Posted in: Disc Reviews by David Annandale on October 28th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on October 27th, 2004
Synopsis
Kate Hudson is the golden girl at a modelling agency, scouting out talent and being very much the apple of ruthless boss Helen Mirren’s eye. She enjoys her cosmopolitan Manhattan lifestyle to the fullest, and then everything goes to smash. Her elder sister is killed in a car accident, leaving the care of her young’uns not to middle sister Joan Cusack (humourless and annoying) but to Hudson, who is promptly fired by Mirren and forced to move to Queens and work at a car dealership. Fortunately... sexy Lutheran minister John Corbett is nearby to provide the romance.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2004
Michael Shanks returned to Stargate full time in Season 7. What continues to impress me is that after 7 years the quality of this show just keeps getting better. I’m rarely moved by film or TV, but “Fragile Balance” was one of the most moving hours of television I’ve ever seen. The writers and actors continue to collaborate to create the best science fiction show ever. I’m sorry, but that might even include Star Trek. Season 7 brought us even more complex stories, if that was possible. The characters each had opport...nities to go off on their own this year which was quite refreshing. The F/X continue to be the hallmark for any production current or future.
Synopsis
Posted in: Disc Reviews by David Annandale on October 26th, 2004
Synopsis
Nine years ago, Jesse (Ethan Hawke) and Celine (Julie Delpy) met in Vienna and spent a magical night together, their conversation blossoming into love. But they did not meet six months later as promised, and they moved on with their lives. Now Jesse has come to Paris to promote his book (inspired by that one night), and Celine comes to his book signing. He has an hour or so before his flight, and they head off together for coffee. Their conversation ranges over all manner of topics, graduall... becoming more and more personal as they come to terms with what they mean to each other.
Posted in: Disc Reviews by David Annandale on October 26th, 2004
Synopsis
These are the first eight installments of the slasher franchise, a franchise that is now bathedin the warm glow of nostalgia. The basic premise for all the movies is the same: a vengefulmaniac hacks up teenagers in retaliation for the drowning of little Jason Voorhees back in 1958.The films resemble each other so closely, and their plotting is so minimal, that viewers may beforgiven for having trouble keeping them straight. Herewith, a brief reminder of the salientdifferences.
Posted in: Disc Reviews by David Annandale on October 25th, 2004
Synopsis
There’s nothing really to summarize about these films. Their reason for being, after all, is simply to present clips from classic MGM musicals. The first film, released to huge success in 1974, set the pattern, with various big stars (Frank Sinatra, Elizabeth Taylor, Gene Kelly and so on) narrating different segments of a potted history of the MGM musical. That’s Entertainment, Part 2 (1976) broadened its scope to include comedy and romance scenes as well. The third film didn’t arrive...until1994, and dug deeper into the vaults to feature many scenes that were previously unseen because they were cut from the original releases. There’s something a little bit dubious about watching just the big numbers from famous films and stripping them of context (and the clips are very frequently not presented in their entirety anyway), and anyone looking for a serious documentary about MGM is better off looking elsewhere. There is still an enormous amount of material here, much of it now rare or hard to find. Simply bear in mind that the effect of watching these films is not unlike viewing a multi-hour marathon of Oscar night tribute compilations.
Posted in: Disc Reviews by David Annandale on October 21st, 2004
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Posted in: Disc Reviews by David Annandale on October 19th, 2004
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Posted in: Disc Reviews by Archive Authors on October 17th, 2004
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This is a redemption movie – in this case, redemption for CIA assassin (“counter insurgent expert”) John Creasy – a burnt out alcoholic in search of forgiveness for the heinous acts perpetrated under the banner of his job (“Do you think God will ever forgive us for what we’ve done?”). Creasy’s path to redemption is laid out by his friend and compatriot Rayburn, who lands him a job as a bodyguard for a wealthy family in Mexico City. Apparently kidnapping the children or spouses of wealthy cor...orate types is a highly profitable enterprise, and the corrupt police force and organized crime community work together to make it pay off. Creasy’s role as bodyguard centers around protecting Pita Ramos - the daughter of a Mexican auto-parts magnate – an exceedingly cute, exceedingly non-Mexican little girl with a heart of gold that brings Creasy back from the brink self-immolation.
Posted in: Disc Reviews by David Annandale on October 17th, 2004
Synopsis