Dolby Digital 5.1 (English)

Synopsis

This is a tale of two adopted brothers. One (Paul Sampson) stayed home in Jersey, becominga hit man for the Mob. The other (Patrick Muldoon) tried to escape that life, and became anassassin for the CIA. When computer nerd Judge Reinhold discovers a crooked deal arrangedby a rogue CIA officer, a contract is taken out on his life, and Sampson gets the job. Reinholdruns to Muldoon for help, thus reuniting the brothers, who realize the Agency goon has beenmanipulating them. Now they fi...ht back.

Synopsis

An art-museum heist leads to the discovery of a map pointing the way to a treasure hiddenby Christopher Columbus. Two groups wind up on a remote island, racing each other and aferocious storm for the treasure. One group is a collection of criminals and crooked cops, eagerto kill our heroes in the second group (Stephen Baldwin, Nicolette Sheridan, and assorted comicrelief).

With the success of Star Trek as both a television and film franchise, it made perfect sense to eventually pass the baton from the Kirk era to the Next Generation. Generations had promise, but could and should have been a far better film. The f/x were for the most part inferior to previous Trek films. The destruction of the Enterprise D is the notable exception. Perhaps it was unwise to attempt to blend the established film environment with the too recently completed television series.

The film might have ...een better served by taking more time to create a better film version of the Enterprise D. It’s obvious that the ship’s destruction was written into this film to allow for the necessary redesign of the Enterprise for future films. A greater participation by the rest of the original cast, while costly, would have gone further to portray the changing of the Star Trek guard. I have heard Nimoy speak several times on the issue. He declined the role not because of money as many speculate, but because Spock’s role was too insignificant and out of character. How I would have loved to see Picard, Data, Spock, and Kirk work together toward the film’s climax. Still, Generations did bridge the two generations of Star Trek in an emotional if unsatisfying fashion.

The Whole Nine Yards was a pretty funny film. It wasn’t outstanding. It wasn’t classic cinema. It certainly didn’t cry out for a sequel. The Whole Ten Yards goes one yard too far. Most of the original cast is back, but the film has no life. Even the laughs are forced. By now the novelty of the characters has long since worn thin. Bruce Willis seems to be acting for acting’s sake. The mood swings and unnecessary facial exaggerations seem to provide Willis with some distraction from how empty the rest of the film is. I...think he watched DeNiro in Analyze This or Analyze That too long. Amanda Peet’s assassin wannabe whining is no longer cute. It’s just annoying. Matthew Perry might be soon yearning for his Friends days if this is anywhere near his best film attempt.

Synopsis