s. Unless Vaughn and his friends raise $50,000.00 before the end of the month, all will be lost. Their only hope is to win a dodgeball championship. They’re no damn good, but help comes in the form of psychotic ex-dodgeball champ Rip Torn and Christine Taylor as an accountant with a killer throw.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2005
Stargate SG-1 is about to enter its ninth year. There was speculation that after season 8 the series would bow out gracefully with the anticipated exit of Richard Dean Anderson. With that plan in mind the folks at Stargate Command decided it was time to spin off the franchise, and so was born Atlantis. Stargate Atlantis boasts pretty much the same team as SG-1. The quality of the production and tight storytelling have translated well to this sister series. The only flaw in this plan is that fans don’t want to let go of the original. With a cast shake-up that brings us a newer look, SG-1 Atlantis will find it harder to learn to stand on its own.
Synopsis
Posted in: Disc Reviews by David Annandale on June 20th, 2005
Synopsis
In a perpetually gray, rainy, decrepit Bucharest, a series of strange murders is taking place. Brutal street-cop in search of redemption Sean Pertwee is paired up with enigmatic Interpol agent John Light. Light is not, of course, what he seems. Angels and demons are at war, as ever, and the demarkation lines of the battle are very blurry. Are there any good guys at all? Hard to sasy, but Kari Wuhrer had better hope so, as she is being used and stalked, respectively, by the different sides, a... she has in her possession a prophetic book that is continuing to write itself. Whoever gets hold of the book will have a huge edge in the war.
Posted in: Disc Reviews by Archive Authors on June 19th, 2005
I was not too eager to see Hitch in the theater, thinking that DVD was just fine for a film such as this; it is after all only a romantic comedy. I was one of the few who thought this way, as Hitch killed at the box office, brining in over $175 million in its theatrical run. After seeing the film on DVD, I can see why it did so well at the box office – it is the ultimate date movie. You get a charismatic Will Smith, a funny Kevin James, and a gorgeous Eva Mendes – the perfect blend for any sure fire enjoyment by all. This is not to say that this is THAT great of a film, but it hits the mark for what it is.
I am sure you know the plot by now… Alex 'Hitch' Hitchens (Smith) is the date doctor. He seems to be able to make everyone else’s relationships work, including an odd pairing like Albert (James) and heiress Allegra Cole (Valletta), but cannot seem to have anything go right when around his love interest (Mendes). The comedy ensues, and yada yada yada.
Posted in: Disc Reviews by Gino Sassani on June 18th, 2005
Again, this USA Network series is based very loosely on the early Stephen King novel or the film with Martin Sheen. The third season takes the series much closer to the darker world of the King novel. Johnny’s growing obsession with Candidate Stillson flirts ever so dangerously with the tragic conclusion of the original story. Of course, the series appears to have strong legs. A fourth and fifth season are already ordered, so Johnny won’t be taking that ever fateful step... just yet. What makes this increasingly compelling storyline work is twofold. Fans of the original finally have some beef to sink their canines into. The second benefit is a direct payoff of this being a series instead of a single film. While we may think we know where Johnny’s headed, we now get to see it have a profound impact on his life. This is a solid 12 episode run and well worth the DVD shelf space required to display it.
Synopsis
Posted in: Disc Reviews by Archive Authors on June 18th, 2005
Until the Night is a "fly under the radar" movie. You haven't heard of it, but then you watch it. And you're quite taken with it. Until the Night is in the tradition of those relationship/talkie movies (indy god Cassavetes comes to mind). Night also has shades of Sex, Lies, and Videotape. Characters talk to a camcorder, and there are some Soderbergh moments of time fracture.
The plot (to call it one) revolves around a pair of relationships. Elizabeth (played wonderfully by ...athleen Robertson) struggles to keep her chin up abou their marriage to Daniel (played by Michael T. Weiss). In the meantime Robert (played by the underated Norman Reedus) is a photographer who is descends in to a pit of despair over is failing relationship to Mina (Missy Crider). Robert and Elizabeth eventually, and inevitably, meet. And well...the tangled web of romance is weaved. The director/writer Gregory Hatanaka, in his first film, has shown a maturity of theme. This is a strong, truthful film about adult relationships.
Posted in: Disc Reviews by David Annandale on June 17th, 2005
Synopsis
Direct-to-Video queen Kari Wuhrer headlines as hard-edged reporter willing to risk life and limb for a story. Her editor sends her to Bucharest (your first hint of the pic’s minimal budget) to investigate a strange cult of people who call themselves “Deaders.” The members of this group appear to have died and been resurrected by the charismatic leader. Wuhrer descends into the underground, and reality goes all rubbery after she finds and opens a Lament Configuration, summoning Pinhead into h...r life.
Posted in: Disc Reviews by Archive Authors on June 16th, 2005
I remember my Junior High teacher reading us excerpts from the novel I Am David in English class. Raising social consciousness was not something we into at that age. Looking back, I can see what my teacher was trying to do. The novel, and this movie adaptation, follows the story of 12 year old David, who escapes a Communist gulag in order to deliver a letter to Copenhagen. David is equipped with nothing but a compass, a bar of soap, and a loaf of bread. His quest across the continent is a journey of enlig...tenment and “growing up” the hard way.
How is the movie version? Well…let’s just say…sometimes a novel should stay a novel. The director Paul Feig has good intentions, and the movie sports solid performances by Ben Tibber (as David) and Jim Caviezel (beware of the misleading DVD cover…Jim only has a supporting role). The problem is Feig’s adaptation and the handling of the material. The flights of fancy and overt sentimentalism get in the way of an engaging film. In other words, the movie just doesn’t work.
