Posted in: Disc Reviews by Archive Authors on January 22nd, 2005
To put it succinctly, HBO has done it again. The network simply has no fear. It prides itself on bringing groundbreaking programming to the masses, laughing in the face of such cookie-cutter faire as American Idol and Two And A Half Men. First there was Sex and the City, then the behemoth that is The Soprano’s, and now we have Carnivale.
I love TV shows that feel they don’t have to explain themselves, and this series is certainly that. Think “David Lynch vs. the Jim Rose C...rcus Sideshow”. The setting of the series is a traveling carnival in the dust bowl of the 1930’s. The plot is, well… let’s just say that magic, the battle between good and evil, and giving people with no hope something to believe in are all involved, though none of that quite fits. Like I said before, it’s HBO. You just have to see it to believe it.
Posted in: Disc Reviews by David Annandale on January 22nd, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on January 21st, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on January 20th, 2005
Exit light…enter night. Metallica: Some Kind of Monster is a documentary about the inner workings of the band. But it’s not a “behind the music” type piece or a concert movie. The filmmakers attempt to gnaw away at the troubling trials of fame, addiction, and friendship. It’s fascinating stuff. Now, I’m not a big fan of Metallica, but I’ve been in creative collective situations. The personal relationships are constantly shifting. You bicker one minute, you love one another the next. In Metallica’s cas..., they even hire a personal therapist (which borders on Spinal Tap territory). But there’s enough music to keep the fans happy. And the filmmakers, Joe Berlinger and Bruce Sinofsky, are veterans of the documentary world (Paradise Lost and Brother’s Keeper are excellent). Metallica: Some Kind of Monster is not an easy musical bio piece. It’s a lesson in the tumultuous tempest we call human relationships.
Audio
Posted in: Disc Reviews by Archive Authors on January 20th, 2005
What a find! Film footage from a landmark 1970 concert sat in a producer’s garage for almost 3 decades. So finally, after all the music rights and remastering were taken care of, we have a landmark rockumentary. Thank the maker. Festival Express is a rock concert movie about a 3 city train tour, with stops in Toronto, Winnipeg, and Calgary (not to mention a stop in Saskatoon for booze). The performers included The Grateful Dead, The Band, Buddy Guy, and Janis Joplin (among many, many others).
<p ...The film doesn’t have the sociological impact of Woodstock and Gimme Shelter, or the melancholic “meaning” of The Last Waltz. Festival Express has more of a backstage pass quality. We get to see the performers (mostly in the bar car) sitting around talking or jamming. The retrospective interviews have some amusing anecdotes (I like the one where the concert promoter slugs the mayor of Calgary). The concert footage is not especially amazing, and some of the songs are merely OK. But Janet Joplin, man, she steals the show. Her two songs in the movie will blow your mind. It’s sad that she died just two months after the festival.
Posted in: Disc Reviews by Gino Sassani on January 20th, 2005
Season Six signaled the inevitable decline of Star Trek Voyager. While there were certainly strong episodes, such as Pathfinder, there were far too many episodes like The Spirit Folk. The addition of the Borg children was, perhaps, the final push into the abyss. They are constantly irritating. It’s like a pack of Wesley Crushers without the passion. Voyager may have been struggling to get back to the Alpha Quadrant, but it was clear the writers were struggling even harder to keep the show fresh without resorting to o...ert cuteness or rehashing tired ideas. By now you would think Janeway would have turned off that dangerous holodeck.
Synopsis
Posted in: Disc Reviews by Archive Authors on January 18th, 2005
The rise in popularity of TV on DVD has brought about an interesting side effect. Namely, shows that would have previously faded into oblivion after a few airings are now finding a new audience. Often, such as in the cases of Firefly and Boomtown, audiences (and networks) are discovering that they may have pulled the plug too soon on some shows. While Crusade doesn’t exactly fit into this category, it does prove itself to be a show with promise, that may have developed into something special if i... had been given the time.
Crusade is a spin-off of the popular sci-fi program Babylon 5. This time, however, instead of the action coming to the cast, the cast goes to the action. The basic arc of the show involves a spacecraft and crew that have been charged with finding a cure for a virus that will kill all of the inhabitants of Earth within five years. It is this tie to Earth and humanity that makes the show so accessible to people that are not traditionally sci-fi fans. This also gives the show something of a tie to the original Star Trek series that started it all.
Posted in: Disc Reviews by David Annandale on January 17th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on January 16th, 2005
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Posted in: Disc Reviews by Archive Authors on January 14th, 2005
First off, let me say that if you have only seen Showgirls on VH-1, then you haven’t had the full experience. It’s bad on network television, but the sheer scope of how truly awful it is can only be experienced in the full, uncut version. Laughing at an idiot is one thing. Laughing at a naked idiot is something else entirely. It’s amazing how un-sexy this film really is. Showgirls is funny in the same way that it was funny to make fun of the fat kid riding in the front of the bus in Junior High. ...art of you feels sorry for Elizabeth Berkeley, and part of you secretly gets a certain satisfaction out of watching her fail so horribly and famously on film. The point is, this film is truly enjoyable, in the most twisted of ways.
This trashy flick is the very definition of a film so bad that it’s good. For those of you that live in a cave in Afghanistan, this is the story of a small-town girl who goes to Vegas to make it big as a showgirl (because you have to have goals, right?). Once she gets there, she finds that Sin City is called that for a reason, and she fights through catty co-workers, sleazy managers and her own blind ignorance to get her shot at the big time. I think I might have died of boredom if this movie wasn’t so gloriously horrible.
