Posted in: Disc Reviews by David Annandale on January 13th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on January 13th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on January 11th, 2005
A vehicle for Hilary Duff, “A Cinderella Story” is a modern updating of the classic fairy tale. Set at a high school in the San Fernando Valley, a "dorky" girl, Hilary Duff, comes to terms with her “wicked” stepmother, Jennifer Coolidge, and evil stepsisters, played by Madeline Zima and Andrea Avery. Duff meets her “prince” and well….there’s a Halloween Dance….well…I think you get it.
This movie does exactly what you expect it to do. No surprises or inventiveness. Fans will enjoy, but to the “layperson” t...e lack of cinematic flair might be off-putting. There’s a sweetness and cuteness to the proceedings, but if you’re looking for an original take on an old classic, you won’t find it here.
Posted in: Disc Reviews by Archive Authors on January 11th, 2005
De-Lovely is a musical bio-pic based on the life of Cole Porter. Now, Porter was an American genius, responsible for writing such song classics as “Love for Sale” and “Anything Goes”. Porter’s personal life was also legendary. He had a wife, but also had affairs with men. Porter also suffered a horse riding accident in the late 1930’s that debilitated him for the rest of his life (to his death in 1964). Sounds like the great makings of a movie, right? Well….
Kevin Kline plays Cole Porter, and h... has the necessary panache to pull off the role. Ashley Judd also has a nice turn as Linda, Porter’s wife. The problem with the film is the presentation. The film tries for a musical within a musical idea, as an older Porter oversees a musical based on his life. Sometimes the technique works, sometimes it misfires. Modern music stars are also peppered throughout the film (like Elvis Costello, Alanis Morissette, and Sheryl Crow) singing Porter tunes. Some of these songs do not work very well (Miss Morissette – guilty as charged!). The director, Irwin Winkler, is an old Hollywood vet, so he does show reverence for the material. The result is a charming, if not entirely successful, musical bio-pic.
Posted in: Disc Reviews by Archive Authors on January 11th, 2005
The story of Troy and the warrior Achilles is the stuff of legends now brought to life by Wolfgang Peterson. With an ensemble cast including Brad Pitt, Eric Bana, Peter O’Toole, Brian Cox, Brendan Gleeson and Sean Bean there are only two things that can happen, magic or mediocrity. In this case I think we end up somewhere in between. Some scenes like the battle between Achilles and Hector is incredible while the storming of the beach at Troy is almost downright laughable. Overall though the film works I just wish it ...as a little longer to flesh out more of the subplots, because the long run that’s what holds this film back.
Video
Posted in: Disc Reviews by Archive Authors on January 9th, 2005
I started watching this movie expecting something akin to a National Lampoon episode – a goofy motorcycle road trip populated by harmless and amusing stoners. Those of you who are Easy Rider fans, or who have seen and appreciated the film should be chuckling now at my ignorance. This film, as well as Rambo: First Blood and Vanishing Point have now made it adequately clear to me that I’ve completely missed an entire genre of filmmaking. For those who share my ignorance, what I’m referring to is th... bleak and depressing post-1969 disillusionment film (this movie was actually filmed during ’69): love, merriment, and hope have been replaced with unmitigated bleakness and futility. The freedom and exuberance of the sixties has been replaced with imagery that exposes it for what it was – a brief flare in a perpetual night otherwise characterized by self-serving manipulations, hollow appearances, unrealized and forgotten dreams, violence, and willful ignorance.
Yes – the world after the summer of love is a pretty depressing place. Easy Rider makes this adequately clear in the opening minutes of the film as our two hero’s (Dennis Hopper and Peter Fonda) complete a drug deal close to the Los Angeles airport. By starting the movie in this way, even the liberal, free spirited protagonists of the film are deprived of any moral base – their innocent, archetypal sixties dream of traveling by motorcycle across the US and having fun along the way is revealed as the end product of a career of crime and drugs, and the protagonists are presented as amoral and self-serving at best. The idealism of the sixties is flayed and exposed as the hollow moral posturing that – by and large – it was. Interesting side note here: the person that the drugs are sold too is in fact the Phil Spector, who’s monumental music production career has since been eclipsed by his Hughes-esque eccentricities, and allegations of murder. Check out the Making-Of documentary for more on Spector’s weirdness while filming.
Posted in: Disc Reviews by David Annandale on January 8th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on January 6th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on January 4th, 2005
The Princess Diaries 2: Royal Engagement is the sequel to the popular Disney feature The Princess Diaries. How is our princess (Anne Hathaway) now? Well, life isn’t so easy in Gevonia. While trying to dodge Machiavellian plots and ill-suited suitors, the princess Mia tries to find love and (more importantly) herself.
The Princess Diaries 2 feels like one of those “phoned-in” sequels. All the notes are there, but none of the music. Veteran director Garry Marshall does a poor job o... filling this movie with energy or any sense of pace; and the movie plods along to its inevitable conclusion. Pre-teens might get a kick out of it, but the movie’s long windedness might make them turn towards the XBox. Anne Hathaway’s moxie and Julie Andrews’s grace make The Princess Diaries 2 modestly watchable.
Posted in: Disc Reviews by David Annandale on December 31st, 2004
Synopsis